Artigo Acesso aberto Revisado por pares

Born in the USA: The Cigar Box Guitar, Object Displacement and Performative DIY

2020; Oxford University Press; Volume: 34; Issue: 3 Linguagem: Inglês

10.1093/jdh/epaa058

ISSN

1741-7279

Autores

Paul Atkinson,

Tópico(s)

Crafts, Textile, and Design

Resumo

Abstract The cigar box guitar is a long-standing cultural artefact which, over the course of its history, has undergone a series of displacements. Initially an acoustic instrument made by impoverished people in the mid-nineteenth century to fulfil a social need to make music and help the singing of traditional folk songs, it soon became a simple do-it-yourself project associated largely with children, and later, in the 1990s, it was reimagined as a serious, electrified musical instrument employed in a particular, performative form of DIY. In this most recent incarnation, the Internet has enabled the cigar box guitar to break free of its American roots to become the focus of a global practice of Performative DIY and a vehicle through which physical and virtual communities of makers support each other, express themselves, explore their creativity and display their self-identities.

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