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UMA OBRA, MÚLTIPLOS CRIADORES: O CINEMA COMO UMA ARTE DE AUTORIA COLETIVA

2021; Volume: 12; Issue: 2 Linguagem: Inglês

10.5935/2177-5672/trama.v12n2p138-153

2177-5672

Luisa Santos Pinheiro, Marcos Rizolli,

History, Culture, and Society

This article intends to explore the interdisciplinarity inherent to cinema and the multiple professionals and knowledge linked to this area, as well as the instability that exists when trying to frame cinema as a discipline. To this end, they will be especially observed the figure of screenwriter, director and actors. Authors such as Doc Comparato, Rubens Rewald, Jaqueline Nacache and Constantin Stanislavski will be used in order to reflect on the cinematographic activity and specific demands of each of the related areas, exploring the collective creation during the cinematographic works and the interrelationships that each professional establish with rest of the audiovisual industry.