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Boogie, un mercenario de película

2019; Routledge; Volume: 25; Issue: 3 Linguagem: Inglês

10.1080/13260219.2019.1739817

2151-9668

Juan Matías Lobos,

Journalism and Media Studies

Boogie, el aceitoso is a comic book character created by Roberto Fontanarrosa that first appeared in the magazine Hortensia in 1972. From its first release until 1995, twelve volumes of the comic were published. The Argentinian film Boogie, el aceitoso premiered in cinemas in 2009. This article proposes an exercise of semiotic transposition and intertextuality11. Mijaíl Bajtín, Estética de la creación verbal (México: Siglo XXI, 1982). between the book Todo Boogie22. Roberto Fontanarrosa, Todo Boogie el aceitoso (Buenos Aires: De la Flor, 2003). and the film Boogie, el aceitoso (película).33. Boogie, el aceitoso (película), dirigida por Gustavo Cova (Buenos Aires: Illusion Studios, 2009). Semiotic transposition is here understood as the social operations through which a piece of work or a genre changes its reference framework or sign system,44. Nicolás Bermúdez, “Aproximaciones al fenómeno de la transposición semiótica: lenguajes, dispositivos y géneros,” Estudios semióticos 4 (2008). doi: http://dx.doi.org/10.11606/issn.1980-4016.esse.2008.49197 and intertextuality as a dialogue between texts that are linked by a chain of signification.