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Black film, white money

1996; Association of College and Research Libraries; Volume: 34; Issue: 04 Linguagem: Inglês

10.5860/choice.34-2077

1943-5975

Jesse Algeron Rhines,

Cinema and Media Studies

In this portrait of their historic and present day contributions, Rhines explores the roles African American men and women have played in the motion picture business from 1915 to 1996. He illuminates his discussion by linking the history of early black filmmakers to the current success of African American filmmakers, and examines how African Americans have been affected by changes that have taken place in the industry as a whole. It focuses on the crucial role of distribution companies, the difficulty of raising money for production, the compromises that directors and writers must make to get funding, and the effect of negative, sensationalistic images on the black community. Well-known directors such as Spike Lee, Reginald Hudlin, and Grace Blake are interviewed - allowing Rhines to provide an inside look at how deal making does - or does not - work. Rhines surveys significant eras in film history and their impact on African Americans, from the silent era and the impact of Birth of a Nation, through the emergence of the black-owned Lincoln Motion Picture Company, and the latter introduction of sound, to the postwar era, the antitrust suit against Paramount Pictures, the introduction of television and Blaxploitation movies that won audiences back. The story is brought up-to-date with present day blockbusters and the success of Spike Lee - who began as an independent and became a force in the industry, and others who hope to follow in Lee's footsteps. Rhines, who has worked behind the camera himself, reflects on independent filmmaking, the risks of both failure and success, and his hope for positive change in the African American community if more African filmmakers can come to the forefront of the business.