Artigo Acesso aberto Produção Nacional Revisado por pares

Desterritorialización, cultura internacional-popular e identidad en el cine: El caso del western chileno “Sal”

2018; UNIVERSIDADE FEDERAL FLUMINENSE; Issue: 15 Linguagem: Inglês

10.22409/pragmatizes.v0i15.10511

ISSN

2237-1508

Autores

Pablo Matus,

Tópico(s)

Youth Culture and Social Dynamics

Resumo

This paper propose a dialogue with the tradition of cultural studies applied to the production of symbolic goods, particularly about the forms of representation of Latin American identity on media objects of globalized distribution. In this case the Chilean film "Sal" (2012) will be taken as a piece of analysis, which is declared as belonging to the western genre and has an argument according to the recognizable canon,but was directed by an Argentine (Diego Rougier), starring a Spanish (Fele Martínez) and Chileans (Patricio Contreras and Javiera Contador, among others),and has locations in Spain and Chile. For the analysis, concepts of the Brazilian sociologist Renato Ortiz regarding globalization are used, as well as what he calls deterritorialization and international-popular culture.

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