Index
2017; Emerald Publishing Limited; Linguagem: Inglês
10.1108/978-1-78635-688-820171029
ISSN2058-881X
ResumoCitation (2017), "Index", Grassroots Leadership and the Arts for Social Change (Building Leadership Bridges), Emerald Publishing Limited, Bingley, pp. 329-342. https://doi.org/10.1108/978-1-78635-688-820171029 Publisher: Emerald Publishing Limited Copyright © 2017 Emerald Publishing Limited INDEX Abolitionisms, 159 Action for Transparency, 84 health and education sector, role in, 84 Kariobangi, interaction with, 84 Actors Equity Association, 179 Adagio in G Minor , 3 Adamic, Louis, 155 Adult education, 302 African empowerment, 39 Africanist authors, 31 Afrobeat, 30 AIDS America’s early response, 174 art and acting, 181–184 crisis, 184 fear and panic, 173 Albinoni, Tomaso, 3 Ali, Zine-el-Abidine Ben, 121 Allen, Peter, 180 Amani People’s Theatre (APT), 194 foundation, 194 Weaving a Rainbow, 197 American Federation of Labor (AF of L), 151, 158 AmFAR, 179 1,112 and Counting , 176 Animal captivity, 103 Anti-corruption, 33, 37 and democratic-rule crusader, 33–37 Anti-graffiti laws, 101 Appalachian banjo players, 166 Art and acting, 181–184 Art and graffiti legal distinction, 99 Art, as weapon in contemporary wars, 22 Art for Abolition, 84 Art in the Streets, 90 Art in war, role of, 21 The Art of Recovery , 124 collective action for social change, effect on, 133 key action themes, 137–142 building connections, 138–139 experiments, importance of, 140–142 transition, acceptance of, 139–140 value of collaboration, 137–138 limit situation addressing, 134–136 Artistic activism, 132 Artistic expression, 246, 281 Artistic leadership, 260 Artists and audience interaction, 246, 249 Asset-based community development (ABCD) approach, 225, 227–228 begining of, 227 building of social capital, 228 grassroots communities, 227 mapping strategy, 227 place of opportunity, 227 place of problems, 227 role of external agents, 228 Asset Mapping Strategy, 233–235 enthusiasm, discovery, 235 outcome of, 234 summary, of baseline survey workshop, 235 unrealized assets, 234 Attrition rate, 264 Audience, 161, 165–166, 179–181 distribution networks, 165 and life under normalization, as banned playwright, 51 music sections in feminist bookstores, 165 record labels, 165 Authentic education, 114 Authentic expression, 76 Authentic leadership, 60 Authors’ own stories, 194–197 Babcock-Abrahams, Barbara, 105 Badke, 291 Baez, Joan, 14 Banksy, 98 cultural commentator, 103 effect, 101 Exit through the Gift Shop (film), 105 motivation, 102 paintings, 101 Ruined Landscape , 101 social values, role in, 106 Turf War exhibit, 105 Barely Legal, 103 Baseline Survey Workshop, 230–233 co-facilitators, 231 distancing effects, in play, 231 give and gain, outcome of, 232, 233 playful games and exercises, 231 purpose, 231 teachers and community leaders, 231, 232 Batanani, Laedza, 224 Bates, Julia, 21 Benevolent subversive leadership, 98 Bennett, Marta, 83 Berkowitz, Michael, 178 Bible school, 82 Black people, 31 Boal, Augusto, 189–191, 207 Body-percussion dance, 293 Bombing, 98 Boom Twaff, 90 Bosnia, 5 and Herzegovina’s independence, 5 sovereignty, 5 Bosnian artists, 15 Bosnian War, 5–6 and Siege of Sarajevo, 5–6 Boston Lego Builder, 101 Brazier, Richard, 152 Bricolage, 242 British Council, 304 Broadway singers, 166 Broken windows theory, 100 Brother, Beliz, 8 Brown, John, 148 Bunny, Lady, 181 Burgoyne, Martin, 181 Butler, Judith, 210 CACTUS, 289 Caffeine, Jean, 181 Callen, Michael, 177–178, 181, 182, 184 Canterbury Earthquake Recovery Authority (CERA), 134 Carnegie Hall, 162 Carter, Bill, 14 Case Study Mpingana Senior Secondary School, 228–230 participatory theater on election violence in Kenya, 198 background, 198 Boal’s introspective techniques, 199–200 enemy images, 198–199 internal oppression and the cops in the head, 201–202 Peace Marshals, 202–203 Rainbow of Desire Technique, 200–201 Three Wishes, 202 Cassette tapes, 162 Cavailles, Jean, 63 mathematical work, 70 Cellist of Sarajevo, 6–7 Cellists, 3, 166 artistic response to, 8–15 books and book covers, 12–13 cello, 11–12 dance and films, 13–14 grassroots leadership, 15 as performer victim, 16 through art, 16 musical response, 8 poetry and memorial sculptures, 10 response to siege, 14 and social change, 23 The Celluloid Closet , 183 Celtic fiddle players, 166 CERA. See Canterbury Earthquake Recovery Authority (CERA) Chan, Paul, 21 Chaplin, Ralph, 151 Child feeding program, 274 Choreographic movements, 65 Christchurch, 133 devastation, 134 Christchurch earthquakes, 133–134 Christian faith, 81 Christmas Eve and Other Stories, 9 City of Chicago, 100 Civic courage, 139 Civil democracy, 33 Civilization, 5 Civilized society, 69 Civil rights leaders, 158 movement, 157 Civil spirit, 219 Classical composers, 166 Classical instrumentalists, 166 Classical music, 29 Collective consumption, 130 Collective striving, 266 Colonial imaginary, 305 Common man, 30 Communication, 269 Communism, 47 Communists, 45 oppression, 55 regime, 57 Community arts education, 286 Community cultural animation, 302 Community engagement, 137, 241, 250 ROI in projects of, 250 Community participation, 266 Community relationships, 245 Community space, 243 Community visioning, 137 Comprehensive AIDS Resources Emergency (CARE) Act, 184 Concerts, 162 Congress of Industrial Organizations (CIO), 158 Conscientization, 114, 264, 266 Constructive solidarity, 216 Corporate greed, 103 Corruption, 81 Cosmopolitanism, 21 Crafting, 264–266 Craft unions, 151 Creative activists, 136 Creative communities, 243, 245 Creative ecosystems, 251 Creative solidarity, 308 Creativity, 311 Critical consciousness, 60 Cross-cultural competency, 265 Cross-cultural interaction, 284 Cross of reality, 215–217 Crowe, Jason, 10 Cultural coproduction, 260 Cultural diversity, 209 Cultural entropy, 98 Cultural hegemony, 284 Cultural identity, 130, 283, 284 Cultural institution, 247 Cultural isolation, 284 Cultural leadership, 300, 303–304 Cultural vaccination, 104–106 Culture of dialogue , 221 Currid-Halkett, Elizabeth, 100 Czech cultural explosion, 48 Czechoslovakia, 46 Dabkeh, 285 Dance equitable interculturalism and post-identity leadership, 283–284 Decision-making, 251 Decolonization reimagining and, 305–306 Deficit-based model, 276 Dehumanization, 49, 70 Depression, 55 Design Industries Foundation Fighting AIDS, 180 Determinism, 68, 75 Digital media, 252 Disruptive leaders, 104 Dissidents, 55 Distressed communities, 226 Documentary, 127, 129 grassroots movements, role in, 131 theatre, 210 Documentation, 242, 249 Donetsk precedent, 218 consolidation, 217 envy, 217 spectacle performance, 218 Economic decision-making, 69 Educational innovations, 278 Egalitarian system of problem solving, 114 Electrifying audience, 161 El-Funoun Popular Dance Troupe, 282, 284–295 artistic leadership, 287 Emergency, 207–209 Emotional strategy of humor and connection, 112 Empathy, 309 Empawaring Artists Grant Programme, 89 Empowerment, 275 186 Empty Chairs , 139 Environmental and peace action groups, 157 Equal Rights Amendment, 163 Equitable interculturalism, 283–284 Escapist paintings, 103 Ethiopian famine of 1983-1985, 82 Ethnocentricism, 283 Ethnorelativism, 283 Eurocentrism, 305 European Union for European values, 208 Exhaustion, 162 Existencilism , 102 Faggots , 175–176 Fairey, Shepard, 101 Fan mail, 165 Fare-beating, 97 Feminine pads, 264, 272–275 cotton terrycloth, use in, 273 making of, 272, 274 Fight Back , 164 Financial return on investment (FROI), 250 Finkelpear, Tom, 101 Folksong, 148 Fonda, Jane, 161 Forum Theatre, 191, 192–193, 210 actors of, 220 exercise in democracy and human rights, 192 powerful and memorable message, to audience, 193 rehearsal for real-world action, 193 Free speech fights, 153 Freire and Gatti, 68–69 Freirean grassroots social movements, 131 Freire, Paolo, 60, 114 Freire, Paulo, 60, 130 grassroots philosophy, 130 French photographer, 111 French playwright, 59 French Resistance, 64 Friedman-Kein, Dr. Alvin, 175 FROI. See Financial return on investment (FROI) Fundraising, 248 Gallois Évariste, 63 Galloway, Steven, 13 Games for Actors and Non-Actors , 221 Gap Filler, 136–137 establishment, disconnection between, 136 objectives, 135 Gap Filler projects, 141 Garage bands, 166 Gatti, Armand, 59 and authentic leadership, 72–74 Gay and Lesbian Anti- Defamation League, 173–174 Gay artists, 179 Gay cancer, 175 Gay community, New York City, 175 Gay identity politics, 174 Gay leadership, 181 Gay Men’s Health Crisis, 173, 178 The Gay Metropolis , 183 Gay-music scene, 182 Gaynor, Gloria, 185 Gentrification, 242 Gladwell, Malcolm, 97 Glazer, Joe, 148 GMHC, 175–177 AIDS movement, 176 education, gay community, 176 formation, 176 Gospel choir directors, 166 Gould, Cilo, 9 Graffiti, 97 definition, 99–100 Graffiti artists, 84, 98 society, role in, 98 as trickster, 104–106 Graffiti prevention laws, 100 Graffiti-related codes, 100 Graphic design, 264 Grassroots activists, 31 Grassroots communities, 223 Grassroots leaders, 225 adversity, deal with, 140 Grassroots leadership, 45, 112, 130, 282, 284–294 arts for social change affecting, 288 organizations, 283 Grassroots movement Gap Filler, 135 Grassroots philosophy, 130 Grassroots social change, 30 Grassroots transformational leader, 33 Guerilla art, 99, 101 Guitarists, 166 Haring, Keith, 175 Havel, Václav, 45 adaptive leadership, 46 grassroots leadership, 45 as political dissident, 46 repression, 46 role as playwright dissident, 45 Hayes, Alfred, 148 Haywood, Bill, 151 Heal the Nation, 83 Heath, David, 9 Heavenly Hundred , 212 Hendel, Stephen, 41 Hill, Joe, 149–152 active membership in IWW, 150 cartoonist for IWW, as, 149 execution, 150 itinerant worker, as, 149 songs Don’t Take My Papa Away from Me , 150 The Rebel Girl , 150 Workers of the World, Awaken! , 150 tunes and hymns, 149 Hillstrom, Joe, 149 HL. See Human library (HL) Hobbes, Shannon, 13 Horowitz, Amy, 168–171 How to Have Sex in an Epidemic: One Approach , 178 Hudson, Rock, 179 Human dignity, 7, 41 Human identity, 46, 53 Human liberation, 47 Human library (HL), 307 Human rights activists, 32 Hungu, Nita, 83 Hutton, Shearson Lehman, 180 Image Theatre, 191 ideal image, 191 jokers and spect-actors, 192 real image, 191 real to ideal, 191 source of critical reflection, 191 transitional images, 191 Independent public art/artist, 99 Indigenous culture, 306 Indigenous drummers, 166 Indigenous identity, 305 Indigenous languages, 265 Indigenous population marginalization of, 305 Industrial Workers of the World (IWW), 147–152 singing legacy, 157–160 song enemies and critics, 156–157 Inequality, 302 Installations, 99 Intellectual expression, 65 Intercultural artistic collaboration, 282 exchange, 282, 284 Intercultural collaborations, 283 Intercultural dialogue, 282 Intercultural innovation, 284 Invisible theatre, 211 Ionesco, Eugene, 49 Iweala, Uzodinma, 30 IWW. See Industrial Workers of the World (IWW) Jazz improvisation, 255 Jazz pianists, 166 Joe Hill: The IWW & the Making of a Revolutionary Workingclass Counterculture , 156 The Joe Hill 100 Road Show, 147 Joker Tsunami in Ukraine , 211 Jones, Leslie Ann, 165 Jordan, June, 169 Journalists, 19 JR, 111, 112–120 act of rebellion, 113 art + activism, 113 artivist, as, 113 arts-based social change, role in, 112 citizen intervention, role in, 113 global diplomacy, role in, 113 graffiti artist, role as, 113 grassroots leadership, 112 participatory action research (PAR) protocols, 111 personal history, 112 personal reality, 112 portrait gallery, 117 site-specific research, 119 social action project, 117 social change, role in, 113 social engagement, role in, 120 social interrogation, role in, 112 TED Prize, 113 travelling, 118 Favela Morro da Providencia, 119 Middle East, 118 work Face2Face series, 116 2007, 118 Inside/Out project, 120 Ladj Ly, 117 marginalized people, effect on, 112 men playing bad boys, 115 photographs, 115 Portraits of a Generation 2004-2006, 117 series, 115 social inequities, effect on, 115 triptych, 116 Women Are Heroes, 116 2008-2010 series, 119 Jungian archetype, 98 Kafka, Franz, 49 Kalakuta Republic, 35, 37–38 protest marches in, 37 Kamiriithu, 224 Kenya, 81 baton of succession, 88–89 confront poverty, 82 freedom of speech, 86 grand corruption, 85 injustice, 82 marginalization, 85 national leaders corruption, of, 82 postelection violence of 2007-2008, 82 tribalism, 82 vandalism, 85 Kenyan 2012/2013 general elections, 84 Kenyan public transport vehicles (matatus), 85 Kenyans ongoing activism, 87 ongoing activism, social media role, 87 protest Love Protest, 2012, 93 Occupy Parliament, 2013, 85 Occupy Parliament Reloaded, 2013, 85 State Burial, 2013, 86 Kenyatta, Uhuru, 88 Kibaki, Mwai, 83 Kikuyu-speaking community, 81 Kiswahili, 81 KnockOutCorruption, 88 Kocka, David, 11 Kolk, Bessel van der, 190 Kramer, Larry, 175–177, 181, 182, 184 and GMHC, 175–177 Krim, Dr. Mathilde, 179 Kumba, 224 Labor’s Troubadour, 148 Labor union, 147 Lambda Literary Awards, 175 Language and individual agency, 74 Language politics, 265 Largo Desolato, and release of imprisoned dissident, 54 Last Ocean , 129 La Traversée des langages, 63 Leadership, 30, 220, 246 development, 264 Leading learnership, 137 Lederach, John Paul, 190 Legacy Projects, 134 Lems, Kristen, 167 Lesbian Concentrate, 165 Lesbian feminist artists, 162 Lesbian songs, 165 Lets Make Noise for Gaza , 293 Limit situations, 130, 131 L’Inconnu N°5 du fossé des fusillés du pentagone d’Arras , 64 Literacy acquisition, 267 The Little Red Songbook , 152, 153, 154 Lives, changing the music, 161–164 Liz, 179 LMT. See Mother tongue literacy (LMT) Lowe, Joan, 165 Madison, Soyini, 231 Mahic, Admiral, 11 Maidan phenomenon, 213–215 beyond the stage, 218 cross of reality, 215–217 cultural effects of, 209 meaning field, of the performances, 213 patriotism, 214 theater narrative, 214 value complexes, 214 values of stability, 214 The Man Who Never Died , 157 Mapplethorpe, Robert, 175 Marotholi Travelling Theatre, 224 Mass communication, 248, 249 Mass demonstrations, 33 Mass re-orientation movement, 34 Mathematical calculations, 69 Mathematics education, 70 MaVulture, 84 McCutcheon, John, 10 The Memorandum and cultural explosion of 1960s, 48 Midler, Bette, 180 Millington, June, 169 Miseducation, 31 Mission return on investment (MROI), 250 Mississippi Goddam, 163 Mohamed Amin, 82 Moore, Carlos, 33, 36 Morrison, Jim, 8 Mother tongue literacy (LMT), 266 Motivations, 259 M-Pigs, 85 MROI. See Mission return on investment (MROI) Multidisciplinary skateboard culture, 241 Murewa, 224 Museum of Contemporary Art, Los Angeles, 101 Museum of Maidan, 221 Museums as pedagogic contact zones, 300–302 popular education practices in, 304 role in society, 302 for storytelling, 304 Music, changing lives, 161–164 agent for change, 162 as entertainment, 162 for social change, 163 Music festivals, 167 Music for social behavioral transformation, 31 Muslim Bosniaks, 5 Mwangi, Boniface, 81 Acumen Fellow (2011), 91 CNN MultiChoice African Journalist Awards (2008, 2010), 91 early challenges, 81 Foreign Correspondents Association E.A Photo (2011), 91 Global Post Person of the Year (2012), 91 journalistic ethic balancing, role in, 90 Mohamed Amin Photographic Award, 91 nonviolent protests, 85 NYU Magnum Foundation Human Rights Fellow (2011), 91 personal integrity, 89 philosophy, 90 photography book, 90 photojournalist, role as, 81 Picha Mtaani postelection violence traveling exhibit, 91 Prince Claus Award, 91 recognition and awards, 90–91 revolutionary leader or heckler, as, 86–87 rising up and speaking out, 83 social activism, role in, 83, 86 social activist, role as, 81 social media awards, 91 societal values development, role in, 89 Society of Emerging African Leaders Award (2013), 91 Nairobi, 81 National governments, 223 National pride, agent for, 30–33 National theater, 248 National Theater of the Deaf, 169 National Women’s Music Festival, 168 Neo-graffiti, 99 The New York City Gay Men’s Chorus, 178 Nicholson, Michael, 13 Nigeria common people, 30 corrupt government officials in, 40 corruption in, 41 government policy in, 41 military dictatorship, 42 military rule in, 35 Nongovernmental organizations, 223 The Normal Heart , 181 Normalization, 45 Not-for-profit cultural organizations, 259 Obasanjo, Olusegun, 32 One Big Union, 151 Orientalism, 306 Othering, 306 Palestine arts exchange outside, 291 collective identity, 292 culture, 282 folkloric movement, 286 indigenous dance culture of, 284 political artistic philosophies within, 282 Palestine International Festival, 286 Palgrave Macmillan, 42 PAR. See Participatory action research projects (PAR) Parsons, Albert, 151 Participatory action, case study, 111–112 Participatory action research (PAR) defining qualities, 114–115 dialog, 115 egalitarian system of problem solving, 114 reflection or active contemplation, 115 social space, 115 projects, 264, 265, 266–267 protocols, 114 Paternalism, 215 Patriot, 83 Pawa254, 83–85 artists and activists network, as, 83 City Council of Nairobi, collaboration between, 90 national strength and unity symbol, of, 83 office site, 83 social change, role in, 84 Percussionists, 166 Performing arts, 241, 247 participation, 259 civic activation, 259 personal actualization, 259 social engagement, 259 Person with AIDS (PWA), 178 Pest Control, 99 Philadelphia , 182 Philharmonic stage, 161 Photo documentation, 82 Photos on the street, 82 Picha Mtaani, 82–83 antiwar imagery plays, 83 Boniface Mwangi, role of, 81 social change, role in, 82 traveling photographic display, 82 Picha Mtaani campaign, 83 Political laboratory, 282 Political leadership, 282 Political self-management, 130 Political tyranny, 64 Pollack, Jennifer, 13 Popular education, 300, 302–303 and cultural leadership, 309–311 social change, role in, 310 Post-graffiti, 99 Poverty alleviation, 264 Pragmatism, 304 Prague Spring, 45 Problem-posing method, 254–255 Pro-democracy activists, 40 Projections, 99 Psychological tension, 209 Public art, 241 installation, 243 Public arts, 299 Public discourse, 104 Public pedagogy, 302 Public protests, 33, 57 Punk rock, 241 Pyramid Club, in New York, 181 Racial superiority, 63 Racism, 308 Radical imagination, 300 Rainbow of Desire, 193 The Rainbow of Desires , 212 Ransome-Kuti, Fela Anikulapo, 29–30 message and lifestyle, clash of ethics, 38–40 music and public speeches, 32 resistance and leadership, 30 Rare cancer seen in 41 homosexuals, 173 R&B soul singers, 166 Reagon, Bernice Johnson, 168, 169, 171 Re-colonizing opportunities, 140 Redgrave, Vanessa, 14 Religious intolerance, 308–309 Religious pluralism, 308 Rembrandt, 117 Renaissance artists, 117 Returns on investments (ROI), 250 financial, 250 mission, 250 Revenge killing, 150 Revolutionary imagination, 159 Revolution of Dignity, 209 Reynolds, Ryan, 139 Rhythm, Riots and Revolution , 157 Robinson, Earl, 148 Rock, 179 Rock drummers, 166 ROI. See Returns on investments (ROI) Rosemont, Franklin, 156 Rubell, Steve, 181 Ruslana, 209 Russo, Vito, 183 Salvation Army band, 153 Sands, Tommy, 10 Sarajevans, 6, 10 Sarajevo artists, 3 siege of, 4, 5–6 Schizophrenia, 51 Second World War, 61, 64, 216 Sectarianism, 308 Seeger, Pete, 171 Seismograph, 47 Self-actualization, 63 Self-awareness, 49, 53 Self-expression, 253 Sex, John, 181 Shape of Water , 289 Shnayerson, Michael, 182 Showmanship, 39 Simone, Nina, 161 Singing together power of, 149–152 Skateboard culture, 253 documentaries, 253 photography, 253 web series, 253 Skateboarding, 241 Skate community national center for performing arts and, 244 Skate park, 251 Skaters musicians and, creative exchange between, 245 Skepticism, 46 Smailovic, Vedran cellos, 7 as grassroots leader, 18 leadership, 4 performances as an artist, 19 as transformational leader, 19 Smart bombs, 293 Soapboxers, 153 Social behaviors, 31 Social benefit, 219 Social change, 76, 310 theater and, 47 Social change projects, 136 Social cohesion, 54 Social consciousness, 59 and emancipation, 60 Social exclusion, 59 Social gap, 105 Social isolation, 52 Social justice, 61, 75 Social media engagement, 255 Social self-awareness, 47 Social theater, 207–209 Socio-artistic activity, 210 discussion, 210 philosophy of, 210 Solidarité Jeunes Travailleurs (SJT), 64 Solidarity movements, 54 Spectacles, stress space in, 215 The Standard, 82 Starvation army, 153 Stenciling, 99 Stencil style, 105 Stickering, 99 Stonewall Book Awards, 174 Storyboarding workshop, 270 Storytelling, 278 Street art, 99 Street artists, 98 Street art movements definition, 99–100 Street photography, 111 social change issues, role in, 111 Street puppet demonstration, 310 Stress cross, 217 Student Nonviolent Coordinating Committee, 168 Subversive leadership, 102–104 civilization, role in, 103 equality, role in, 102 justice, role in, 102 Surf culture, 244 Surrealism, 17 Sustainability, 276 Sustainable community building, 276 asset mapping, 276 connecting assets, 276 creating compelling vision, 276 Sustainable leadership, 276 Swain, Nate, 101 Swift and Terrible Retribution Committee, 174 Tagging, 97 Tall poppy syndrome, 101 Taylor, Charles, 75 Taylor, Elizabeth, 179 Teacher empowerment, 263 Team Courage, 88 Techniques, and roles, 191 Tension, 191 Theater and leadership, 71–72 Theater and social change, 47–48 Theater of the Oppressed (TO), 189 branches, 191 development, 190 potential of theater, 190 use, for conflict transformation and trauma healing, 190 Theater Prospect, 209–211 art statements, 209 culture and art phenomena, 209 Theatre for development (TFD), 224 embodied process for, 224 facilitators and participants, 224 failure of, 225 foundation, 225 inside-out or bottom-up approach, 226 top-down to bottom-up approach, 225 Theatre for Dialogue , 207, 211, 220 The Theatre of the Oppressed (TO), 207, 211 documentary theatre, 210 forumtheater, 210 founder and theorist, 207–208 jokers of, 211 opinion of theorists of, 207 rehearsal for reality, 212 self-reflection of the surrounding reality, 219 social contradictions, 210 theatrical-performative methods, 210 tree of, 208 in the Ukrainian context, 208 Théatre National Popular (TNP) theater company, 61 Theatrical orientation, Three-day seminars, 211 Tikondwe Teachers Project, 276 Tillery, Linda, 169 The Tipping Point , 97 Top-down development model, 226 Top-down to bottom-up approach, 225–226 endogenisation of development, 225 Transformational leadership, 243 Trans-global community, 264, 275–279 Twelfth Night , 185 Ukrainian society state of emergency , 209 Unemployment, 60, 69 Union activists, 147 United Nation’s second annual World AIDS Day, 180 Urban art, 99 Urban youth culture, 241 U.S. Centers for Disease Control and Prevention, 173 Vakarchuk, Sviatoslav, 209 Vandalism, 99 Van Dyke, 117 Varied Voices of Black Women, 169 Velvet Revolution, 45 Visual arts, 152, 242, 252 solidarity, way to communicate, 112 unification, way to communicate, 112 Vorse, Mary Heaton, 155 Wage-earning workers, 147 Wallflower Order Dance Collective, 169 Wananchi, 84 War Against Indiscipline movement, 34 War and disaster, role of art in, 21 Warhol, Andy, 175 Wasfi, Karim, 22 Watkins, Mary, 169 Weaving a Rainbow, 197 objective of, 197 Whiteness, 159 Whittaker, Roger, 29 Wilde, David, 8 Williams, Robin, 180 Wilson, Woodrow, 150 Windows theory of Wilson and Kelling, 97 Winfrey, Oprah, 163 Wobblies, 147 Wobbly bard, 157 Wobbly songs, 152–156 integral part of the IWW, as, 155 The Little Red Songbook , 152 raise morale, effect on, 152 solidarity, effect on, 152 Wobbly writers, 158 Women in Love , 175 Women’s Music, 162, 164–165 changing face of, 169–171 daring to grow, 167–169 feminist songs, 164 patriarchal institution, 164 song writing, 163 translation, of song, 162 woman’s fierce journey, 164 Working My Life Away , 149 Yabis, 36 Yarn bombing, 99 Young, Peter artist, as, 127 artistic activism, role in, 132 artistic endeavors, 132 collective mobilisation, role in, 132 democratic processes, role in, 128 film The Art of Recovery , 130 injustices, effect on, 128 Last Ocean , 129 social change, role in, 128 filmmaker, as, 127 gap filler movement, 133 grassroots leadership, 130–133 interview, 128–130 leadership roles, 128 self-confessed photographer, 128 story teller, 128 Zero-tolerance policy, 97 Zola, Emile, 176 Book Chapters Prelims Section I Grassroots Leadership and Cultural Activists Part 1: Performance Art Chapter 1 The Cellist of Sarajevo: Courage and Defiance through Music as Inspirations for Social Change Chapter 2 Fela Kuti: The Man, His Music, The Activist Chapter 3 Václav Havel, the Playwright-Dissident: Theater as a Seismograph for Social Change Chapter 4 Armand Gatti’s L’Inconnu N°5: Theater as a Catalyst for Resistance Section II Grassroots Leadership and Cultural Activists Part 2: Visual Art and Film Chapter 5 Boniface Mwangi: Photo-Journalist/Social Activist Chapter 6 Benevolent Subversion: Graffiti, Street Art, and the Emergence of the Anonymous Leader Chapter 7 Innovating Social Change through Grassroots Leadership Practices in the Arts Chapter 8 Peter Young: The Filmmaker as Agent Provocateur Section III Grassroots Leadership, Participatory Democracy, and the Role of the Arts in Social Movements in the United States Chapter 9 They were all Leaders: The IWW and Songs for Revolution Chapter 10 Women’s Music: The Mothership Chapter 11 Acting Up and Fighting Back: How New York’s Artistic Community Responded to AIDS Section IV Theatre of the Oppressed as a Form of Grassroots Leadership Chapter 12 Truth Comes in Many Colors: Theatre of the Oppressed for Conflict Transformation and Trauma Healing in Kenya Chapter 13 Theater Research Methodology of a Split Society: Ukrainian Reality Chapter 14 From Needs-Based to Asset-Based Community Development: The ABCD Method as an Effective Strategy for Engaging with Grassroots Leaders in South Africa Section V People Power, Community Building, and the Arts for Social Change Chapter 15 Finding a Line from Fight Club to the Kennedy Center: How We Learned to Cross Invisible Bridges Chapter 16 Crafting Community and Change through Books and Pads: The Tikondwe Teachers Project in Domasi, Malawi Chapter 17 The Shape of Water … Palestine, Badke and Let’s Make Noise for Gaza: Three Journeys of Intercultural Choreographic Practice in Palestine Chapter 18 In Case of Emergency, Break Convention: Popular Education, Cultural Leadership, and Public Museums Epilogue About the Authors Index
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