A Bertolt Brecht Reference Companion
2001; German Studies Association; Volume: 24; Issue: 2 Linguagem: Inglês
10.2307/1433509
ISSN2164-8646
AutoresRichard J. Rundell, Siegfried Mews,
Tópico(s)Critical Theory and Philosophy
ResumoPrefatory Note Reference Guide to Frequently Cited Works Introduction by Siegfried Mews Theory and Practice of the Theater Alienation in Context: On the Theory and Practice of Brechtian Theater by Reinhold Grimm Brecht and the Problem of Influence by Christine Kiebuzinska Brecht's Lehrstucke: A Laboratory for Epic and Dialectic Theater by Karl-Heinz Schoeps First Comes the Belly, then Morality by Herbert Knust Poetry and Prose Fiction Poetry, History, and Communication by Christiane Bohnert War-Poetry, Photo(epi)grammetry: Brecht's Kriegsfibel, by Stefan Soldovieri Dialectics and Reader Response: Bertolt Brecht's Prose Cycles by Sabine Gross Film and Music Brecht and Film by Marc Silberman Brecht, New Waves, and Political Modernism in Cinema by Barton Byg Brecht contra Wagner: The Evolution of the Modern Music Theater by Vera Stegmann Brecht and His Musical Collaborators by Thomas R. Nadar Marxism and Feminism Brecht's Marxist Aesthetic by Douglas Kellner The Evolution of the Feminine Principle in Brecht's Work: An Overview by Laureen Nussbaum Translation, Reception, and Appropriation Negotiating Meanings: Thoughts on Brecht and Translation by Michael Morley Brecht and the American Theater by Carl Weber Brecht in Latin America: Theater Bearing Witness by Marina Pianca Brecht in Asia: New Agendas, National Traditions, and Critical Consciousness by Michael Bodden Bibliography Index
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