Book reviews
1980; Taylor & Francis; Volume: 7; Issue: 2 Linguagem: Inglês
10.1080/03007768008591155
ISSN1740-1712
AutoresJohn Bridges, R. Serge Denisoff,
ResumoMike Jahn. HOW TO MAKE A HIT RECORD. Scarsdale, N.Y.: Bradbury Press, 1976. 118 pages. $7.95 Hard‐cover. Victor D. Rappoport. MAKING IT IN MUSIC. Englewood Cliffs, N.J. : Prentice‐Hall, Inc., 1979. 311 pages. $5.95 Paper. Dick Weissman. THE MUSIC BUSINESS. New York: Crown Publishers, Inc., 1979. 246 pages. $6.95 Paper. Herby Harris and Lucien Farrar. HOW TO MAKE MONEY IN MUSIC. New York: Arco Publishing Company, 1978. 272 pages. $5.95 Paper. Tom T. Hall, THE STORYTELLER'S NASHVILLE. (Garden City: Doubleday and Company, 1979), 221 pages plus, $9.95 Hardcover. Eric von Schmidt and Jim Rooney, Baby, Let Me Follow You Down. (Garden City: Anchor Books, 1979) 315 pages, $8.95 paper. Hank Williams, Jr. with Michael Bane, LIVING PROOF: AN AUTOBIOGRAPHY. (New York: G.P. Putnam's and Sons, 1979), 215 pages, $10.95 Hardcover. Peter Guralnick, LOST HIGHWAY. (Boston: Godine Publishers, 1979) 353 pages, $8.95 Softcover. Jay Caress, HANK WILLIAMS: COUNTRY MUSIC'S TRAGIC KING. (New York: Stein and Day, 1979) 253 pages, $10.95 Hardcover. Al Kooper (with Ben Edmonds), BACKSTAGE PASSES. (New York: Stein & Day, 1977) 243 pages plus $12.95 Hardcover. IF THEY ASK YOU, YOU CAN WRITE A SONG. Al Kasha and Joel Hirschhorn. New York: Simon and Schuster, 1979. 352 Pages, $10.95—Hardcover.
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