Artigo Revisado por pares

Is Funny Music Funny? Contexts and Case Studies of Film Music Humor

2002; Wiley; Volume: 14; Issue: 2 Linguagem: Inglês

10.1080/15242220290055065

ISSN

1533-1598

Autores

Miguel Mera,

Tópico(s)

Media, Gender, and Advertising

Resumo

Journal of Popular Music StudiesVolume 14, Issue 2 p. 91-113 Is Funny Music Funny? Contexts and Case Studies of Film Music Humor Miguel Mera, Miguel Mera Royal College of MusicSearch for more papers by this author Miguel Mera, Miguel Mera Royal College of MusicSearch for more papers by this author First published: 26 August 2006 https://doi.org/10.1111/j.1533-1598.2002.tb00039.xCitations: 23AboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat WORKS CITED Aristotle. 1898. The Poetics of Aristotle, translated by S. H. Butcher. 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London : Routledge. 10.4324/9780203327562 Google Scholar Chion, M. 1990. Audio Vision: Sound on Screen. New York : Columbia University Press. Google Scholar Cooke, D. 19591989. The Language of Music. London : Oxford University Press. Google Scholar Davies, S. 1994. Musical Meaning and Expression. London : Cornell University Press. 10.7591/9781501733987 Google Scholar Ferrar, M. 1993. The Logic of the Ludicrous: A Pragmatic Study of Humour. Ph.D. dissertation. University College, London . Google Scholar Gehring, W. D. 1988. " Parody," in Handbook of American Film Genres, edited by W. D. Gehring, 145–165. London : Greenwood Press. Google Scholar Hanslick, E. 1957. The Beautiful in Music. New York : Liberal Arts Press. Google Scholar Horton, A. (Ed.). 1991. Comedy/Cinema/Theory. Berkeley : University of California Press. Google Scholar Kierkegaard, S. 1941. Unscientific Postscript, translated by D. F. Swenson. Princeton , NJ : Princeton University Press. Google Scholar Linstead, S. 1988. "' Jokers Wild': Humour in Organisational Culture," in Humour in Society: Resistance and Control, edited by C. Powell and G. E. C. Paton, 123–148. London : Macmillan. 10.1007/978-1-349-19193-2_7 Google Scholar Lister, L. J. 1994. Humour as a Concept in Music: A Theoretical Study of Expression in Music, the Concept of Humour in Music with an Analytical Example from W. A. Mozart, Ein Musikalischer Spaβ. Berlin : Peter Lang. Google Scholar London, K. 19361970. Film Music: A Summary of the Characteristic Features of Its History, Aesthetics, Techniques and Possible Developments. New York : Arno Press. Google Scholar Manvell, R., and J. Huntley. 1957 The Technique of Film Music. London : Focal Press. Google Scholar Neale, S., and F. Krutnik. 1990 Popular Film and Television Comedy. London : Routledge. Google Scholar Prendergast, R. M. 1992. Film Music: A Neglected Art. New York : Norton. Google Scholar Sabaneev, L. 1935. Music for the Films, translated by S. W. Pring. London : Pitman. Google Scholar Schopenhauer, A. 1964. The World as Will and Idea, translated by R. B. Haldane and J. Kemp. London : Routledge & Kegan Paul. Google Scholar Sinyard, N. 1987. The Films of Mel Brooks. London : Hamlyn. Google Scholar Smith, J. 1998. The Sounds of Commerce: Marketing Popular Film Music. New York : Routledge. Google Scholar Spencer, H. 1911. " On the Physiology of Laughter," in Essays on Education, Etc., 298–309. London : Dent. Google Scholar Storr, A. 1992. Music and the Mind. London : HarperCollins. Google Scholar Thomas, T. 1973. Music for the Movies. London : A. S. Barnes. Google Scholar Weis, E., and J. Belton. 1985 Film Sound: Theory and Practice. New York : Columbia University Press. Google Scholar Wheelock, G. 1992. Haydn's Ingenious Gesting with Art: Contexts of Musical Wit and Humor. New York : Schirmer. Google Scholar Zillman, D., and J. R. Carter. 1976. " A Disposition Theory of Humour and Mirth," in Humour and Laughter: Theory, Research and Applications, edited by A. Chapman and H. Foot, 93–115. London : Wiley. Google Scholar Citing Literature Volume14, Issue2September 2002Pages 91-113 ReferencesRelatedInformation

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