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Cellular Features: Microcinematography and Film Theory

2005; University of Chicago Press; Volume: 31; Issue: 4 Linguagem: Inglês

10.2307/3651440

1539-7858

Landecker,

Slime Mold and Myxomycetes Research

Previous articleNext article No AccessCellular Features: Microcinematography and Film TheoryHannah LandeckerHannah LandeckerPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 31, Number 4Summer 2005 Article DOIhttps://doi.org/10.1086/444519 Views: 722Total views on this site Citations: 41Citations are reported from Crossref © 2005 by The University of Chicago.PDF download Crossref reports the following articles citing this article:Colin Williamson The Garden in the Laboratory: Arthur C. Pillsbury's Time-Lapse Films and the American Conservation Movement, Philosophies 7, no.55 (Oct 2022): 118.https://doi.org/10.3390/philosophies7050118Chase Ledin Retroactivism and futurity in 120 BPM and Théo et Hugo, Modern & Contemporary France 30, no.22 (Nov 2021): 179–191.https://doi.org/10.1080/09639489.2021.2000952Colin Williamson The (un)natural history film: formalist tendencies old and new, New Review of Film and Television Studies 20, no.11 (Feb 2022): 63–73.https://doi.org/10.1080/17400309.2021.1968226Alessandra Passariello From Entomological Research to Culturing Tissues: Aron Moscona's Investigative Pathway, Journal of the History of Biology 54, no.44 (Jan 2022): 555–601.https://doi.org/10.1007/s10739-021-09663-4MAX LONG The ciné-biologists: natural history film and the co-production of knowledge in interwar Britain, The British Journal for the History of Science 7 (Oct 2020): 1–25.https://doi.org/10.1017/S0007087420000370Warwick Anderson Filming Fore, Shooting Scientists: Medical Research, Experimental Filmmaking, and Documentary Cinema, Visual Anthropology 32, no.22 (Jun 2019): 109–127.https://doi.org/10.1080/08949468.2019.1603032Kirsten Ostherr Animating Informatics, (Nov 2018): 280–297.https://doi.org/10.1002/9781118884584.ch13Christopher M. Kelty Robot life: simulation and participation in the study of evolution and social behavior, History and Philosophy of the Life Sciences 40, no.11 (Jan 2018).https://doi.org/10.1007/s40656-017-0181-yJESSE OLSZYNKO-GRYN Thin blue lines: product placement and the drama of pregnancy testing in British cinema and television, The British Journal for the History of Science 50, no.33 (Sep 2017): 495–520.https://doi.org/10.1017/S0007087417000619Mathias Grote, Max Stadler Introduction: Surface Histories, Science in Context 28, no.33 (Aug 2015): 311–315.https://doi.org/10.1017/S0269889715000149Sophia Roosth Life, Not Itself: Inanimacy and the Limits of Biology, Grey Room 57 (Oct 2014): 56–81.https://doi.org/10.1162/GREY_a_00156Sylvie Bissonnette Scalar Travel Documentaries: Animating the Limits of the Body and Life, Animation 9, no.22 (Jul 2014): 138–158.https://doi.org/10.1177/1746847714526664Inga Pollmann Invisible Worlds, Visible: Uexküll's Umwelt, Film, and Film Theory Inga Pollmann, Critical Inquiry 39, no.44 (Jul 2015): 777–816.https://doi.org/10.1086/671356Hanna Rose Shell Cinehistory and Experiments on Film, Journal of Visual Culture 11, no.33 (Jan 2013): 288–306.https://doi.org/10.1177/1470412912455617Natasha Myers Dance Your PhD: Embodied Animations, Body Experiments, and the Affective Entanglements of Life Science Research, Body & Society 18, no.11 (Mar 2012): 151–189.https://doi.org/10.1177/1357034X11430965Jackie Stacey, Lucy Suchman Animation and Automation – The Liveliness and Labours of Bodies and Machines, Body & Society 18, no.11 (Mar 2012): 1–46.https://doi.org/10.1177/1357034X11431845Matthias Bruhn Life lines: An art history of biological research around 1800, Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences 42, no.44 (Dec 2011): 368–380.https://doi.org/10.1016/j.shpsc.2011.07.007Janina Wellmann Science and Cinema, Science in Context 24, no.33 (Jul 2011): 311–328.https://doi.org/10.1017/S0269889711000135Hannah Landecker Creeping, Drinking, Dying: The Cinematic Portal and the Microscopic World of the Twentieth-Century Cell, Science in Context 24, no.0303 (Jul 2011): 381–416.https://doi.org/10.1017/S0269889711000160Lisa Cartwright The Hands of the Projectionist, Science in Context 24, no.33 (Jul 2011): 443–464.https://doi.org/10.1017/S0269889711000184Henning Schmidgen 1900—The Spectatorium: On Biology's Audiovisual Archive, Grey Room 43 (Apr 2011): 42–65.https://doi.org/10.1162/GREY_a_00029Duncan Wilson 'Make Dry Bones Live': Tissue Culture at the Cambridge Research Hospital, (Jan 2011): 4–28.https://doi.org/10.1057/9780230307513_2Martha Blassnigg Revisiting Marey's Applications of Scientific Moving Image Technologies in the Context of Bergson's Philosophy: Audio-Visual Mediation and the Experience of Time, Medicine Studies 2, no.33 (Oct 2010): 175–184.https://doi.org/10.1007/s12376-010-0049-x Introduction, (Jan 2010): 1–16.https://doi.org/10.1215/9780822390947-001 The Hell of the Same, (Jan 2010): 19–35.https://doi.org/10.1215/9780822390947-002 She Is Not Herself, (Jan 2010): 36–65.https://doi.org/10.1215/9780822390947-003 Screening the Gene, (Jan 2010): 66–92.https://doi.org/10.1215/9780822390947-004 Cloning as Biomimicry, (Jan 2010): 95–112.https://doi.org/10.1215/9780822390947-005 Genetic Impersonation and the Improvisation of Kinship, (Jan 2010): 113–136.https://doi.org/10.1215/9780822390947-006 The Uncanny Architectures of Intimacy in Code 46, (Jan 2010): 137–176.https://doi.org/10.1215/9780822390947-007 Cut-and-Paste Bodies, (Jan 2010): 179–194.https://doi.org/10.1215/9780822390947-008 Leading Across the In-Between, (Jan 2010): 195–224.https://doi.org/10.1215/9780822390947-009 Enacting the Gene, (Jan 2010): 225–256.https://doi.org/10.1215/9780822390947-010 Afterword, (Jan 2010): 257–271.https://doi.org/10.1215/9780822390947-011 Notes, (Jan 2010): 273–285.https://doi.org/10.1215/9780822390947-012 Bibliography, (Jan 2010): 287–301.https://doi.org/10.1215/9780822390947-013 Filmography, (Jan 2010): 303–305.https://doi.org/10.1215/9780822390947-015Steve Garlick Given time: biology, nature and photographic vision, History of the Human Sciences 22, no.55 (Dec 2009): 81–101.https://doi.org/10.1177/0952695109345401Gadi Algazi Norbert Elias's motion pictures: history, cinema and gestures in the process of civilization, Studies in History and Philosophy of Science Part A 39, no.33 (Sep 2008): 444–458.https://doi.org/10.1016/j.shpsa.2008.06.014 Hannah Landecker Microcinematography and the History of Science and Film Landecker, Isis 97, no.11 (Jul 2015): 121–132.https://doi.org/10.1086/501105 Bibliography, (): 277–298.https://doi.org/10.1215/9780822375630-012