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Parlando Rubato György Kurtág and Hungarian Folk Music

2020; Akadémiai Kiadó; Volume: 60; Issue: 1-4 Linguagem: Inglês

10.1556/6.2019.00006

1789-2422

Anna Dalos,

Historical Geopolitical and Social Dynamics

This study focuses on the use of the parlando rubato style of Hungarian folk music in György Kurtág’s compositions. Kurtág applies the terms parlando, rubato ,and molto rubato several times, and these designations always refer to a clearly defined meaning in his compositions, connected to “Hungarianness” and sexuality. This study aims to reveal these meanings, aided by Kurtág’s compositional sketches and notes preserved in the Paul Sacher Foundation in Basel, as well as through analysis of vocal works such as the Four Songs (op. 11), S. K. –Remembrance Noise (op. 12), Attila József Fragments (op. 20), Seven Songs (op. 22), Eight Choruses (op. 23), Kafka Fragments (op. 24), and Three Old Inscriptions (op. 25).