Aspectos da pintura política na França: de Civilização atlânticaao Ateliê Popular (1953-68)
2018; Volume: 24; Issue: 2 Linguagem: Inglês
10.36638/1981061x.2018.24.2/192-209
ISSN1981-061X
Autores Tópico(s)Historical and Political Studies
ResumoThe objective of this article is to analyze the French political painting between 1953 and 1968: from the first presentation of the work Atlantic Civilization, by André Fougeron, to the creation of the Atelier Populaire during the occupation of the École des Beaux-Arts in Paris in May 1968.First, we discuss the artistic movements that arose during that periodcritical figuration, narrative figuration, Salon of Young Painting etc. -as inaugurating a new stage in the process of politicizing art in that country.Next, we highlight some characteristics of this new painting -such as the annulment of individual authorship, the collectivization of the creative process, and the technical sharing that resulted from them -emphasizing the relations established with the historical context of the transnational financialization of art spearheaded by the USA.
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