Audiences and Ideological Work in the “Dream Factory”: Halldór Laxness and Cinematic Modernity
2021; University of Illinois Press; Volume: 93; Issue: 4 Linguagem: Inglês
10.5406/scanstud.93.4.0443
ISSN2163-8195
Autores Tópico(s)Literature, Film, and Journalism Analysis
ResumoResearch Article| December 01 2021 Audiences and Ideological Work in the “Dream Factory”: Halldór Laxness and Cinematic Modernity Björn Þór Vilhjálmsson Björn Þór Vilhjálmsson University of Iceland Search for other works by this author on: This Site Google Scandinavian Studies (2021) 93 (4): 443–475. https://doi.org/10.5406/scanstud.93.4.0443 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Björn Þór Vilhjálmsson; Audiences and Ideological Work in the “Dream Factory”: Halldór Laxness and Cinematic Modernity. Scandinavian Studies 1 January 2021; 93 (4): 443–475. doi: https://doi.org/10.5406/scanstud.93.4.0443 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressScandinavian Studies Search Advanced Search The text of this article is only available as a PDF. Copyright 2021 by the Board of Trustees of the University of Illinois2021 Article PDF first page preview Close Modal You do not currently have access to this content.
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