Landscape at the Royal Academy
1929; Nature Portfolio; Volume: 123; Issue: 3106 Linguagem: Inglês
10.1038/123722a0
ISSN1476-4687
Autores ResumoTHE representation of the vibrant effect of sheer sunlight is a relatively modern achievement in painting, which has, however, passed through the experimental stage, and is well given in Mr. H. H. La Thangue's two pictures, Provencal Workers (34) and A Provencal Forecourt (488), and vibrance is well combined with the complementary colouring of sunlight and shadow on the white walls of the Farm near Sospel by Mr. St. Glair Marston (614). It is, however, from our own Cornish coast that Mr. Julius Olsson chooses his examples of moonlight on the waters, the acme of contrast in tone in an almost monochromatic scene which never fails to touch the chords of emotion. The subjects are St. Anthony Light (176) and Herring Fleet: St. Ives (500).
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