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“Moscou”: O encontro marcado entre Coutinho e Tchekhov e a construção de uma estética distópica

2016; CENTRO BRASILEIRO DE ANÁLISE E PLANEJAMENTO; Volume: 35; Issue: 03 Linguagem: Inglês

10.25091/s0101-3300201600030009

ISSN

1980-5403

Autores

Marco Antônio Gonçalves,

Tópico(s)

Literature, Culture, and Criticism

Resumo

This article examines Moscou, a film by Eduardo Coutinho, and its proximity of Tchekhov' s theatre through the exploration of their conceptual, philosophical and aesthetic connections.Moscou can be considered as a meta-film, a crucial moment in which Coutinho makes explicit his method of reflection and the epistemology of his cinematographic oeuvre.Centering the discussion on a dystopic aesthetics, we explore the construction of reflexivity, anti-naturalism, life as drama and the cosmic aspect of interiority.

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