Rereading Shepard: contemporary critical essays on the plays of Sam Shepard
1993; Association of College and Research Libraries; Volume: 30; Issue: 08 Linguagem: Inglês
10.5860/choice.30-4264
ISSN1943-5975
Autores Tópico(s)Theatre and Performance Studies
ResumoAcknowledgements - Notes on the Contributors - Introduction - Artifacts: The Early Plays Reconsidered G.Weales - Potential Performance Texts for The Rock Garden and 4-H Club D.Carroll - The Desert and the City: Operation Sidewinder and Shepard's Postmodern Allegory L.Wilcox - Memory and Mind: Sam Shepard's Geography of a Horse Dreamer G.McCarthy - Shepard's Challenge to the Modernist Myths of Origin and Originality: Angel City and True West S.Rabillard - True Stories: Reading the Autobiographic in Cowboy Mouth, 'True Dylan' and Buried Child A.Wilson - Shepard's Family Trilogy and the Conventions of Modern Realism C.R.Lyons - A Kind of Cavorting: Superpresence and Shepard's Family Dramas D.J.DeRose - Speaking without Words: The Myth of Masculine Autonomy in Sam Shepard's Fool for Love A.C.Hall - When a Woman looks: The 'Other' Audience of Shepard's Plays S.Bennett - Lighting out for the Territory within: Field Notes on Shepard's Expressionist Vision S.Grace - 'I Smash the Tools of my Captivity': The Feminine in Sam Shepard's A Lie of the Mind J.A.Crum - A Motel of the Mind: Fool for Love and A Lie of the Mind F.H.Londr - Index
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