Artigo Revisado por pares

Transparent Pictures: On the Nature of Photographic Realism

1984; University of Chicago Press; Volume: 11; Issue: 2 Linguagem: Inglês

10.1086/448287

ISSN

1539-7858

Autores

Kendall L. Walton,

Tópico(s)

Aesthetic Perception and Analysis

Resumo

Previous articleNext article No AccessTransparent Pictures: On the Nature of Photographic RealismKendall L. WaltonKendall L. WaltonPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 11, Number 2Dec., 1984 Article DOIhttps://doi.org/10.1086/448287 Views: 109Total views on this site Citations: 162Citations are reported from Crossref Copyright 1984 The University of ChicagoPDF download Crossref reports the following articles citing this article:Mark Windsor Imagining the Past of the Present, The Philosophical Quarterly 101 (Dec 2023).https://doi.org/10.1093/pq/pqad114Becky Millar, Louise Richardson Grief, Smell and the Olfactory Air of a Person, Pacific Philosophical Quarterly 104, no.44 (Sep 2023): 769–790.https://doi.org/10.1111/papq.12443Megan Hyska The politics of past and future: synthetic media, showing, and telling, Philosophical Studies 109 (Nov 2023).https://doi.org/10.1007/s11098-023-02062-xShuting Zhou, Alexis Morris, Sara Diamond Building Social Presence for Transnational Families Through Mixed Reality Shared Experiences, (Oct 2023): 300–307.https://doi.org/10.1109/ISMAR-Adjunct60411.2023.00067Aurélien Daudi ‘Ecce Ego’: Apollo, Dionysus, and Performative Social Media, Sport, Ethics and Philosophy 1 (Oct 2023): 1–18.https://doi.org/10.1080/17511321.2023.2265070Solveig Aasen Real Likenesses. Representation in Paintings, Photographs and Novels , by Michael Morris, Mind 132, no.527527 (Dec 2021): 918–926.https://doi.org/10.1093/mind/fzab079Matthew Crippen Conceptual and moral ambiguities of deepfakes: a decidedly old turn, Synthese 202, no.11 (Jul 2023).https://doi.org/10.1007/s11229-023-04250-yAfrooz Rafiee, Wilbert Spooren, José Sanders Framing similar issues differently: a cross-cultural discourse analysis of news images, Social Semiotics 33, no.33 (Mar 2021): 515–538.https://doi.org/10.1080/10350330.2021.1900719René Jagnow The particularity of photographic experience, Theoria 89, no.22 (Feb 2023): 216–231.https://doi.org/10.1111/theo.12457Iskra Fileva My Delicate Taste: Aesthetic Deference Revisited, Philosophers' Imprint 23, no.00 (Oct 2023).https://doi.org/10.3998/phimp.1523Francesco Pierini Deepfakes and depiction: from evidence to communication, Synthese 201, no.33 (Mar 2023).https://doi.org/10.1007/s11229-023-04093-7Joshua Habgood-Coote Deepfakes and the epistemic apocalypse, Synthese 201, no.33 (Mar 2023).https://doi.org/10.1007/s11229-023-04097-3Tim Paul Stephens Photographic Non-Self, (Feb 2023): 485–509.https://doi.org/10.4018/978-1-6684-5337-7.ch022Anders Nes, Kristoffer Sundberg, Sebastian Watzl The perception/cognition distinction, Inquiry 66, no.22 (May 2021): 165–195.https://doi.org/10.1080/0020174X.2021.1926317Jessica Pepp On Pictorially mediated mind-object relations*, Inquiry 66, no.22 (Jan 2019): 246–274.https://doi.org/10.1080/0020174X.2018.1562372Marco Viola, Cristina Voto Designed to abuse? 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