Illustration Credits
2015; University of Chicago Press; Volume: 50; Linguagem: Inglês
10.1086/685682
ISSN2169-3072
Tópico(s)Intellectual Property Law
ResumoPrevious article FreeIllustration CreditsPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreThree Paintings by El Greco: A View of Toledo, Cardinal Fernando Niño de Guevara, and The Vision of Saint John (The Opening of the Fifth Seal): figs. 2–3, 9, 18a,b: Album/Art Resource, NY; fig. 4: from Braun and Hogenberg 1966, vol. 1, part 1, p. 3; fig. 5: from Braun and Hogenberg 1966, vol. 3, part 5, p. 15; fig. 10: © DeA Picture Library/Art Resource; fig. 11: Scala/Ministeroper i Beni e le Attività culturali/Art Resource, NY; fig. 12: Photo Les arts Décoratifs, Paris/Jean Tholance; fig. 13: bpk, Berlin /Alte Pinakothek/Art Resource, NY; fig. 14: Erich Lessing/Art Resource, NY; fig. 16: from Marías 2007, pp. 122–23; fig. 17: Scala/Art Resource, NYA Rare Mechanical Figure from Ancient Egypt: figs. 1, 3–4, 7a, 13: Bruce Schwarz, The Photograph Studio, MMA; figs. 2, 6, 7b,c, 11: drawings by Sara Chen, Department of Egyptian Art, MMA; fig. 5: X-radiograph by Ann Heywood, Department of Objects Conservation, MMA; fig. 7b: drawing based on Hornemann 1966, pl. 989; fig. 7c: drawing based on Hornemann 1966, pl. 847; fig. 8a: bpk, Berlin/Aegyptisches Museum und Papyrussamlung/Sandra Steiss/Art Resource, NY; fig. 8b: Courtesy of the owner and Young Museum of Ancient Cultural Arts; fig. 9: from Gardiner 1931, pl. 4; fig. 12: Courtesy of the owner and www.bild-art.de/artefact/; fig. 14: © RMN-Grand Palais/Art Resource, NY; fig. 15: The New York Public Library/Art Resource, NY; fig. 16: Scala/Art Resource, NY; figs. 19, 22d: © The Trustees of the British Museum; fig. 20: Marion Wenzel; fig. 21: © National Museums Scotland; fig. 22d: from Loeben 2011; fig. 23: from Jantzen 1972, pl. 14; fig. 25: © Christie’s Images Limited 2008; fig. 26: from Matthews 1916, unnumbered plate between pp. 290 and 291Vases with Faces: Isolated Heads in South Italian Vase Painting: figs. 2, 4a,b, 9, 12, 13, 21, 23a,b, 26a–c, 27: Paul Lachenauer, The Photograph Studio, MMA; fig. 3a,b: Joseph Coscia Jr., The Photograph Studio, MMA; figs. 5a,b: © The National Museum of Denmark, Collection of Classical and Near Eastern Antiquities (photograph by Arnold Mikkelsen); figs. 6, 25: Renate Kühling; figs. 7a, 34a,b: © The Trustees of the British Museum; fig. 15: © Royal Museums of Art and History, Brussels; fig. 16: Peter Zeray, The Photograph Studio, MMA; fig. 18: © The Field Museum; fig. 22: Provincia di Bari, Servizio Beni, Attività Culturali, Biblioteca, Orchestra, Sport e Turismo; fig. 24: Juan Trujillo, The Photograph Studio, MMA; fig. 29: Ministero per i Beni e la Attività Culturali, Direzione Regionale per i Beni Culturali e Paesaggistici della Basilicata, Soprintendenza per i Beni Archeologici della Basilicata; fig. 30: Assessorato ai Beni Culturali e dell’Identità Siciliana della Regione Siciliana, Palermo; fig. 31: Ministero per iBeni Culturali, Soprintendenza per i Beni Archeologici della Puglia, Archivo fotografico, TarantoA Bronze Hellenistic Dwarf in the Metropolitan Museum: figs. 1 a–c: Paul Lachenauer, The Photograph Studio, MMA; fig. 2a,b: © RMN-Grand Palais/Art Resource, NY, Hervé Lewandowski; fig. 3: © 2015 Museum of Fine Arts, Boston; fig. 4: The Trustees of the British Museum/Art Resource, NY; fig. 9: © Vanni Archive/Art Resource, NYEnnion, Master of Roman Glass: Further Thoughts: fig. 1: © The Trustees of The British Museum; figs. 2, 4: Bruce Schwarz, The Photograph Studio, MMA; figs. 6, 7, 10: Paul Lachenauer, The Photograph Studio, MMA; figs. 8, 11, 14: Ardon Bar-Hama; fig. 13: © Eretz Israel Museum, Tel AvivThe Kizil Paintings in the Metropolitan Museum: fig. 1: Deng Jie and Chen Lei; fig. 2: drawing by Pamlyn Smith, after Grünwedel 1912, fig. 395a; figs. 3, 13, 16, 18: Oi-Cheong Lee, The Photograph Studio, MMA; figs. 4, 11: © Staatliche Museen zu Berlin, Museum für Asiatische Kunst/Jürgen Liepe; figs. 6, 10: © Staatliche Museen zu Berlin, Museum für Asiatische Kunst/Archiv (Albert von Le Coq); fig. 7: from Zhongguo bihua quanji bianji weiyuanhui 1995, vol. 1, pl. 71; fig. 12: from Zhongguo bihua quanji bianji weiyuanhui 1995, vol. 3, pl. 120; fig. 15: from Xinjiang Qiuci shiku yanjiu suo 2008, pl. 139; figs. 17a,b, 19–22: Bruce Schwarz, The Photograph Studio, MMAGiovanni Battista Lodi da Cremona and the Story of Mercury and Herse Tapestry Series: fig. 3: Fitzwilliam Museum, Cambridge/Art Resource, NY; fig. 4: © Trustees of the British Museum; fig. 5: Mark Morosse, The Photograph Studio, MMACollecting Sixteenth-Century Tapestries in Twentieth-Century America: The Blumenthals and Jacques Seligmann: fig. 1: Kathy Dahab, The Photograph Studio, MMAVincenzo de’ Rossi as Architect: A Newly Discovered Drawing and Project for the Pantheon in Rome: fig. 1: © Cooper Hewitt, National Design Museum, Smithsonian Institution/Art Resource, NY; fig. 2: from Colnaghi 1983, no. 2; figs. 3, 7–9: Hyla Skopitz, The Photograph Studio, MMA; fig. 5: Musée du Louvre © RMN-Grand Palais/Michel Urtado/Art Resource, NY; fig. 6: © RMN-Grand Palais/Suzanne Nagy/Art Resource, NY; fig. 11: Courtesy of Gabinetto Disegni e Stampe degli Uffizi, Florence; fig. 14: Centrum voor Kunsthistorische Documentatie, Radboud Universiteit NijmegenThe Pont Neuf: A Paris View by Johan Barthold Jongkind Reconsidered: fig. 1: Juan Trujillo, The Photograph Studio, MMA; figs. 2, 4, 5, 9, 10, 16, 17: © RMN-Grand Palais/Art Resource, NY; fig. 6a: From sale catalogue, Galerie Georges Petit, Paris, May 11–12, 1931, no. 21; overlays by Sophie Scully; figs. 6b, 8, 11, 12, 21: photographs and overlays by Sophie Scully, 2013–14; fig. 14: Courtesy Sotheby’s New York; fig. 20: From The Connoisseur 119 (June 1947), p. 11Charles Lepec and the Patronage of Alfred Morrison: fig. 1: Thomas Goldschmidt; fig. 2: Musée d’Orsay/RMN; fig. 3: Bibliothèque Nationale de France; figs. 4, 10, 13: by kind permission of Lord Margadale and the Fonthill Estate; fig. 6: courtesy of Saint Louis Art Museum; fig. 8: Martin Levy; fig. 9: © Musée des Beaux-Arts de Limoges/F. Magnoux; fig. 11: © Musée des Beaux-Arts de Limoges/V. Schrive; fig. 14: © Fitzwilliam Museum, Cambridge, England; fig. 16: Olivier Hurstel; figs. 17–19, 23a–d, 24–27, 29a,b: © Victoria and Albert Museum, London; fig. 20: from Country Life, May 18, 1989, p. 247, fig. 5; fig. 22: Olivier Hurstel; fig. 28: Joseph Coscia Jr., The Photograph Studio, MMA Previous article DetailsFiguresReferencesCited by Metropolitan Museum Journal Volume 502015 Sponsored by the Metropolitan Museum of Art Article DOIhttps://doi.org/10.1086/685682 © 2015 by The Metropolitan Museum of Art, New YorkPDF download Crossref reports no articles citing this article.
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