Portal de Periódicos da CAPES

Chicana/o Sounds

2020; Wiley; Volume: 32; Issue: 3 Linguagem: Inglês

10.1525/jpms.2020.32.3.41

1533-1598

José Bonet Navarro,

Latin American and Latino Studies

Research Article| August 27 2020 Chicana/o Sounds: Field Notes from the Chicana/o and Sound Studies 2020 MLA Panel José Navarro José Navarro California Polytechnic State University Email: jnavar17@calpoly.edu José Navarro is associate professor in the Department of Ethnic Studies at the California Polytechnic State University in San Luis Obispo. He received his Ph.D. in English from the University of Southern California in 2012. He has published several articles and book chapters including: “Las Cafeteras’ ‘La Bamba Rebelde’: Chican@ Nationalist Identity & Postnationalist Politics” (2014) in the journal Latino Studies; “Revisiting the Boulevard: The Gender & Sexual Politics of Michael Pressman’s Boulevard Nights” (2017) in the Journal of Popular Culture; “Luis J. Rodriguez’s Always Running: Between Chicano Nationalism and the Left” in Left in the West, edited by Gioia Woods (University of Nevada Press, 2018) and “Braided Together: Native and Black Hip Hop Against Police Violence” with Jenell Navarro in Thinking about Hip Hop: Blackness, Indigeneity, and Identity, edited by Audrey Hudson, Awad Ibrahim, and Kyle Mays (DIO Press, 2019). His research interests include Latina/o/x literary & cultural studies; Chicano/Latino gang film and other gang narratives; the intersections of race, gender, masculinity, and sexuality studies; and decolonial theory and politics. Search for other works by this author on: This Site PubMed Google Scholar Journal of Popular Music Studies (2020) 32 (3): 41–50. https://doi.org/10.1525/jpms.2020.32.3.41 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation José Navarro; Chicana/o Sounds: Field Notes from the Chicana/o and Sound Studies 2020 MLA Panel. Journal of Popular Music Studies 27 August 2020; 32 (3): 41–50. doi: https://doi.org/10.1525/jpms.2020.32.3.41 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentJournal of Popular Music Studies Search Every year, the Modern Language Association (MLA) asks its various committees and forums to propose new panels for its annual convention. These panels generally allow for committees to collaborate and, in so doing, invite new thinking and research in literary and cultural studies. In early 2019, two MLA committees, the Executive Committee for Chicana/o Literature and the Executive Committee for Sound Studies, collectively sent out a CFP for a conference session titled “Super Sonic Chicanidades.” We invited papers, essays and book presentations that theorized Chicana/o sound, soundtracks, sound-tracking, etc. in music, literature, film and other expressions of popular culture. The genesis for this call for papers and its theme was influenced by works including Deb Vargas’s Dissonant Divas, Dolores Inés Casillas’s Sounds of Belonging, Michelle Habell-Pallan’s American Sabor, Jennifer Stoever’s The Sonic Color Line, Josh Kun’s Audiotopia, Karen Tongson’s Relocations, and Marlen Rios-Hernandez’s essay “If... You do not currently have access to this content.