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Carnegie International

2019; The Visual Studies Workshop; Volume: 46; Issue: 2 Linguagem: Inglês

10.1525/aft.2019.462002

2578-8531

Clayton Campbell,

Museums and Cultural Heritage

Reports| June 02 2019 Carnegie International Clayton Campbell Clayton Campbell Clayton Campbell is an artist and writer whose newest work, Tales From The Downslope: But Picking Up Speed Really Fast; Photographs, Short Stories, Commentary (2018), can be downloaded at www.claytoncampbell.com/book-store. Search for other works by this author on: This Site PubMed Google Scholar Clayton Campbell is an artist and writer whose newest work, Tales From The Downslope: But Picking Up Speed Really Fast; Photographs, Short Stories, Commentary (2018), can be downloaded at www.claytoncampbell.com/book-store. Afterimage (2019) 46 (2): 7–12. https://doi.org/10.1525/aft.2019.462002 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Clayton Campbell; Carnegie International. Afterimage 2 June 2019; 46 (2): 7–12. doi: https://doi.org/10.1525/aft.2019.462002 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAfterimage Search The Carnegie International is the second oldest international contemporary arts exhibition in the world. Established in 1896, just one year after the Venice Biennale, the Carnegie International has a storied history. Today it is probably eclipsed by flashier, socially central (and aligned with the art market) surveys like the Whitney Biennial. Even art fairs like the New York Armory Show, Frieze London, or Art Basel Miami seem to establish the metrics of inclusion and importance once measured by the Carnegie International. It was therefore a pleasure to experience curator Ingrid Schaffner’s refreshingly idiosyncratic 57th installment of the Carnegie International. Schaffer explained, “The aim of this International is simply to inspire museum joy. Simply put: the pleasure of museums comes from the commotion of being with art and other people actively engaged in the creative work of interpretation. Draw on what you know.”1 Andrew Carnegie founded the International to inspire... You do not currently have access to this content.