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Ricerche sul teatro classico spagnolo in Italia e oltralpe (secoli XVI-XVIII)

2020; Firenze University Press; Linguagem: Inglês

10.36253/978-88-5518-150-1

2704-6478

Marta Alberti, Francesca Arrigoni, Maria Boddi, R. Casalbuoni, Francesco Ciampi, Anna Dolfi, Roberto Ferrise, Pierpaolo Guarnieri, Alessandro Lambertini, Roberta Lanfredini, Patrick Lo, Giovanni Mari, Alessandro Mariani, Pâmela Patrícia Mariano, Simone Marinai, Rolando Minuti, Alberto Pizarro Fernández, Meccanica Lettera, Sommario Srls, Fausta Antonucci, Salomé Vuelta, García La, Colvin Om, E Di A N U Eva, Ingo Samuel Rosario Francia, Erica Germania, Sobre El, Papel De, Lope De Vega En, L Construcción, Del Relato Nacional, Del Clasicismo Francés, Christophe Couderc, Mónica Pavesio, Dal Desdén, D Moreto, A Plaisirs, Diane Molière, Marco Lombardi, El Teatro, Del Siglo De, Manfred Tietz, La Om, Evangelin Saral N, U Eva, Una Tragedia, Cinquecentesca Italo-Spagnola, Luis G. Reyna, Matilda Di Giovan, Domenico Bevilacqua, Y Castelvines, D Monteses, Luciana Lope De Vega, Orlando Gentilli L'amorose Furie D', Andrea De Giacinto, Y Cicognini, Teatro El, Marcella Trambaioli, A. Sulla, Fortuna De, L Fuerza, Lastimosa Nell'opera, Del Seicento, Alfonso Di, Matteo Noris venezia, Napoli Palermo, Anna Tedesco L'ombra, D Don, Juan Tenorio, Sulla Scena, Barocca Partenopea Indizi D'archivio, E Canoni Drammaturgici, Teresa Megale, D Settecento, Alissa Perrucci, E Abri, Roberta Alviti, Angiola D'orsi, Ante Lo, Cómico Calderoniano, Amore, Francesca Leonetti, Con Vengo, Vengo Di, M. José Orobitg Dellà, Marra Fra, Calderón De, Laura Varela Barca, E Angiola D'orso, Federica Cappelli, I Principe, de, Francesco Silvani, Una Curiosa, Taracea De Motivos, Del Teatro Áureo, Español Fausta, Antonucci Armidoro, E Oristeo, Principi Altri, Sulle Giardinieri, Nel Scene Dell'opera Veneziana, Nicola Seicento, D Badolato, Celosa La, S De, D Misma, Antonio Tirso, G. de la, S Di, Melodramma Stessa, Arcangelo Di, Simone Spagna,

Spanish Literature and Culture Studies

At the height of its development and up to the eighteenth century, the Spanish classical theatre significantly contributed to the formation of the modern European theatre. Theatre texts and theatrical companies were in fact circulating outside the Iberian peninsula and the Spanish experience of theatre triggered literary debates and reflections that played a central role to the cultural history of Europe, from Neoclassicism to the beginnings of Romanticism. It is a complex phenomenon crossing linguistically and culturally diversified territories, and which therefore needs an inter- and multidisciplinary approach. We tried to respond to this need by involving scholars and researchers in the fields of Hispanic, French, Italian, history of entertainment and musicology for the drafting of this volume.