Portal de Periódicos da CAPES

Books received March 2015–July 2017

2017; University of Chicago Press; Volume: 67-68; Linguagem: Inglês

10.1086/694458

2327-9621

Latin American history and culture

Previous article FreeBooks received March 2015–July 2017PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreAfanador-Pujol, Angélica Jimena. The Relación de Michoacán (1539–1541) and the Politics of Representation in Colonial Mexico. Austin: University of Texas Press, 2015.Arriola, Magalí, ed. Danh Vo: Wād al-ḥaŷara. Exhibition catalogue, Museo Jumex. Ecatepec, Mexico: Fundación Jumex Arte Contemporáneo, 2016.Art de l’enluminure 59 (2016). Le Cantique des cantiques: Un rare commentaire illustré dans l’Italie du Quattrocento.Basualdo, Carlos, ed. William Kentridge: Triumphs and Laments. Cologne: Buchhandlung Walther König, 2017.Bedos-Rezak, Brigitte Miriam, and Jeffrey F. Hamburger, eds. Sign and Design: Script as Image in Cross-Cultural Perspective (300–1600 CE). Washington, DC: Dumbarton Oaks, 2016.Les Cahiers du Musée national d’art moderne 126 (Winter 2013/2014).Christensen, Mark Z. The Teabo Manuscript: Maya Christian Copybooks, Chilam Balams, and Native Text Production in Yucatan. Austin: University of Texas Press, 2016.Christenson, Allen J. The Burden of the Ancients: Maya Ceremonies of World Renewal From the Pre-Columbian Period to the Present. Austin: University of Texas Press, 2016.Chumley, Lily. Creativity Class: Art School and Culture Work in Postsocialist China. Princeton, NJ: Princeton University Press, 2016.Cohen Suarez, Ananda. Heaven, Hell, And Everything in Between: Murals of the Colonial Andes. Austin: University of Texas Press, 2016.Cometa, Michele. Perché le storie ci aiutano a vivere: La letteratura necessaria. Milan: Rafaello Cortina, 2017.Cometa, Michele. Il Trionfo della morte di Palermo: Un’allegoria della modernità. Macerata: Quodlibet, 2017.Daou, Daniel, and Pablo Pérez-Ramos, eds. Island. New Geographies 8. Cambridge, MA: Harvard University Graduate School of Design, 2017.Dehejia, Vidya, and Peter Rockwell. The Unfinished: Stone Carvers at Work on the Indian Subcontinent. New Delhi: Roli Books, 2016.Ellis, Donald, et al. Art of the Arctic: Reflections of the Unseen. Masks; Ivories from the Bering Sea. London: Black Dog, 2015.Epley, Bradford A., and Michelle White. Barnett Newman: The Late Work, 1965–1970. Exhibition catalog. Houston: Menil Collection, 2015.Ferreira, Glória, and Paulo Herkenhoff, eds. Mário Pedrosa: An Anthology. New York: Museum of Modern Art, 2015.Finegold, Andrew, and Ellen Hoobler, eds. Visual Culture of the Ancient Americas: Contemporary Perspectives. Norman: University of Oklahoma Press, 2017.Giménez, Carmen. Picasso: The Line. Exhibition catalogue. Houston: Menil Collection, 2016.Guercio, Gabriele. L’arte non evolve: L’universo immobile di Gino De Dominicis. Monza: Johan & Levi, 2015.Guercio, Gabriele. Il demone di Picasso: Creatività generica e assoluto della creazione. Macerata: Quodlibet, 2017.Harries-Jones, Peter. Upside-Down Gods: Gregory Bateson’s World of Difference. New York: Fordham University Press, 2016.Harris, Clare. Photography and Tibet. London: Reaktion Books, 2016.Houston, Stephen, Sarah Newman, Edwin Román, and Thomas Garrison. Temple of the Night Sun: A Royal Tomb at El Diablo, Guatemala. San Francisco: Precolumbia Mesoweb Press, 2015.Jacobs, Fredrika H. Votive Panels and Popular Piety in Early Modern Italy. New York: Cambridge University Press, 2013.Jonietz, Fabian, and Alessandro Nova, eds. The Paradigm of Vasari: Reception, Criticism, Perspectives. Venice: Marsilio, 2016.Judd, Flavin, and Caitlin Murray, eds. Donald Judd Writings. New York: Judd Foundation, 2016.Jung, C. G. On Psychological and Visionary Art: Notes from C. G. Jung’s Lecture on Gérard de Nerval’s Aurélia, ed. Craig E. Stephenson. Princeton, NJ: Princeton University Press, 2015.Kedar, Dorit. Caravaggio as a Modernist: What Is Modernism? Tel Aviv: Center of Interreligious Peace, 2015.Koerner, Joseph Leo. Bosch and Bruegel: From Enemy Painting to Everyday Life. Princeton, NJ: Princeton University Press, 2016.Kraidy, Marwan M. The Naked Blogger of Cairo: Creative Insurgency in the Arab World. Cambridge, MA: Harvard University Press, 2017.Kristan-Graham, Cynthia, and Laura M. Amrhein, eds. Memory Traces: Analyzing Sacred Space at Five Mesoamerican Sites. Boulder: University Press of Colorado, 2015.Kroskrity, Paul V., and Anthony K. Webster, eds. The Legacy of Dell Hymes: Ethnopoetics, Narrative Inequality, and Voice. Bloomington: Indiana University Press, 2015.Lahuerta, Juan José, and Emilia Philippot. Romanesque–Picasso. Exhibition catalogue. Barcelona: Museu Nacional d’Art de Catalunya, 2016.Lamb, Weldon. The Maya Calendar: A Book of Months, 400–2000 CE. Norman: University of Oklahoma Press, 2017.Loriga, Sabina. La piccola x: Dalla biografia alla storia. Palermo: Sellerio, 2012.Mark Dion: Extranaturel. Voyage initiatique dans les collections des Beaux-Arts de Paris. Exhibition catalogue. Paris: Palais des Beaux-Arts. Beaux-Arts de Paris Éditions, 2016.McLean, Ian. Rattling Spears: A History of Indigenous Australian Art. London: Reaktion Books, 2016.Michaud, Éric. Les invasions barbares: Une généalogie de l’histoire de l’art. Paris: Gallimard, 2015.Mishra, Pankaj. Age of Anger: A History of the Present. New York: Farrar, Straus & Giroux, 2017.Necipoğlu, Gülru, and Alina Payne, eds. Histories of Ornament: From Global to Local. Princeton, NJ: Princeton University Press, 2016.Ohta, Alison, J. M. Rogers, and Rosalind Wade Haddon, eds. Art, Trade and Culture in the Islamic World and Beyond: From the Fatimids to the Mughals; Studies Presented to Doris Behrens-Abouseif. London: Gingko Library, 2016.Osborn, J. R. Letters of Light: Arabic Script in Calligraphy, Print, and Digital Design. Cambridge, MA: Harvard University Press, 2017.Pasztory, Esther. Aliens and Fakes: Popular Theories about the Origins of Ancient Americans. Solon, ME: Polar Bear & Co., 2015.Pheby, Alex. Playthings. Norwich: Galley Beggar Press, 2015.Pongratz-Leisten, Beate, and Karen Sonik, eds. The Materiality of Divine Agency. Boston: De Gruyter, 2015.Rice, Prudence M. Pottery Analysis: A Sourcebook, 2nd ed. Chicago: University of Chicago Press, 2015.Russo, Alessandra, Gerhard Wolf, and Diana Fane, eds. Images Take Flight: Feather Art in Mexico and Europe 1400–1700. Munich: Hirmer, 2015.Sankovitch, Anne-Marie. The Church of Saint-Eustache in the Early French Renaissance. Turnhout: Brepols, 2015.Scolari, Massimo. Il pilota del labirinto: Scritti storici, critici, polemici 1969–2012. Milan: Franco Angeli, 2015.Severi, Carlo. The Chimera Principle: An Anthropology of Memory and Imagination. Chicago: Hau Books, 2015.Severi, Carlo. L’objet-personne: Une anthropologie de la croyance visuelle. Paris: Rue d’Ulm, 2017.Severi, Carlo, and William F. Hanks, eds. Translating Worlds: The Epistemological Space of Translation. Chicago: Hau Books, 2015.Stavrinaki, Maria. Dada Presentism: An Essay on Art and History. Stanford, CA: Stanford University Press, 2016.Stephenson, Craig E. Possession: Jung’s Comparative Anatomy of the Psyche. London: Routledge, 2009.Stoichita, Victor I. L’image de l’Autre: Noirs, Juifs, Musulmans et “Gitans” dans l’art occidental des temps modernes. Paris: Hazan, 2014.Strother, Z. S. Humor and Violence: Seeing Europeans in Central African Art. Bloomington: Indiana University Press, 2016.Taylor, Paul, ed. Iconography without Texts. London: Warburg Institute, 2008.Vidal, Denis. Aux frontières de l’humain: Dieux, figures de cire, robots et autres artefacts. Paris: Alma, 2016.Weiss, Allen S. The Grain of the Clay: Reflections on Ceramics and the Art of Collecting. London: Reaktion Books, 2016.Wu Hung. Zooming In: Histories of Photography in China. London: Reaktion Books, 2016.Wu Hung, ed. Contemporary Chinese Art: Primary Documents. New York: Museum of Modern Art, 2010.Zalamea, Fernando. Razón de la frontera y fronteras de la razón: Pensamiento de los límites en Peirce, Florenski, Marey, y limitantes de la expresión en Lispector, Vieira da Silva, Tarkovski. Bogotá: Universidad Nacional de Colombia, 2010.Zalamea, Fernando. Prometeo liberado: La emergencia creativa en maestros de los siglos XIX y XX. Bogotá: Universidad Nacional de Colombia, 2014.Zalamea, Fernando, ed. Marta Traba en facsímil. Bogotá: Editorial Universidad Nacional de Colombia, 2014.Zeidler, Sebastian. Form as Revolt: Carl Einstein and the Ground of Modern Art. Ithaca, NY: Cornell University Press, 2015. Previous article DetailsFiguresReferencesCited by Res Volume 67-682016/2017 Published in association with the Peabody Museum of Archaeology and Ethnology, Harvard University Article DOIhttps://doi.org/10.1086/694458 Views: 297Total views on this site Copyright © 2017 by the President and Fellows of Harvard College. All rights reserved. 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