Thinking Italian Animals. Human and Posthuman in Modern and Italian Literature and Film
2017; Cambridge University Press; Volume: 37; Issue: 1 Linguagem: Inglês
10.33137/q.i..v37i1.28295
ISSN2293-7382
AutoresDeborah Anderson, Elena Past, Elena Benelli,
Tópico(s)Italian Literature and Culture
ResumoPreface: Mimesis: The Heterospecific as Ontopoetic Epiphany Roberto Marchesini Introduction: Thinking Italian Animals Deborah Amberson and Elena Past PART I: ONTOLOGIES AND THRESHOLDS 1. Confronting the Specter of Animality: Tozzi and the Uncanny Animal of Modernism Deborah Amberson 2. Cesare Pavese, Posthumanism, and the Maternal Symbolic Elizabeth Leake 3. Montale's Animals: Rhetorical Props or Metaphysical Kin? Gregory Pell 4. The Word Made Animal Flesh: Tommaso Landolfi's Bestiary Simone Castaldi 5. Animal Metaphors, Biopolitics, and the Animal Question: Mario Luzi, Giorgio Agamben, and the Human-Animal Divide Matteo Gilebbi PART II: BIOPOLITICS AND HISTORICAL CRISIS 6. Creatureliness and Posthumanism in Liliana Cavani's The Night Porter and Pier Paolo Pasolini's Salo Alexandra Hills 7. Elsa Morante at the Biopolitical Turn: Becoming-Woman, Becoming-Animal, Becoming-Imperceptible Giuseppina Mecchia 8. Foreshadowing the Posthuman: Hybridization, Apocalypse, and Renewal in Paolo Volponi Daniele Fioretti 9. The Post-Apocalyptic Cookbook: Animality, Posthumanism, and Meat in Laura Pugno and Wu Ming Valentina Fulginiti PART III: ECOLOGIES AND HYBRIDIZATIONS 10. The Monstrous Meal: Flesh Consumption and Resistance in the European Gothic David Del Principe 11. Contemporaneita and Ecological Thinking in Carlo Levi's Writing Giovanna Faleschini Lerner 12. Hybriditales: Posthumanizing Calvino Serenella Iovino 13. (Re)membering Kinship: Living with Goats in The Wind Blows Round and Le quattro volte Elena Past
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