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Index to Volume 112: Papers of the Bibliographical Society of America

2018; Bibliographical Society of America; Volume: 112; Issue: 4 Linguagem: Inglês

10.1086/700737

2377-6528

Library Science and Administration

Previous article FreeIndex to Volume 112: Papers of the Bibliographical Society of AmericaPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreSubject entries, whether topical, personal name, or geographical, are set in small capitals. A chronological approach is provided under chronological references. Geographical entries are made for all articles, notes, and reviews treating a subject that can be localized.albatross press: Gore, Amy, review of Troy, Strange Bird: The Albatross Press and the Third Reich, 408–10Alexander, James R., “Publishing Peter Pindar: Production, Profit, and Piracy in Georgia Satire,” 149–82Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403allusions, literary: Estill, Laura, “The Urge to Organize Early Modern Miscellanies: Reading Cotgrave’s The English Treasury of Wit and Language,” 27–73almanacs: Gwara, Joseph J., “Wynkyn de Worde, Richard Pynson, and The Kalender of Shepeherdes: A Case Study in Cast-Off Copy and Textual Transmission,” 293–356“american instructor: or, young man’s best companion”: Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403americas, the: Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403analytical bibliography: Gwara, Joseph J., “Wynkyn de Worde, Richard Pynson, and The Kalender of Shepeherdes: A Case Study in Cast-Off Copy and Textual Transmission,” 293–356; Tabor, Stephen, review of Bolton, The Fifteenth-Century Printing Practices of Johann Zainer, Ulm, 1473–1478, 132–36archives: Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403; Goodman, Tess, “Copyright and Christmas: Illustration as a Victorian Publishing Strategy for the Poems of Sir Walter Scott,” 449–80arthurian romance: Gwara, Scott, review of Taylor, Rewriting Arthurian Romance in Renaissance France, 108–11ascription practices: Estill, Laura, “The Urge to Organize Early Modern Miscellanies: Reading Cotgrave’s The English Treasury of Wit and Language,” 27–73; Jackson, MacDonald P., review of Proudfoot, King Edward the Third, 418–21Attar, Karen, ed., Directory of Rare Book and Special Collections in the United Kingdom and the Republic of Ireland, reviewed, 247–49bailey, francis: Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403Bath, Jon, review of Dance, Illustrated by Lynd Ward, 105–8bible: Day, Matthew, “Deceit, Self-Interest, and Censorship: Problems at the Bookbinders in Early Modern England,” 1–25bibliographical indexes, catalogues, and lists: Bath, Jon, review of Dance, Illustrated by Lynd Ward, 105–8; Brand, Cassie, review of Attar, Directory of Rare Book and Special Collections in the United Kingdom and the Republic of Ireland, 247–49; Estill, Laura, review of Carter, ABC for Book Collectors, 9th ed, 253–56; Graheli, Shanti, review of Clemons, Aldus Manutius: A Legacy More Lasting than Bronze, 411–15; Kahn, Miriam, review of Seymour, Boswell’s Books, 111–14; Silverman, Randy, review of Etherington, Design Bindings: a Retrospective, 125–28; Spedding, Patrick, review of Kearney and Crawford, The Private Case: A Supplement. Notes Towards a Bibliography of the Books that Used to be in the Private Case of the British (Museum) Library, 277–80; Weinberg, Abbie, review of Dondi, Printed Books of Hours from Fifteenth-Century Italy: The Texts, the Books, and the Survival of a Long-Lasting Genre, 425–28bibliographical society of america, the: Minutes of he 2018 Annual Meeting, Independent Account’s Review Report, and By-Laws, 547–76bibliography, author: Slive, Daniel J., review of Johnston, Dreaming on the Edge: Poets & Book Artists in California, 274–77binns, john: Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403black, adam & charles: Goodman, Tess, “Copyright and Christmas: Illustration as a Victorian Publishing Strategy for the Poems of Sir Walter Scott,” 449–80bodleian library, the: Gwara, Joseph J., “Wynkyn de Worde, Richard Pynson, and The Kalender of Shepeherdes: A Case Study in Cast-Off Copy and Textual Transmission,” 293–356Bolton, Claire M., The Fifteenth-Century Printing Practices of Johann Zainer, Ulm, 1473–1478, reviewed, 132–36book arts: Slive, Daniel J., review of Johnston, Dreaming on the Edge: Poets & Book Artists in California, 274–77book clubs: Imholtz, August A., Jr., review of Grossman, The History of the Limited Editions Club, 415–18book collecting: Estill, Laura, review of Carter, ABC for Book Collectors, 9th ed, 253–56; Graheli, Shanti, review of Clemons, Aldus Manutius: A Legacy More Lasting than Bronze, 411–15; Kahn, Miriam, review of Seymour, Boswell’s Books, 111–14; Slive, Daniel J., review of Reese, Collectors, Booksellers, and Libraries: Essays on Americanists and the Rare Book Market, 541–45book history: Johanningsmeier, Charles, “Exporting America via Leipzig, Germany: Tauchnitz Editions and the International Popularization of American Literature,” 201–29; Knight, Leah, review of Yale, Sociable Knowledge: Natural History and the Nation in Early Modern Britain, 116–19; Stenner, Rachel, review of Fumo, Making Chaucer’s “Book of the Duchess”: Textuality and Reception, 129–32book of hours: Weinberg, Abbie, review of Dondi, Printed Books of Hours from Fifteenth-Century Italy: The Texts, the Books, and the Survival of a Long-Lasting Genre, 425–28“book of the duchess”: Stenner, Rachel, review of Fumo, Making Chaucer’s “Book of the Duchess”: Textuality and Reception, 129–32book trade: Alexander, James R., “Publishing Peter Pindar: Production, Profit, and Piracy in Georgia Satire,” 149–82; Goodman, Tess, “Copyright and Christmas: Illustration as a Victorian Publishing Strategy for the Poems of Sir Walter Scott,” 449–80; Johanningsmeier, Charles, “Exporting America via Leipzig, Germany: Tauchnitz Editions and the International Popularization of American Literature,” 201–29bookbinding: Day, Matthew, “Deceit, Self-Interest, and Censorship: Problems at the Bookbinders in Early Modern England,” 1–25; Silverman, Randy, review of Etherington, Design Bindings: a Retrospective, 125–28books, language-learning: Keener, Andrew S., “The Multilingual Textures of Early Modern English Drama,” 481–511booksellers: Goodman, Tess, “Copyright and Christmas: Illustration as a Victorian Publishing Strategy for the Poems of Sir Walter Scott,” 449–80; Jackson, Ian, review of Vinson, Edward Eberstadt & Sons: Rare Booksellers of Western Americana, 259–63; Peterson, William S., “Pickering and the Quakers,” 231–46; Slive, Daniel J., review of Reese, Collectors, Booksellers, and Libraries: Essays on Americanists and the Rare Book Market, 541–45boswell family: Kahn, Miriam, review of Seymour, Boswell’s Books, 111–14Brand, Cassie, review of Attar, Directory of Rare Book and Special Collections in the United Kingdom and the Republic of Ireland, 247–49Braun, Jolie, review of Haveman, Magazines and the Making of America: Modernization, Community, and Print Culture 1741–1860, 250–52bridgham, l. h.: Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403british library: Spedding, Patrick, review of Kearney and Crawford, The Private Case: A Supplement. Notes Towards a Bibliography of the Books that Used to be in the Private Case of the British (Museum) Library, 277–80cadell, robert: Goodman, Tess, “Copyright and Christmas: Illustration as a Victorian Publishing Strategy for the Poems of Sir Walter Scott,” 449–80california: Slive, Daniel J., review of Johnston, Dreaming on the Edge: Poets & Book Artists in California, 274–77;Carter, John, ABC for Book Collectors, 9th ed, reviewed, 253–55cartography: Knight, Leah, review of Yale, Sociable Knowledge: Natural History and the Nation in Early Modern Britain, 116–19cast-off copy: Gwara, Joseph J., “Wynkyn de Worde, Richard Pynson, and The Kalender of Shepeherdes: A Case Study in Cast-Off Copy and Textual Transmission,” 293–356cataloguing: Spedding, Patrick, review of Kearney and Crawford, The Private Case: A Supplement. Notes Towards a Bibliography of the Books that Used to be in the Private Case of the British (Museum) Library, 277–80censorship: Day, Matthew, “Deceit, Self-Interest, and Censorship: Problems at the Bookbinders in Early Modern England,” 1–25century guild, the: Mitchell, Rebecca N., “The Century Guild Hobby Horse: Crafting Generic Networks in Fin-de-Siècle England,” 75–104“century guild hobby horse, the”: Mitchell, Rebecca N., “The Century Guild Hobby Horse: Crafting Generic Networks in Fin-de-Siècle England,” 75–104chaucer, geoffrey: Stenner, Rachel, review of Fumo, Making Chaucer’s “Book of the Duchess”: Textuality and Reception, 129–32chronological references:Medieval:15th century: Tabor, Stephen, review of Bolton, The Fifteenth-Century Printing Practices of Johann Zainer, Ulm, 1473–1478, 132–36; Weinberg, Abbie, review of Dondi, Printed Books of Hours from Fifteenth-Century Italy: The Texts, the Books, and the Survival of a Long-Lasting Genre, 425–2815th through 16th centuries: Gwara, Scott, review of Taylor, Rewriting Arthurian Romance in Renaissance France, 108–11; Stenner, Rachel, review of Fumo, Making Chaucer’s “Book of the Duchess”: Textuality and Reception, 129–3216th century: Graheli, Shanti, review of Clemons, Aldus Manutius: A Legacy More Lasting than Bronze, 411–15; Gwara, Joseph J., “Wynkyn de Worde, Richard Pynson, and The Kalender of Shepeherdes: A Case Study in Cast-Off Copy and Textual Transmission,” 293–356; Jackson, MacDonald P., review of Proudfoot, King Edward the Third, 418–21; King, Julia, review of Powell, The Complete Works of Sir Thomas Wyatt the Elder. Volume 1: Prose, 114–1616th through 17th centuries: Day, Matthew, “Deceit, Self-Interest, and Censorship: Problems at the Bookbinders in Early Modern England,” 1–25; Keener, Andrew S., “The Multilingual Textures of Early Modern English Drama,” 481–51117th century: Depledge, Emma, “False Dating: The Case of the ‘1676’ Hamlet Quartos,” 183–99; Estill, Laura, “The Urge to Organize Early Modern Miscellanies: Reading Cotgrave’s The English Treasury of Wit and Language,” 27–73; Knight, Leah, review of Yale, Sociable Knowledge: Natural History and the Nation in Early Modern Britain, 116–19; Mitchell, Dianne, review of Stringer, The Variorum Edition of the Poetry of John Donne, Vol. 3: The Satyres, 263–66; Sachet, Paolo, review of Savoldelli, Comino Ventura. Tra lettere e libri di lettere (1579–1617), 422–2517th through 18th centuries: Silva, Andie, review of Estill et al., Early Modern Studies after the Digital Turn, 270–7418th through 19th centuries: Alexander, James R., “Publishing Peter Pindar: Production, Profit, and Piracy in Georgia Satire,” 149–82; Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403; Braun, Jolie, review of Haveman, Magazines and the Making of America: Modernization, Community, and Print Culture 1741–1860, 250–52; Kahn, Miriam, review of Seymour, Boswell’s Books, 111–1419th century: Forsberg, Laura, review of Piesse, British Settler Emigration in Print, 1832–1877, 256–59; Goodman, Tess, “Copyright and Christmas: Illustration as a Victorian Publishing Strategy for the Poems of Sir Walter Scott,” 449–80; Mitchell, Rebecca N., “The Century Guild Hobby Horse: Crafting Generic Networks in Fin-de-Siècle England,” 75–104; Morgan, Kelly, review of Tywman, John Phillips’s Lithographic Notebook: Reproduction in Facsimile from the Original at Oxford University Museum of Natural History, 266–70; Peterson, William S., “Pickering and the Quakers,” 231–46; Plein, Stewart, review of Godburn, Nineteenth-Century Dust-Jackets, 120–2419th through 20th centuries: Johanningsmeier, Charles, “Exporting America via Leipzig, Germany: Tauchnitz Editions and the International Popularization of American Literature,” 201–29; Wright, Paul M., review of Glick, In the Service of Scholarship: Harold Hugo & The Meriden Gravure Company, 428–3120th century: Bath, Jon, review of Dance, Illustrated by Lynd Ward, 105–8; Duncan, Dennis, review of Jaillant, Cheap Modernism: Expanding Markets, Publishers’ Series and the Avant-Garde, 405–8; Higdon, David Leon, “The ‘Vanquished’ Text of L. P. Hartley’s The Go-Between,” 513–40; Imholtz, August A., Jr., review of Grossman, The History of the Limited Editions Club, 415–18; Jackson, Ian, review of Vinson, Edward Eberstadt & Sons: Rare Booksellers of Western Americana, 259–63; Silverman, Randy, review of Etherington, Design Bindings: a Retrospective, 125–28; Slive, Daniel J., review of Johnston, Dreaming on the Edge: Poets & Book Artists in California, 274–7720th through 21st centuries: Slive, Daniel J., review of Reese, Collectors, Booksellers, and Libraries: Essays on Americanists and the Rare Book Market, 541–45ciphers: Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403Clemons, G. Scott, and H. George Fletcher., Aldus Manutius: A Legacy More Lasting than Bronze, reviewed, 411–15codicology: Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403; Weinberg, Abbie, review of Dondi, Printed Books of Hours from Fifteenth-Century Italy: The Texts, the Books, and the Survival of a Long-Lasting Genre, 425–28commonplaces: Estill, Laura, “The Urge to Organize Early Modern Miscellanies: Reading Cotgrave’s The English Treasury of Wit and Language,” 27–73conservation: Silverman, Randy, review of Etherington, Design Bindings: a Retrospective, 125–28copyright: Alexander, James R., “Publishing Peter Pindar: Production, Profit, and Piracy in Georgia Satire,” 149–82; Goodman, Tess, “Copyright and Christmas: Illustration as a Victorian Publishing Strategy for the Poems of Sir Walter Scott,” 449–80; Johanningsmeier, Charles, “Exporting America via Leipzig, Germany: Tauchnitz Editions and the International Popularization of American Literature,” 201–29;cotgrave, robert: Estill, Laura, “The Urge to Organize Early Modern Miscellanies: Reading Cotgrave’s The English Treasury of Wit and Language,” 27–73court of chancery, england: Alexander, James R., “Publishing Peter Pindar: Production, Profit, and Piracy in Georgia Satire,” 149–82cricket: Higdon, David Leon, “The ‘Vanquished’ Text of L. P. Hartley’s The Go-Between,” 513–40cryptography: Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403Dance, Robert, Illustrated by Lynd Ward, reviewed, 105–8Day, Matthew, “Deceit, Self-Interest, and Censorship: Problems at the Bookbinders in Early Modern England,” 1–25de worde, wynkyn: Gwara, Joseph J., “Wynkyn de Worde, Richard Pynson, and The Kalender of Shepeherdes: A Case Study in Cast-Off Copy and Textual Transmission,” 293–356declaration of independence, the; Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403Depledge, Emma, “False Dating: The Case of the ‘1676’ Hamlet Quartos,” 183–99dictionaries: Keener, Andrew S., “The Multilingual Textures of Early Modern English Drama,” 481–511digital humanities: Silva, Andie, review of Estill et al., Early Modern Studies after the Digital Turn, 270–74Dondi, Cristina, Printed Books of Hours from Fifteenth-Century Italy: The Texts, the Books, and the Survival of a Long-Lasting Genre, reviewed, 425–28donne, john: Mitchell, Dianne, review of Stringer, The Variorum Edition of the Poetry of John Donne, Vol. 3: The Satyres, 263–66drama: Depledge, Emma, “False Dating: The Case of the ‘1676’ Hamlet Quartos,” 183–99; Estill, Laura, “The Urge to Organize Early Modern Miscellanies: Reading Cotgrave’s The English Treasury of Wit and Language,” 27–73; Jackson, MacDonald P., review of Proudfoot, King Edward the Third, 418–21dublin: Alexander, James R., “Publishing Peter Pindar: Production, Profit, and Piracy in Georgia Satire,” 149–82Duncan, Dennis, review of Jaillant, Cheap Modernism: Expanding Markets, Publishers’ Series and the Avant-Garde, 405–8dunlap, john: Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403dust jackets: Plein, Stewart, review of Godburn, Nineteenth-Century Dust-Jackets, 120–24eberstadt, charles: Jackson, Ian, review of Vinson, Edward Eberstadt & Sons: Rare Booksellers of Western Americana, 259–63eberstadt, edward: Jackson, Ian, review of Vinson, Edward Eberstadt & Sons: Rare Booksellers of Western Americana, 259–63editing: Higdon, David Leon, “The ‘Vanquished’ Text of L. P. Hartley’s The Go-Between,” 513–40; Jackson, MacDonald P., review of Proudfoot, King Edward the Third, 418–21; King, Julia, review of Powell, The Complete Works of Sir Thomas Wyatt the Elder. Volume 1: Prose, 114–16; Mitchell, Dianne, review of Stringer, The Variorum Edition of the Poetry of John Donne, Vol. 3: The Satyres, 263–66; Morgan, Kelly, review of Tywman, John Phillips’s Lithographic Notebook: Reproduction in Facsimile from the Original at Oxford University Museum of Natural History, 266–70england: Alexander, James R., “Publishing Peter Pindar: Production, Profit, and Piracy in Georgia Satire,” 149–82; Brand, Cassie, review of Attar, Directory of Rare Book and Special Collections in the United Kingdom and the Republic of Ireland, 247–49; Depledge, Emma, “False Dating: The Case of the ‘1676’ Hamlet Quartos,” 183–99; Duncan, Dennis, review of Jaillant, Cheap Modernism: Expanding Markets, Publishers’ Series and the Avant-Garde, 405–8; Estill, Laura, “The Urge to Organize Early Modern Miscellanies: Reading Cotgrave’s The English Treasury of Wit and Language,” 27–73; Forsberg, Laura, review of Piesse, British Settler Emigration in Print, 1832–1877, 256–59; Goodman, Tess, “Copyright and Christmas: Illustration as a Victorian Publishing Strategy for the Poems of Sir Walter Scott,” 449–80; Gwara, Joseph J., “Wynkyn de Worde, Richard Pynson, and The Kalender of Shepeherdes: A Case Study in Cast-Off Copy and Textual Transmission,” 293–356; Higdon, David Leon, “The ‘Vanquished’ Text of L. P. Hartley’s The Go-Between,” 513–40; Jackson, MacDonald P., review of Proudfoot, King Edward the Third, 418–21; Kahn, Miriam, review of Seymour, Boswell’s Books, 111–14; Keener, Andrew S., “The Multilingual Textures of Early Modern English Drama,” 481–511; Knight, Leah, review of Yale, Sociable Knowledge: Natural History and the Nation in Early Modern Britain, 116–19; Mitchell, Dianne, review of Stringer, The Variorum Edition of the Poetry of John Donne, Vol. 3: The Satyres, 263–66; Peterson, William S., “Pickering and the Quakers,” 231–46; Plein, Stewart, review of Godburn, Nineteenth-Century Dust-Jackets, 120–24; Silverman, Randy, review of Etherington, Design Bindings: a Retrospective, 125–28; Spedding, Patrick, review of Kearney and Crawford, The Private Case: A Supplement. Notes Towards a Bibliography of the Books that Used to be in the Private Case of the British (Museum) Library, 277–80“english treasury of wit and language, the”: Estill, Laura, “The Urge to Organize Early Modern Miscellanies: Reading Cotgrave’s The English Treasury of Wit and Language,” 27–73engraving: Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403; Goodman, Tess, “Copyright and Christmas: Illustration as a Victorian Publishing Strategy for the Poems of Sir Walter Scott,” 449–80Estill, Laura, “The Urge to Organize Early Modern Miscellanies: Reading Cotgrave’s The English Treasury of Wit and Language,” 27–73; review of Carter, ABC for Book Collectors, 9th ed, 253–56Estill, Laura, Diane K. Jakacki, and Michael Ullyot, eds., Early Modern Studies after the Digital Turn, reviewed, 270–74Etherington, Don, Design Bindings: a Retrospective, reviewed, 125–28europe: Johanningsmeier, Charles, “Exporting America via Leipzig, Germany: Tauchnitz Editions and the International Popularization of American Literature,” 201–29; Plein, Stewart, review of Godburn, Nineteenth-Century Dust-Jackets, 120–24; Tabor, Stephen, review of Bolton, The Fifteenth-Century Printing Practices of Johann Zainer, Ulm, 1473–1478, 132–36; Weinberg, Abbie, review of Dondi, Printed Books of Hours from Fifteenth-Century Italy: The Texts, the Books, and the Survival of a Long-Lasting Genre, 425–28fine art presses: Mitchell, Rebecca N., “The Century Guild Hobby Horse: Crafting Generic Networks in Fin-de-Siècle England,” 75–104fisher, george: Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403Forsberg, Laura, review of Piesse, British Settler Emigration in Print, 1832–1877, 256–59foster, birket: Goodman, Tess, “Copyright and Christmas: Illustration as a Victorian Publishing Strategy for the Poems of Sir Walter Scott,” 449–80france: Gwara, Scott, review of Taylor, Rewriting Arthurian Romance in Renaissance France, 108–11Fumo, Jamie C., Making Chaucer’s “Book of the Duchess”: Textuality and Reception, reviewed, 129–32germany: Gore, Amy, review of Troy, Strange Bird: The Albatross Press and the Third Reich, 408–10; Johanningsmeier, Charles, “Exporting America via Leipzig, Germany: Tauchnitz Editions and the International Popularization of American Literature,” 201–29gift books: Goodman, Tess, “Copyright and Christmas: Illustration as a Victorian Publishing Strategy for the Poems of Sir Walter Scott,” 449–80gilbert, john: Goodman, Tess, “Copyright and Christmas: Illustration as a Victorian Publishing Strategy for the Poems of Sir Walter Scott,” 449–80Glick, William J., In the Service of Scholarship: Harold Hugo & The Meriden Gravure Company, reviewed, 428–31“go-between, the”: Higdon, David Leon, “The ‘Vanquished’ Text of L. P. Hartley’s The Go-Between,” 513–40Godburn, Mark R., Nineteenth-Century Dust-Jackets, reviewed, 120–24goddard, mary katherine: Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403Goodman, Tess, “Copyright and Christmas: Illustration as a Victorian Publishing Strategy for the Poems of Sir Walter Scott,” 449–80Gore, Amy, review of Troy, Strange Bird: The Albatross Press and the Third Reich, 408–10goulding, george: Alexander, James R., “Publishing Peter Pindar: Production, Profit, and Piracy in Georgia Satire,” 149–82Graheli, Shanti, review of Clemons, Aldus Manutius: A Legacy More Lasting than Bronze, 411–15grammars: Keener, Andrew S., “The Multilingual Textures of Early Modern English Drama,” 481–511greg, w. w.: Depledge, Emma, “False Dating: The Case of the ‘1676’ Hamlet Quartos,” 183–99grolier club: Graheli, Shanti, review of Clemons, Aldus Manutius: A Legacy More Lasting than Bronze, 411–15Grossman, Carol Porter, The History of the Limited Editions Club, reviewed, 415–18guidebooks: Goodman, Tess, “Copyright and Christmas: Illustration as a Victorian Publishing Strategy for the Poems of Sir Walter Scott,” 449–80Gwara, Joseph J., “Wynkyn de Worde, Richard Pynson, and The Kalender of Shepeherdes: A Case Study in Cast-Off Copy and Textual Transmission,” 293–356Gwara, Scott, review of Taylor, Rewriting Arthurian Romance in Renaissance France, 108–11hailey, r. carter: Depledge, Emma, “False Dating: The Case of the ‘1676’ Hamlet Quartos,” 183–99hamilton, hamish: Higdon, David Leon, “The ‘Vanquished’ Text of L. P. Hartley’s The Go-Between,” 513–40“hamlet”: Depledge, Emma, “False Dating: The Case of the ‘1676’ Hamlet Quartos,” 183–99hartley, l. p.: Higdon, David Leon, “The ‘Vanquished’ Text of L. P. Hartley’s The Go-Between,” 513–40harvey, gabriel: Keener, Andrew S., “The Multilingual Textures of Early Modern English Drama,” 481–511Haveman, Heather, Magazines and the Making of America: Modernization, Community, and Print Culture 1741–1860, reviewed, 250–52herringman, henry: Depledge, Emma, “False Dating: The Case of the ‘1676’ Hamlet Quartos,” 183–99Higdon, David Leon, “The ‘Vanquished’ Text of L. P. Hartley’s The Go-Between,” 513–40horne, herbert p.: Mitchell, Rebecca N., “The Century Guild Hobby Horse: Crafting Generic Networks in Fin-de-Siècle England,” 75–104hugo, harold: Wright, Paul M., review of Glick, In the Service of Scholarship: Harold Hugo & The Meriden Gravure Company, 428–31huntington, eleazer: Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403illustration: Bath, Jon, review of Dance, Illustrated by Lynd Ward, 105–8; Goodman, Tess, “Copyright and Christmas: Illustration as a Victorian Publishing Strategy for the Poems of Sir Walter Scott,” 449–80; Gwara, Joseph J., “Wynkyn de Worde, Richard Pynson, and The Kalender of Shepeherdes: A Case Study in Cast-Off Copy and Textual Transmission,” 293–356; Mitchell, Rebecca N., “The Century Guild Hobby Horse: Crafting Generic Networks in Fin-de-Siècle England,” 75–104; Wright, Paul M., review of Glick, In the Service of Scholarship: Harold Hugo & The Meriden Gravure Company, 428–31image, selwyn: Mitchell, Rebecca N., “The Century Guild Hobby Horse: Crafting Generic Networks in Fin-de-Siècle England,” 75–104Imholtz, August A., Jr., review of Grossman, The History of the Limited Editions Club, 415–18In Memoriam: William S. Reese, 445–47incunabula: Weinberg, Abbie, review of Dondi, Printed Books of Hours from Fifteenth-Century Italy: The Texts, the Books, and the Survival of a Long-Lasting Genre, 425–28initials, grotesque: Gwara, Joseph J., “Wynkyn de Worde, Richard Pynson, and The Kalender of Shepeherdes: A Case Study in Cast-Off Copy and Textual Transmission,” 293–356ireland: Alexander, James R., “Publishing Peter Pindar: Production, Profit, and Piracy in Georgia Satire,” 149–82; Brand, Cassie, review of Attar, Directory of Rare Book and Special Collections in the United Kingdom and the Republic of Ireland, 247–49italy: Graheli, Shanti, review of Clemons, Aldus Manutius: A Legacy More Lasting than Bronze, 411–15; Sachet, Paolo, review of Savoldelli, Comino Ventura. Tra lettere e libri di lettere (1579–1617), 422–25; Weinberg, Abbie, review of Dondi, Printed Books of Hours from Fifteenth-Century Italy: The Texts, the Books, and the Survival of a Long-Lasting Genre, 425–28Jackson, Ian, review of Vinson, Edward Eberstadt & Sons: Rare Booksellers of Western Americana, 259–63Jackson, MacDonald P., review of Proudfoot, King Edward the Third, 418–21Jaillant, Lise, Cheap Modernism: Expanding Markets, Publishers’ Series and the Avant-Garde, reviewed, 405–8Johanningsmeier, Charles, “Exporting America via Leipzig, Germany: Tauchnitz Editions and the International Popularization of American Literature,” 201–29Johnston, Alastair M., Dreaming on the Edge: Poets & Book Artists in California, reviewed, 274–77Kahn, Miriam, review of Seymour, Boswell’s Books, 111–14“kalender of shepherdes, the” (1520): Gwara, Joseph J., “Wynkyn de Worde, Richard Pynson, and The Kalender of Shepeherdes: A Case Study in Cast-Off Copy and Textual Transmission,” 293–356Kearney, Patrick J., and Neil J. Crawford, The Private Case: A Supplement. Notes Towards a Bibliography of the Books that Used to be in the Private Case of the British (Museum) Library, reviewed, 277–80Keener, Andrew S., “The Multilingual Textures of Early Modern English Drama,” 481–511kelmscott press, the: Mitchell, Rebecca N., “The Century Guild Hobby Horse: Crafting Generic Networks in Fin-de-Siècle England,” 75–104King, Julia, review of Powell, The Complete Works of Sir Thomas Wyatt the Elder. Volume 1: Prose, 114–16“king edward the third”: Jackson, MacDonald P., review of Proudfoot, King Edward the Third, 418–21Knight, Leah, review of Yale, Sociable Knowledge: Natural History and the Nation in Early Modern Britain, 116–19knopf, alfred p.: Higdon, David Leon, “The ‘Vanquished’ Text of L. P. Hartley’s The Go-Between,” 513–40libraries: Johanningsmeier, Charles, “Exporting America via Leipzig, Germany: Tauchnitz Editions and the International Popularization of American Literature,” 201–29; Spedding, Patrick, review of Kearney and Crawford, The Private Case: A Supplement. Notes Towards a Bibliography of the Books that Used to be in the Private Case of the British (Museum) Library, 277–80limited editions club: Imholtz, August A., Jr., review of Grossman, The History of the Limited Editions Club, 415–18literature, american: Johanningsmeier, Charles, “Exporting America via Leipzig, Germany: Tauchnitz Editions and the International Popularization of American Literature,” 201–29lithography: Morgan, Kelly, review of Tywman, John Phillips’s Lithographic Notebook: Reproduction in Facsimile from the Original at Oxford University Museum of Natural History, 266–70london: Day, Matthew, “Deceit, Self-Interest, and Censorship: Problems at the Bookbinders in Early Modern England,” 1–25; Gwara, Joseph J., “Wynkyn de Worde, Richard Pynson, and The Kalender of Shepeherdes: A Case Study in Cast-Off Copy and Textual Transmission,” 293–356mackmurdo, arthur heygate: Mitchell, Rebecca N., “The Century Guild Hobby Horse: Crafting Generic Networks in Fin-de-Siècle England,” 75–104macy, george: Imholtz, August A., Jr., review of Grossman, The History of the Limited Editions Club, 415–18magazines, literary: Braun, Jolie, review of Haveman, Magazines and the Making of America: Modernization, Community, and Print Culture 1741–1860, 250–52; Forsberg, Laura, review of Piesse, British Settler Emigration in Print, 1832–1877, 256–59; Mitchell, Rebecca N., “The Century Guild Hobby Horse: Crafting Generic Networks in Fin-de-Siècle England,” 75–104manuscripts: Higdon, David Leon, “The ‘Vanquished’ Text of L. P. Hartley’s The Go-Between,” 513–40; Knight, Leah, review of Yale, Sociable Knowledge: Natural History and the Nation in Early Modern Britain, 116–19; Weinberg, Abbie, review of Dondi, Printed Books of Hours from Fifteenth-Century Italy: The Texts, the Books, and the Survival of a Long-Lasting Genre, 425–28manutius, aldus: Graheli, Shanti, review of Clemons, Aldus Manutius: A Legacy More Lasting than Bronze, 411–15marginalia: Estill, Laura, “The Urge to Organize Early Modern Miscellanies: Reading Cotgrave’s The English Treasury of Wit and Language,” 27–73; Johanningsmeier, Charles, “Exporting America via Leipzig, Germany: Tauchnitz Editions and the International Popularization of American Literature,” 201–29; Keener, Andrew S., “The Multilingual Textures of Early Modern English Drama,” 481–511martyn, john: Depledge, Emma, “False Dating: The Case of the ‘1676’ Hamlet Quartos,” 183–99matlack, timothy: Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403meriden gravure company: Wright, Paul M., review of Glick, In the Service of Scholarship: Harold Hugo & The Meriden Gravure Company, 428–31miscellanies: Estill, Laura, “The Urge to Organize Early Modern Miscellanies: Reading Cotgrave’s The English Treasury of Wit and Language,” 27–73mise-en-page: Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403; Mitchell, Rebecca N., “The Century Guild Hobby Horse: Crafting Generic Networks in Fin-de-Siècle England,” 75–104Mitchell, Dianne, review of Stringer, The Variorum Edition of the Poetry of John Donne, Vol. 3: The Satyres, 263–66Mitchell, Rebecca N., “The Century Guild Hobby Horse: Crafting Generic Networks in Fin-de-Siècle England,” 75–104modernism: Duncan, Dennis, review of Jaillant, Cheap Modernism: Expanding Markets, Publishers’ Series and the Avant-Garde, 405–8Morgan, Kelly, review of Tywman, John Phillips’s Lithographic Notebook: Reproduction in Facsimile from the Original at Oxford University Museum of Natural History, 266–70networks, literary: Mitchell, Rebecca N., “The Century Guild Hobby Horse: Crafting Generic Networks in Fin-de-Siècle England,” 75–104oldys, william: Estill, Laura, “The Urge to Organize Early Modern Miscellanies: Reading Cotgrave’s The English Treasury of Wit and Language,” 27–73paleography: Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403paper, as evidence: Depledge, Emma, “False Dating: The Case of the ‘1676’ Hamlet Quartos,” 183–99patents: Day, Matthew, “Deceit, Self-Interest, and Censorship: Problems at the Bookbinders in Early Modern England,” 1–25penguin books: Higdon, David Leon, “The ‘Vanquished’ Text of L. P. Hartley’s The Go-Between,” 513–40Peterson, William S., “Pickering and the Quakers,” 231–46phillips, john: Morgan, Kelly, review of Tywman, John Phillips’s Lithographic Notebook: Reproduction in Facsimile from the Original at Oxford University Museum of Natural History, 266–70pickering, thomas: Peterson, William S., “Pickering and the Quakers,” 231–46pickering, william (publisher): Peterson, William S., “Pickering and the Quakers,” 231–46pickering, sir william (ambassador): Day, Matthew, “Deceit, Self-Interest, and Censorship: Problems at the Bookbinders in Early Modern England,” 1–25Piesse, Jude, British Settler Emigration in Print, 1832–1877, reviewed, 256–59pindar, peter: Alexander, James R., “Publishing Peter Pindar: Production, Profit, and Piracy in Georgia Satire,” 149–82piracy: Alexander, James R., “Publishing Peter Pindar: Production, Profit, and Piracy in Georgia Satire,” 149–82planography: Wright, Paul M., review of Glick, In the Service of Scholarship: Harold Hugo & The Meriden Gravure Company, 428–31playbooks: Depledge, Emma, “False Dating: The Case of the ‘1676’ Hamlet Quartos,” 183–99; Keener, Andrew S., “The Multilingual Textures of Early Modern English Drama,” 481–511Plein, Stewart, review of Godburn, Nineteenth-Century Dust-Jackets, 120–24poetry: Alexander, James R., “Publishing Peter Pindar: Production, Profit, and Piracy in Georgia Satire,” 149–82; Goodman, Tess, “Copyright and Christmas: Illustration as a Victorian Publishing Strategy for the Poems of Sir Walter Scott,” 449–80; Mitchell, Dianne, review of Stringer, The Variorum Edition of the Poetry of John Donne, Vol. 3: The Satyres, 263–66Powell, Jason, ed., The Complete Works of Sir Thomas Wyatt the Elder. Volume 1: Prose, reviewed, 114–16print culture: Gwara, Scott, review of Taylor, Rewriting Arthurian Romance in Renaissance France, 108–11printing history: Gwara, Joseph J., “Wynkyn de Worde, Richard Pynson, and The Kalender of Shepeherdes: A Case Study in Cast-Off Copy and Textual Transmission,” 293–356; Mitchell, Rebecca N., “The Century Guild Hobby Horse: Crafting Generic Networks in Fin-de-Siècle England,” 75–104; Morgan, Kelly, review of Tywman, John Phillips’s Lithographic Notebook: Reproduction in Facsimile from the Original at Oxford University Museum of Natural History, 266–70; Slive, Daniel J., review of Johnston, Dreaming on the Edge: Poets & Book Artists in California, 274–77; Tabor, Stephen, review of Bolton, The Fifteenth-Century Printing Practices of Johann Zainer, Ulm, 1473–1478, 132–36; Weinberg, Abbie, review of Dondi, Printed Books of Hours from Fifteenth-Century Italy: The Texts, the Books, and the Survival of a Long-Lasting Genre, 425–28prose: King, Julia, review of Powell, The Complete Works of Sir Thomas Wyatt the Elder. Volume 1: Prose, 114–16Proudfoot, Richard, and Nicola Bennett, eds., King Edward the Third, reviewed, 418–21publishing history: Alexander, James R., “Publishing Peter Pindar: Production, Profit, and Piracy in Georgia Satire,” 149–82; Duncan, Dennis, review of Jaillant, Cheap Modernism: Expanding Markets, Publishers’ Series and the Avant-Garde, 405–8; Goodman, Tess, “Copyright and Christmas: Illustration as a Victorian Publishing Strategy for the Poems of Sir Walter Scott,” 449–80; Gore, Amy, review of Troy, Strange Bird: The Albatross Press and the Third Reich, 408–10; Higdon, David Leon, “The ‘Vanquished’ Text of L. P. Hartley’s The Go-Between,” 513–40; Imholtz, August A., Jr., review of Grossman, The History of the Limited Editions Club, 415–18; Johanningsmeier, Charles, “Exporting America via Leipzig, Germany: Tauchnitz Editions and the International Popularization of American Literature,” 201–29; Mitchell, Rebecca N., “The Century Guild Hobby Horse: Crafting Generic Networks in Fin-de-Siècle England,” 75–104; Peterson, William S., “Pickering and the Quakers,” 231–46; Sachet, Paolo, review of Savoldelli, Comino Ventura. Tra lettere e libri di lettere (1579–1617), 422–25; Slive, Daniel J., review of Johnston, Dreaming on the Edge: Poets & Book Artists in California, 274–77; Weinberg, Abbie, review of Dondi, Printed Books of Hours from Fifteenth-Century Italy: The Texts, the Books, and the Survival of a Long-Lasting Genre, 425–28purchas, samuel: Day, Matthew, “Deceit, Self-Interest, and Censorship: Problems at the Bookbinders in Early Modern England,” 1–25pynson, richard: Gwara, Joseph J., “Wynkyn de Worde, Richard Pynson, and The Kalender of Shepeherdes: A Case Study in Cast-Off Copy and Textual Transmission,” 293–356quakers: Peterson, William S., “Pickering and the Quakers,” 231–46reading, history of: Braun, Jolie, review of Haveman, Magazines and the Making of America: Modernization, Community, and Print Culture 1741–1860, 250–52; Estill, Laura, “The Urge to Organize Early Modern Miscellanies: Reading Cotgrave’s The English Treasury of Wit and Language,” 27–73; Forsberg, Laura, review of Piesse, British Settler Emigration in Print, 1832–1877, 256–59; Johanningsmeier, Charles, “Exporting America via Leipzig, Germany: Tauchnitz Editions and the International Popularization of American Literature,” 201–29; Keener, Andrew S., “The Multilingual Textures of Early Modern English Drama,” 481–511reception, literary: Stenner, Rachel, review of Fumo, Making Chaucer’s “Book of the Duchess”: Textuality and Reception, 129–32reese, william s.: In Memoriam: William S. Reese, 445–47; Slive, Daniel J., review of Reese, Collectors, Booksellers, and Libraries: Essays on Americanists and the Rare Book Market, 541–45Reese, William S., Collectors, Booksellers, and Libraries: Essays on Americanists and the Rare Book Market, reviewed, 541–45richardson, james and robert: Goodman, Tess, “Copyright and Christmas: Illustration as a Victorian Publishing Strategy for the Poems of Sir Walter Scott,” 449–80richmond, dukes of: Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403Sachet, Paolo, review of Savoldelli, Comino Ventura. Tra lettere e libri di lettere (1579–1617), 422–25sammelbände: Keener, Andrew S., “The Multilingual Textures of Early Modern English Drama,” 481–511satire: Alexander, James R., “Publishing Peter Pindar: Production, Profit, and Piracy in Georgia Satire,” 149–82Savoldelli, Gianmaria, and Roberta Frigeni, eds. Comino Ventura. Tra lettere e libri di lettere (1579–1617), reviewed, 422–25scotland: Alexander, James R., “Publishing Peter Pindar: Production, Profit, and Piracy in Georgia Satire,” 149–82; Goodman, Tess, “Copyright and Christmas: Illustration as a Victorian Publishing Strategy for the Poems of Sir Walter Scott,” 449–80scott, sir walter: Goodman, Tess, “Copyright and Christmas: Illustration as a Victorian Publishing Strategy for the Poems of Sir Walter Scott,” 449–80Seymour, Terry, Boswell’s Books, reviewed, 111–14shakespeare: Depledge, Emma, “False Dating: The Case of the ‘1676’ Hamlet Quartos,” 183–99; Jackson, MacDonald P., review of Proudfoot, King Edward the Third, 418–21; Keener, Andrew S., “The Multilingual Textures of Early Modern English Drama,” 481–511Silva, Andie, review of Estill et al., Early Modern Studies after the Digital Turn, 270–74Silverman, Randy, review of Etherington, Design Bindings: a Retrospective, 125–28Slive, Daniel J., review of Johnston, Dreaming on the Edge: Poets & Book Artists in California, 274–77; review of Reese, Collectors, Booksellers, and Libraries: Essays on Americanists and the Rare Book Market, 541–45souvenir books: Goodman, Tess, “Copyright and Christmas: Illustration as a Victorian Publishing Strategy for the Poems of Sir Walter Scott,” 449–80special collections libraries: Brand, Cassie, review of Attar, Directory of Rare Book and Special Collections in the United Kingdom and the Republic of Ireland, 247–49; Spedding, Patrick, review of Kearney and Crawford, The Private Case: A Supplement. Notes Towards a Bibliography of the Books that Used to be in the Private Case of the British (Museum) Library, 277–80Spedding, Patrick, review of Kearney and Crawford, The Private Case: A Supplement. Notes Towards a Bibliography of the Books that Used to be in the Private Case of the British (Museum) Library, 277–80speed, john: Day, Matthew, “Deceit, Self-Interest, and Censorship: Problems at the Bookbinders in Early Modern England,” 1–25stationers’ company: Day, Matthew, “Deceit, Self-Interest, and Censorship: Problems at the Bookbinders in Early Modern England,” 1–25Stenner, Rachel, review of Fumo, Making Chaucer’s “Book of the Duchess”: Textuality and Reception, 129–32stone, william j.: Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403Stringer, Gary A., et al., The Variorum Edition of the Poetry of John Donne, Vol. 3: The Satyres, reviewed, 263–66Tabor, Stephen, review of Bolton, The Fifteenth-Century Printing Practices of Johann Zainer, Ulm, 1473–1478, 132–36tauchnitz editions: Gore, Amy, review of Troy, Strange Bird: The Albatross Press and the Third Reich, 408–10; Johanningsmeier, Charles, “Exporting America via Leipzig, Germany: Tauchnitz Editions and the International Popularization of American Literature,” 201–29Taylor, Jane H. M., Rewriting Arthurian Romance in Renaissance France, reviewed, 108–11textual scholarship: Gwara, Joseph J., “Wynkyn de Worde, Richard Pynson, and The Kalender of Shepeherdes: A Case Study in Cast-Off Copy and Textual Transmission,” 293–356; Higdon, David Leon, “The ‘Vanquished’ Text of L. P. Hartley’s The Go-Between,” 513–40; Jackson, MacDonald P., review of Proudfoot, King Edward the Third, 418–21thornthwaite, john joseph: Peterson, William S., “Pickering and the Quakers,” 231–46Troy, Michele K., Strange Bird: The Albatross Press and the Third Reich, reviewed, 408–10Twyman, Michael, John Phillips’s Lithographic Notebook: Reproduction in Facsimile from the Original at Oxford University Museum of Natural History, reviewed, 266–70tyler, benjamin owen: Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403typographical analysis: Gwara, Joseph J., “Wynkyn de Worde, Richard Pynson, and The Kalender of Shepeherdes: A Case Study in Cast-Off Copy and Textual Transmission,” 293–356typography: Keener, Andrew S., “The Multilingual Textures of Early Modern English Drama,” 481–511; Mitchell, Rebecca N., “The Century Guild Hobby Horse: Crafting Generic Networks in Fin-de-Siècle England,” 75–104united states: Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403; Braun, Jolie, review of Haveman, Magazines and the Making of America: Modernization, Community, and Print Culture 1741–1860, 250–52; Higdon, David Leon, “The ‘Vanquished’ Text of L. P. Hartley’s The Go-Between,” 513–40; Imholtz, August A., Jr., review of Grossman, The History of the Limited Editions Club, 415–18; Jackson, Ian, review of Vinson, Edward Eberstadt & Sons: Rare Booksellers of Western Americana, 259–63; Johanningsmeier, Charles, “Exporting America via Leipzig, Germany: Tauchnitz Editions and the International Popularization of American Literature,” 201–29; Plein, Stewart, review of Godburn, Nineteenth-Century Dust-Jackets, 120–24; Silverman, Randy, review of Etherington, Design Bindings: a Retrospective, 125–28; Slive, Daniel J., review of Johnston, Dreaming on the Edge: Poets & Book Artists in California, 274–77; Slive, Daniel J., review of Reese, Collectors, Booksellers, and Libraries: Essays on Americanists and the Rare Book Market, 541–45; Wright, Paul M., review of Glick, In the Service of Scholarship: Harold Hugo & The Meriden Gravure Company, 428–31ventura, comino: Sachet, Paolo, review of Savoldelli, Comino Ventura. Tra lettere e libri di lettere (1579–1617), 422–25Vinson, Michael, Edward Eberstadt & Sons: Rare Booksellers of Western Americana, reviewed, 259–63walker, john: Alexander, James R., “Publishing Peter Pindar: Production, Profit, and Piracy in Georgia Satire,” 149–82Weinberg, Abbie, review of Dondi, Printed Books of Hours from Fifteenth-Century Italy: The Texts, the Books, and the Survival of a Long-Lasting Genre, 425–28wither, john: Day, Matthew, “Deceit, Self-Interest, and Censorship: Problems at the Bookbinders in Early Modern England,” 1–25wolcot, john: Alexander, James R., “Publishing Peter Pindar: Production, Profit, and Piracy in Georgia Satire,” 149–82woodcuts: Bath, Jon, review of Dance, Illustrated by Lynd Ward, 105–8; Gwara, Joseph J., “Wynkyn de Worde, Richard Pynson, and The Kalender of Shepeherdes: A Case Study in Cast-Off Copy and Textual Transmission,” 293–356woodruff, william: Allen, Danielle, and Emily Sneff, “The Sussex Declaration: Dating the Parchment Manuscript of the Declaration of Independence Held at the West Sussex Record Office (Chichester, UK),” 357–403wright, harry: Goodman, Tess, “Copyright and Christmas: Illustration as a Victorian Publishing Strategy for the Poems of Sir Walter Scott,” 449–80Wright, Paul M., review of Glick, In the Service of Scholarship: Harold Hugo & The Meriden Gravure Company, 428–31wyatt, sir thomas the elder: King, Julia, review of Powell, The Complete Works of Sir Thomas Wyatt the Elder. Volume 1: Prose, 114–16Yale, Elizabeth, Sociable Knowledge: Natural History and the Nation in Early Modern Britain, reviewed, 116–19zainer, johann: Tabor, Stephen, review of Bolton, The Fifteenth-Century Printing Practices of Johann Zainer, Ulm, 1473–1478, 132–36 Previous article DetailsFiguresReferencesCited by The Papers of the Bibliographical Society of America Volume 112, Number 4December 2018 Published for the Bibliographical Society of America Article DOIhttps://doi.org/10.1086/700737 © 2018 by the Bibliographical Society of America. All rights reserved.PDF download Crossref reports no articles citing this article.