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Quentin Tarantino's Inglourious basterds: a manipulation of metacinema

2013; Association of College and Research Libraries; Volume: 50; Issue: 05 Linguagem: Inglês

10.5860/choice.50-2560

1943-5975

Robert Dassanowsky,

Cinema and Media Studies

Introduction: Locating Mr. Tarantino or, Who's Afraid of Metacinema? Robert von Dassanowsky 1) The Grand Illousion Srikanth Srinivasan 2) Exploding Cinema, Exploding Hollywood: Inglourious Basterds and the Problems of Cinematic Convention Imke Meyer 3) A Slight Duplication of Efforts: Redundancy and the Excessive Camera in Inglourious Basterds Chris Fujiwara 4) Inglourious Music: Revenge, Reflexivity and Morricone as Muse in Ingloruious Basterds Lisa Coulthard 5) Lulu's Menorah: Seeing and Nazi-ing Justin Vicari 6) Vengeful Violence: Inglourious Basterds, Allohistory, and the Inversion of Victims and Perpetrators Michael D. Richardson 7) Inglourious Basterds and the Gender of Revenge Heidi Schlipphacke 8) Reels of Justice: Inglourious Basterds, The Sorrow and the Pity and Jewish Revenge Fantasies Eric Kligerman 9) 'Fire!' in a Crowded Theater: Liquidating History in Inglourious Basterds Sharon Willis 10) Is Tarantino serious? The Twofold Image of the Auteur and the State of Exception Oliver C. Speck 11) Disruptive Violence as Means to Create a Space for Reflection: Thoughts on Tarantino's Attempts at Audience Irritation Alexander D. Ornella 12) Counterfactuals, Quantum Physics and Cruel Monsters in Tarantino's Inglourious Basterds William Brown 13) What shall the history books read? The Debate over Inglourious Basterds and the Limits of Representation Todd Herzog Notes on Contributors Index.