As noites de música brasileira na Baixa do Porto

2019; Volume: 5; Issue: 1 Linguagem: Inglês

ISSN

0871-9705

Autores

Lucas Wink,

Tópico(s)

Night-time city culture

Resumo

This article is the result of the author’s master’s thesis completed at the University of Aveiro. Based on an ethnomusicological orientation in which I emphasize my role as a musician and researcher, from 2014 to 2017 I conducted fieldwork together with musicians who took part in Brazilian music events in night bars located in downtown Oporto. With the intention of overcoming a static understanding of Brazilian music (often linked to musical pieces), with a view to an approach that elucidates the dynamism of performance practices and the roles played by individual musicians, in this work I conceive of Brazilian music as a field in transformation, in which musicians, audiences, performance spaces, memories, musical abilities, sonorities, imaginations, social negotiation processes and resistance strategies against the large consortiums of global musical production continuously interact.

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