Contributors
2017; University of Chicago Press; Volume: 43; Linguagem: Inglês
10.1086/692562
ISSN2156-4914
Tópico(s)Latin American Urban Studies
ResumoPrevious article FreeContributorsPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreHannah BlackHannah Black is a writer and artist. Her work in video and installation has been shown at Arcadia Missa, London; Chateau Shatto, Los Angeles; and Bodega, New York. Her solo show ‘Small Room’ opens at mumok, Vienna in March 2017. Black’s writing has previously appeared in publications including Artforum and Harper’s, and her book Dark Pool Party was published in 2016.ChimurengaChimurenga is a project-based mutable object: a print magazine, a publisher, a broadcaster, a workspace, a platform for editorial and curatorial activities and an online resource.Ntone EdjabeNtone Edjabe is the founder and editor of Chimurenga and its siblings, including the Chronic and Pan African Space Station (PASS).Irmgard EmmelhainzIrmgard Emmelhainz is an independent translator, writer and researcher based in Mexico City. In 2016, she published La tiranía del sentido común: la reconversión neoliberal de México. Her work about film, the Palestine question, art, culture and neoliberalism has been translated into Chinese, German, Italian, Norwegian, French, English, Arabic, Turkish, Hebrew and Serbian. She has presented it at an array of international venues including the Harvard Graduate School of Design in Cambridge, Massachusetts; the March Meeting at Sharjah Art Foundation; and, in New York, the New School and the Americas Society. She is a member of the editorial board of the journal Scapegoat, and has a book forthcoming on Jean-Luc Godard’s political film-making and her Palestine chronicles.Kodwo EshunKodwo Eshun is lecturer in contemporary art theory at Goldsmiths, University of London; visiting professor at Haut ecole d’art et design – Genève; and co-founder of The Otolith Group. He is the author of More Brilliant than the Sun: Adventures in Sonic Fiction (1998) and Dan Graham: Rock My Religion (2012, in the Afterall One Work series), and a co-editor of Post Punk Then and Now (2016), the Third Text issue ‘The Militant Image: A Ciné-Geography’ (vol.25, no.108, 2011), Harun Farocki: Against What? Against Whom (2010) and The Ghosts of Songs: The Film Art of the Black Audio Film Collective, 1982–1998 (2007).Avery F. GordonAvery F. Gordon is professor of sociology at the University of California, Santa Barbara. Her most recent books are The Workhouse (The Breitenau Room) (co-authored with Ines Schaber, 2014), Keeping Good Time: Reflections on Knowledge, Power, and People (2004), Ghostly Matters: Haunting and the Sociological Imagination (1997) and The Hawthorn Archive: Letters from the Utopian Margins (forthcoming).Anders KreugerAnders Kreuger is senior curator at M HKA in Antwerp and one of the editors of Afterall. He was previously director of the Malmö Art Academy; exhibitions curator at Lunds konsthall, in his native Sweden; and a member of the programme team for the European Kunsthalle in Cologne.Pablo LafuentePablo Lafuente is a writer and curator based in São Paulo and Porto Seguro, Brazil. He was a co-curator of the 31st Bienal de São Paulo (2014) and the curator of ‘A Singular Form’ (2014) at Secession, Vienna. He is currently organising the long-term project Zarigüeya/ Alabado Contemporáneo at the Museo de Arte Precolombino Casa del Alabado in Quito, Ecuador and is part of the ongoing research group Museal Episode, organised by the Goethe-Institut Latin America. He is one of the founding editors of the Afterall Exhibition Histories book series.Lucy R. LippardLucy R. Lippard is a writer, activist and sometime curator. Since 1966, she has published 23 books on contemporary art and cultural studies, most recently Undermining: A Wild Ride Through Land Use, Politics, and Art in the Changing West (2014). Lippard has curated more than fifty exhibitions and co-founded various artists groups, including the Ad Hoc Women Artists’ Committee, Heresies, Printed Matter and Political Art Documentation and Distribution (PAD/D). She lives in Galisteo, New Mexico.Lee MaracleLee Maracle is the author of a number of critically acclaimed literary works, amongst them Bobbi Lee: Indian Rebel (1990), Ravensong (1993), I Am Woman: A Native Perspective on Sociology and Feminism (1998), Bent Box (2000), Daughters Are Forever (2002) and Will’s Garden (2002), and a co-editor of a number of anthologies, including the award-winning publication My Home As I Remember (2000). She is widely published in anthologies and scholarly journals internationally and is a member of the Stó:lō Nation.Lee-Ann MartinLee-Ann Martin is one of the most senior contemporary Indigenous curators in Canada, having curated and written extensively for the past thirty years. She is the former curator of contemporary Canadian Aboriginal art at the Canadian Museum of History, Gatineau, Quebec and the former head curator of the MacKenzie Art Gallery in Regina, Saskatchewan. A small selection of Martin’s curatorial projects includes: the international exhibition ‘Close Encounters: The Next 500 Years’ (Plug In Institute of Contemporary Art, Winnipeg, Manitoba, 2011); the nationally touring exhibitions ‘Bob Boyer: His Life’s Work’ (MacKenzie Art Gallery, 2008), ‘Au fil de mes Jours (In My Lifetime)’ (Musée national des beaux-arts du Québec, 2005), ‘The Powwow: An Art History’ (MacKenzie Art Gallery, 2000), ‘EXPOSED: The Aesthetics of Aboriginal Art’ (MacKenzie Art Gallery, 1999) and ‘Alex Janvier: His First Thirty Years, 1960–1990’ (Thunder Bay Art Gallery, 1993); and the internationally touring exhibition ‘INDIGENA: Perspectives of Indigenous Peoples on 500 Years’ (Canadian Museum of Civilization, Gatineau, 1992).Walter D. MignoloWalter D. Mignolo is William H. Wannamaker Professor and Director of the Center for Global Studies and the Humanities at Duke University in Durham, North Carolina. He is an associated researcher at the Universidad Andina Simón Bolívar in Quito, Ecuador and an honorary research associate for the Center for Indian Studies in South Africa (CISA) at the University of the Witwatersrand in Johannesburg. He is a senior advisor of the Dialogue of Civilizations (DOC) Research Institute, based in Berlin, and received a Doctor Honoris Causa Degree from the Universidad de Buenos Aires.Emily PethickEmily Pethick is, since 2008, director of The Showroom, London. From 2005–08, she was director of Casco – Office for Art, Design and Theory, Utrecht, the Netherlands; and from 2003–04, curator at Cubitt, London.Griselda PollockGriselda Pollock is professor of social and critical histories of art and director of the Centre for Cultural Analysis, Theory and History at the University of Leeds. In her many books, articles and exhibitions, she has addressed the challenges of international, postcolonial and queer feminist creative and theoretical work for transformation.Michelle SommerMichelle Sommer is an architect, a researcher and a curator in the visual arts. She completed her PhD in history, theory and criticism in 2016, with a focus on exhibition studies. She is currently a faculty member at the Escola de Artes Visuais do Parque Lage and a post-doctoral researcher at the Universidade Federal do Rio de Janeiro.Stavros StavridesStavros Stavrides is an architect and activist. He is associate professor at the School of Architecture, National Technical University of Athens, Greece. He has published numerous articles on spatial theory, and his most recent book is Common Space: The City as Commons (2016). Forms of emancipating spatial practices and possible architectures of communing are the focus of his current research.Zoe ToddZoe Todd (Métis) is from amiskwaciwâskahikan (Edmonton) in the Treaty Six Territory in Alberta, Canada. She writes about indigeneity, art, architecture and decolonisation in urban contexts. She also studies Métis legal traditions, human-animal relations, colonialism and environmental change in north-western Canada.Cédric VincentCédric Vincent is an anthropologist and a researcher at the Centre Anthropology of Writing based at the École des hautes études en sciences sociales in Paris. He is a co-director of the PANAFEST Archive, a multidisciplinary research endeavour addressing Pan-African arts and culture festivals of the 1960s and 70s; it was featured in the exhibition ‘Dakar 66: Chronicles of a Pan-African Festival’ (Musée du quai Branly – Jacques Chirac, Paris, 2016). He is professor of art theory at the high school of art and design in Toulon. Previous article DetailsFiguresReferencesCited by Afterall Volume 43Spring/Summer 2017 Published by Central Saint Martins, University of the Arts London Article DOIhttps://doi.org/10.1086/692562 © 2017 by Central Saint Martins College of Art and Design, University of the Arts London. All rights reserved.PDF download Crossref reports no articles citing this article.
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