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Deslocamento e reconfiguração de espaço no cinema brasileiro: o caso de Linha de passe e Que horas ela volta?

2020; American Portuguese Studies Association (APSA); Volume: 5; Issue: 1 Linguagem: Inglês

10.21471/jls.v5i1.322

2469-4800

Angela Rodríguez Mooney,

Urban and sociocultural dynamics

In the present article, I examine Daniela Thomas and Walter Salles's Linha de passe (2008) and Anna Muylaert's Que horas ela volta? (2015). I argue that these films create new representational possibilities for subjects withincontemporary Brazilian culture by breaking with the dominant model of the favela as a predominantly masculine space that is essentially "out of control." This renegotiation brings with it a valorization of the subjectivity of women who work in the city. I argue that this valorization takes place in both films through the physical displacement of those who traditionally do not enjoy subject status and yet dare to enter territories previously denied to them.