Why Ekphrasis?
2007; University of Chicago Press; Volume: 102; Issue: 1 Linguagem: Inglês
10.1086/521132
ISSN1546-072X
Autores Tópico(s)Visual Culture and Art Theory
ResumoPrevious articleNext article No AccessWhy Ekphrasis?Valentine CunninghamValentine CunninghamCorpus Christi College, Oxford Search for more articles by this author Corpus Christi College, OxfordPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmailPrint SectionsMoreDetailsFiguresReferencesCited by Classical Philology Volume 102, Number 1January 2007Special Issues on EkphrasisEdited by Shadi Bartsch and Jaś Elsner Article DOIhttps://doi.org/10.1086/521132 Views: 292Total views on this site Citations: 25Citations are reported from Crossref [© 2007 by The University of Chicago. All rights reserved.]PDF download Crossref reports the following articles citing this article:Sofie Behluli, Gabriele Rippl Ekphrasis: Intermedial and Anglophone Perspectives, (Dec 2023): 47–71.https://doi.org/10.1007/978-3-031-28322-2_64Cassandra Atherton, Paul Hetherington Ekphrastic spaces: the tug, pull, collision and merging of the in-between, New Writing 20, no.11 (Jan 2022): 83–98.https://doi.org/10.1080/14790726.2022.2025850Sofie Behluli, Gabriele Rippl Ekphrasis: Intermedial and Anglophone Perspectives, (May 2023): 1–25.https://doi.org/10.1007/978-3-030-91263-5_64-1Estella Ciobanu Ut pictura poesis : Ekphrasis, Genre Painting and Still Life in Virginia Woolf, Margaret Atwood and Alice Thompson, American, British and Canadian Studies 38, no.11 (Nov 2022): 33–53.https://doi.org/10.2478/abcsj-2022-0003, Lubov I. Semerenko, Oleksandr O. Pliushchai, Pictorial as readable: ekphrasis in a literary work and reader's p, Alfred Nobel University Journal of Philology 1, no.2323 (Jun 2022): 50–59.https://doi.org/10.32342/2523-4463-2022-1-23-4Laura Schmitz-Justen "Art is Seeing Things": Ekphrastic Education in Ali Smith's Seasonal Quartet, English Studies 103, no.22 (Mar 2022): 317–337.https://doi.org/10.1080/0013838X.2022.2043033Dominique Gracia Ekphrasis, (Dec 2022): 485–489.https://doi.org/10.1007/978-3-030-78318-1_433Julia Dynkowska "Jak żywa" to "uniwersalny komunał"? O nieoczywistych związkach prozopopei z ekfrazą w powieści Portret Pierre'a Assouline'a, Acta Universitatis Lodziensis. Folia Litteraria Polonica 61, no.22 (Jun 2021): 83–99.https://doi.org/10.18778/1505-9057.61.05Ahmet URUK A Beloved or A Devil?: Toxic Masculinity in Robert Browning's "My Last Duchess'' and "Porphyria's Lover'', İnsan ve Sosyal Bilimler Dergisi 4, no.11 (May 2021): 207–219.https://doi.org/10.53048/johass.901194Sofie Behluli Framing Lives as Paintings, Women: A Cultural Review 32, no.22 (Jun 2021): 119–139.https://doi.org/10.1080/09574042.2021.1914901Dominique Gracia Ekphrasis, (Aug 2021): 1–5.https://doi.org/10.1007/978-3-030-02721-6_433-1Emilie Oléron Evans Invisible Layers: Palimpsestuous Meanings in Art Novels, Open Library of Humanities 6, no.22 (Oct 2020).https://doi.org/10.16995/olh.517Sophie Coussemacker, Julia Roumier En guise d'introduction : Ekphrasis et hypotypose : les écritures de l'enargeia dans la péninsule Ibérique médiévale et moderne, e-Spania , no.3737 (Oct 2020).https://doi.org/10.4000/e-spania.35993Emily Herrington, Eva Jablonka Creating a 'gestalt shift' in evolutionary science: roles for metaphor in the conceptual landscape of the extended evolutionary synthesis (EES), Interdisciplinary Science Reviews 45, no.33 (Oct 2020): 360–379.https://doi.org/10.1080/03080188.2020.1794383Linda Grant Latin Erotic Elegy and the Shaping of Sixteenth-Century English Love Poetry, 16 (Aug 2019).https://doi.org/10.1017/9781108663847Lili Pâquet Selfie‐Help: The Multimodal Appeal of Instagram Poetry, The Journal of Popular Culture 52, no.22 (Apr 2019): 296–314.https://doi.org/10.1111/jpcu.12780Tony Ullyatt 'Stepping into the painting': Franz Marc, Mary Oliver and the ekphrastic process, Literator 39, no.11 (Jun 2018).https://doi.org/10.4102/lit.v39i1.1352David Rampton Allusions to French Literature in Nabokov's Eugene Onegin: the Case of Voltaire, (Jan 2017): 65–76.https://doi.org/10.4000/books.pus.5336David Rampton The Aesthetics of Moral Contradiction in Some Early Nabokov Novels, (Sep 2016): 109–125.https://doi.org/10.1057/978-1-137-59221-7_7Susan L. Fischer (Re)staging the Tragic Gaze in Lope's El castigo sin venganza : A Verbal (Mis)representation of a Visual Representation?, Comedia Performance 12, no.11 (Apr 2015): 137–167.https://doi.org/10.5325/comeperf.12.1.0137Asma Mansoor Ekphrastic Practices in Catalysing Creative Writing in Undergraduate ESL Classrooms, New Writing 11, no.22 (Apr 2014): 208–227.https://doi.org/10.1080/14790726.2014.904887 Kolocotroni Still Life: Modernism's Turn to Greece, Journal of Modern Literature 35, no.22 (Jan 2012): 1.https://doi.org/10.2979/jmodelite.35.2.1Elke Weissmann Conventionally beautiful: Contemplative images in the personal reflective narratives of Who Do You Think You Are?, The Monastery and The Convent, European Journal of Cultural Studies 14, no.22 (Apr 2011): 195–211.https://doi.org/10.1177/1367549410388470 Rebecca Olson Before the Arras: Textile Description and Innogen's Translation in Cymbeline Rebecca Olson, Modern Philology 108, no.11 (Jul 2015): 45–64.https://doi.org/10.1086/656288
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