Produção Nacional
TumTá and Pisada
2021; Escola de Música da UFMG; Issue: 40 Linguagem: Inglês
10.35699/2317-6377.2020.26151
ISSN2317-6377
AutoresJoão Tragtenberg, Filipe Calegário, Giordano Cabral, Geber Ramalho,
Tópico(s)Innovative Human-Technology Interaction
ResumoThis paper presents the development process of TumTá, a wearable Digital Dance and Music Instrument that triggers sound samples from foot stomps and Pisada, a dance-enabled MIDI pedalboard. It was developed between 2012 and 2017 for the use of Helder Vasconcelos, a dancer and musician formed by the traditions of Cavalo Marinho and Maracatu Rural from Pernambuco, Brazil. The design of this instrument was inspired by traditional instruments like the Zabumba and by the gestural vocabulary from Cavalo Marinho, to make music and dance at the same time. The development process of this instrument is described in the three prototyping phases conducted by three approaches: building blocks, artisanal, and digital fabrication. We analyze the process of designing digital technology inspired by Brazilian traditions, present the lessons learned, and discuss future works.
Referência(s)