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ARDEŞEN YÖRESİ HALK MÜZİĞİNDE DESTAN TÜRÜ

2019; ASOS Eğitim Bilişim Danışmanlık; Volume: Volume 14 Issue 3; Issue: Volume 14 Issue 3 Linguagem: Inglês

10.29228/turkishstudies.22864

1308-2140

Erkan SARAL- Burçin UÇANER ÇİFDALÖZ,

Turkish Literature and Culture

This study was conducted in order to investigate the epic genre in the traditional music culture of the local people in the Ardeşen district of Rize province for the pupose of the traditional music practices in the Eastern Black Sea Region.In this context, the people in the region were interviewed in the field about the subject.As a result of the interviews, the transcription of the audio recordings was targeted.In the study, ,field research method which is one of the qualitative research methods was used.Prior to the field study, the related literature was scanned and then compilations were compiled through unplanned interviews from the source persons determined in the field.The compilations were brought into the data position to be transferred to the note by using the Mixcraft Music and Audio Parser program, and were noted with the help of the writing program called Mus 2. As a result of the compilations, literary and musical analyzes of the epics among the music practices of the people living in the region were made.In the study, the epic quatrains compiled were transferred exactly.According to this, it was determined that eleven syllable measurements were used in epics.Although the rhythmic aspect was adapted to the four-stroke scale, it was seen that the epics were generally performed in free time.As the subject content in the epics; longing, separation, expatriation, love and dead lament are being processed.Most of the time, the local people perform this traditional type of music as improvisation.There is a melody pattern that is used traditionally in the epics and the people of the region give this mold the name of "epic base''.The epics can be read in the Ardeşen region by accompaniment with tulum or kemençe and can only be performed as vocal.