Bol Motifs based on sound balancing in the tabla playing of padma bhushan Pt Samta Prasad
2013; RELX Group (Netherlands); Linguagem: Inglês
10.2139/ssrn.3939774
ISSN1556-5068
Autores Tópico(s)Music Technology and Sound Studies
ResumoPt Samta Prasad was an eminent tabla artist with phenomenal energy, great strength of practice, artistic qualities, devotion & dedication. His thought concept was sound -"nad kaisa hona chahiye". he used [basic alphabets] bol motifs "tak tak......in expanded compositions based on sound balancing. the bol patterns he chose for playing were based on sound. He explored various dimensions of the tabla and carrying out many path breaking innovations in the search of 'Quality Sound'. Although everybody loved the sonorous sound of his Tabla some allegations were charged against his Tabla playing that he knew only few bols; he doesn't have varieties of bols.Dhagedhe Degin Dhagedhe Degin ,Dhagedhe ........in the bol pattern of chalan panditji balanced the sound of both the parts of Tabla. I have interviewed many people including Padma Vibhushan, Padma Bhushan and Padmashree artists. Almost every person accepted his experiments on sound but no research has come to light on his 'Motifs based on sound balancing'. I have applied Quantitative, Qualitative and Evaluation methods for analyzing the matter procured."He was highly respected and acclaimed among Music Directors like V.shanta Ram who used the unique kind of sound of his Tabla in the songs of ' Jhanak Jhanak payal baje'. Panditji believed that-"Two parts [dayan & bayan] are like a married couple which should blend and yet be different from each other
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