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DRAMAS DA ESCRAVATURA E O EXOTISMO DO COMÉRCIO NEGREIRO, DO INDIGENATO E DO DARWINISMO SOCIAL NA OBRA DE EMÍLIO SALGARI – PARTE 2

2008; Issue: 4 Linguagem: Inglês

10.11606/issn.1981-7169.crioula.2008.54045

1981-7169

Alberto Oliveira Pinto,

Literature, Culture, and Criticism

PUBLISHED IN 1896, DRAMAS OF SLAVERY IS THE ONLY NOVEL BY EMILIO SALGARI ABOUT A NOT ISLAMIC SUB-SAHARAN AFRICA. WE AIM TO ANALYZE SOME OF THE REPRESENTATIONS OF EMILIO SALGARI’S IMAGINARY: THE ABOLISHMENT OF TRADE OF SLAVES AND SLAVERY AND THE CONSEQUENT PASSAGE OF THE SLAVE TO THE CONDITION OF “INDIGENE”; THE RACIALIZATION OF CULTURES OR RACIAL DETERMINISM AS A LEGITIMATOR OF THE EXPLOITING COLONIALISM; THE PERSISTENT DICHOTOMIC VISION ABOUT THE AFRICAN MAN AS A “GOOD WILD MAN” OR AS A “BAD WILD MAN”; AND FINALLY THE MYTH OF “HYBRIDITY” OR MESTIZAGE.