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Index to Volume 116

2022; Bibliographical Society of America; Volume: 116; Issue: 4 Linguagem: Inglês

10.1086/722599

2377-6528

Latin American and Latino Studies

Previous article FreeIndex to Volume 116 Papers of the Bibliographical Society of AmericaPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreSubject entries, whether topical, personal name, or geographical, are set in small capitals. A chronological approach is provided under chronological references. Geographical entries are made for all articles, notes, and reviews treating a subject that can be localized. Adams, Christopher, “‘Could You Make It Rather More of a He and She picture’: Queer Texts and Dust-Jackets in Mid-Twentieth Century British Fiction,” 537–65 Aldine Studies: Bordini, Alessandra, review of Kray and Paolo Sachet, eds., The Afterlife of Aldus: Posthumous Fame, Collectors and the Book Trade, 129–34; Sachet, Paolo, review of Costas, ed., Aldo Manuzio en la España del Renacimiento, 489–92 American Anti-Slavery Society: Winship, Michael, “Early Publication History of Narrative of James Williams, an American Slave (1838),” 277–91 Anti-Black Violence: Goldsby, Jacqueline, and Meredith L. McGill, “What is ‘Black’ about Black Bibliography?” 161–89 Archival Studies: Cataldo, Ashley, review of DiCuirci, Colonial Revivals: The Nineteenth-Century Lives of Early American Books, 492–95; Soto, Margarita M. Castromán, review of Cloutier, Shadow Archives: The Lifecycles of African American Literature, 326–33 Barlow, Thomas: Blake, Liza, “Margaret Cavendish’s University Years: Batch Bindings and Trade Bindings in Cambridge and Oxford,” 21–91 Bartlett, Henrietta: Houghton, Eve, “Private Owners, Public Books: Henrietta Bartlett’s Feminist Bibliography,” 567–87 Barton, Melissa, review of West, Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America, 333–37 Batch Bindings: Blake, Liza, “Margaret Cavendish’s University Years: Batch Bindings and Trade Bindings in Cambridge and Oxford,” 21–91 Berthelet, Thomas: Gwara, Joseph J., “Who Printed Huon? New Light on the Early Tudor Book Trade,” 409–81 Black Bibliography Project: Goldsby, Jacqueline, and Meredith L. McGill, “What is ‘Black’ about Black Bibliography?” 161–89; Lee, Jeong Yeon, “Compiling ‘A Selected Bibliography of Bibliographies of African American Writing,’” 305–07; Spires, Derrick R., “On Liberation Bibliography: The 2021 BSA Annual Meeting Keynote,” 1–20; “Order and Access: Dorothy Porter and the Mission of Black Bibliography,” 255–75 Black Book Interactive Project: Goldsby, Jacqueline, and Meredith L. McGill, “What is ‘Black’ about Black Bibliography?” 161–89; Spires, Derrick R., “Order and Access: Dorothy Porter and the Mission of Black Bibliography,” 255–75 Black Panther Party: Nishikawa, Kinohi, “Mumbo Jumbo’s Paratextual Condition,” 215–54 Black Vernacular: Nishikawa, Kinohi, “Mumbo Jumbo’s Paratextual Condition,” 215–54 Blake, Liza, “Margaret Cavendish’s University Years: Batch Bindings and Trade Bindings in Cambridge and Oxford,” 21–91 Bliss, Philip: Gwara, Joseph J., “Who Printed Huon? New Light on the Early Tudor Book Trade,” 409–81 Board Edges: Blake, Liza, “Margaret Cavendish’s University Years: Batch Bindings and Trade Bindings in Cambridge and Oxford,” 21–91 Böninger, Lorenz, Niccolò di Lorenzo della Magna and the Social World of Florentine Printing, ca. 1470–1493, reviewed, 591–93 Book Collecting: Di Pietro, Debora M., review of Johnston, ed., A British Book Collector: Rare Books and Manuscripts in the R. E. Hart Collection, Blackburn Museum and Art Gallery, 610–13; Fulton, Allison, review of Poole, Henderson, and Nasifoglu, Robert Hooke’s Books, database, 594–97 Bordini, Alessandra, review of Kray and Paolo Sachet, eds., The Afterlife of Aldus: Posthumous Fame, Collectors and the Book Trade, 129–34 Brander, Elisabet, review of Savage, Early Colour Printing: German Renaissance Woodcuts at the British Museum, 589–90 Braun, Jolie, review of Lomazow, Magazines and the American Experience: Highlights from the Collection of Steven Lomazow, 613–16 Buddhism: Cho, Hwisang, “Embodied Literacy: Somatic Origins of Nonlinear Layouts in Chosŏn Epistolary Culture,” 93–127 Cambridge University: Blake, Liza, “Margaret Cavendish’s University Years: Batch Bindings and Trade Bindings in Cambridge and Oxford,” 21–91 Cataldo, Ashley, review of DiCuirci, Colonial Revivals: The Nineteenth-Century Lives of Early American Books, 492–95 Cataloging: Spires, Derrick R., “Order and Access: Dorothy Porter and the Mission of Black Bibliography,” 255–75 Cavendish, Margaret: Blake, Liza, “Margaret Cavendish’s University Years: Batch Bindings and Trade Bindings in Cambridge and Oxford,” 21–91 Chatto and Windus: Adams, Christopher, “‘Could You Make It Rather More of a He and She picture’: Queer Texts and Dust-Jackets in Mid-Twentieth Century British Fiction,” 537–65 Chinese Characters: Cho, Hwisang, “Embodied Literacy: Somatic Origins of Nonlinear Layouts in Chosŏn Epistolary Culture,” 93–127 Chinese Literature: Cho, Hwisang, “Embodied Literacy: Somatic Origins of Nonlinear Layouts in Chosŏn Epistolary Culture,” 93–127 Cho, Hwisang, “Embodied Literacy: Somatic Origins of Nonlinear Layouts in Chosŏn Epistolary Culture,” 93–127 Chosŏn Society: Cho, Hwisang, “Embodied Literacy: Somatic Origins of Nonlinear Layouts in Chosŏn Epistolary Culture,” 93–127 Christenson, Julie, review of Da Rold, Paper in Medieval England: From Pulp to Fictions, 483–86 Christian Recorder: Jones, Kassidi, review of Gardner, Black Print Unbound: The “Christian Recorder,” African American Literature, and Periodical Culture, 313–17 Chronological References: 13th century: Cho, Hwisang, “Embodied Literacy: Somatic Origins of Nonlinear Layouts in Chosŏn Epistolary Culture,” 93–127 14th century: Strakhov, Elizaveta, “Opening Pandora’s Box: Charles d’Orléans’s Reception and the Work of Critical Bibliography,” 499–535 15th century: Cho, Hwisang, “Embodied Literacy: Somatic Origins of Nonlinear Layouts in Chosŏn Epistolary Culture,” 93–127; Kallendorf, Craig, review of Böninger, Niccolò di Lorenzo della Magna and the Social World of Florentine Printing, ca. 1470–1493, 591–93 16th century: Gwara, Joseph J., “Who Printed Huon? New Light on the Early Tudor Book Trade,” 409–81 17th century: Blake, Liza, “Margaret Cavendish’s University Years: Batch Bindings and Trade Bindings in Cambridge and Oxford,” 21–91; Weber, Breanne, review of Doe and Thornton, eds., Dr Thomas Plume, 1630–1704: His Life and Legacies in Essex, Kent and Cambridge, 137–40 18th century: Spunaugle, Emily D., “Epistolary Poetics: Reading the Manuscript Interventions of Melesina Trench,” 379–407 19th century: Cataldo, Ashley, review of DiCuirci, Colonial Revivals: The Nineteenth-Century Lives of Early American Books, 492–95; Goldsby, Jacqueline, and Meredith L. McGill, “What is ‘Black’ about Black Bibliography?” 161–89; Hovde, Sarah, review of Stauffer, Book Traces: Nineteenth Century Readers and the Future of the Library, 601–06; Jones, Kassidi, review of Gardner, Black Print Unbound: The “Christian Recorder,” African American Literature, and Periodical Culture, 313–17; Robbins, Sarah, “‘As Being Bound with You’: Revising the Contexts of Garnet’s ‘Address to the Slaves of the United States of America,’” 191–213; Spunaugle, Emily D., “Epistolary Poetics: Reading the Manuscript Interventions of Melesina Trench,” 379–407; Stoneman, William P., review of Loxley, ed., Emery Walker: Arts, Crafts and a World in Motion; Winship, Michael, “Early Publication History of Narrative of James Williams, an American Slave (1838),” 277–91; Terekhov, Jessica, review of William S. Peterson. Morris & Company: Essays on Fine Printing, 142–45 20th century: Goldsby, Jacqueline, and Meredith L. McGill, “What is ‘Black’ about Black Bibliography?” 161–89; Helton, Laura E., review of McHenry, To Make Negro Literature: Writing, Literary Practice, and African American Authorship, 309–13; Nishikawa, Kinohi, “Mumbo Jumbo’s Paratextual Condition,” 215–54; Priddle, Charlotte, review of Frost, Reading, Wanting, and Broken Economics: A Twenty-First Century Study of Readers and Bookshops in Southampton around 1900, 606–10; Spires, Derrick R., “On Liberation Bibliography: The 2021 BSA Annual Meeting Keynote,” 1–20; “Order and Access: Dorothy Porter and the Mission of Black Bibliography,” 255–75; Stoneman, William P., review of Mathews and Rosenblum, eds., Printing for Book Production: Emery Walker’s Three Lectures for the Sandars Readership in Bibliography, Delivered at Cambridge, November 6, 13, & 20, 1924, 140–42 21st century: Goldsby, Jacqueline, and Meredith L. McGill, “What is ‘Black’ about Black Bibliography?” 161–89; Priddle, Charlotte, review of Frost, Reading, Wanting, and Broken Economics: A Twenty-First Century Study of Readers and Bookshops in Southampton around 1900, 606–10; Rambsy II, Howard, “Carolyn Fowler’s Black Arts and Black Aesthetics and Public Bibliography,” 293–304 Circumambulation: Cho, Hwisang, “Embodied Literacy: Somatic Origins of Nonlinear Layouts in Chosŏn Epistolary Culture,” 93–127 Cloutier, Jean-Christophe, Shadow Archives: The Lifecycles of African American Literature, reviewed, 326–33 Colored Conventions: Robbins, Sarah, “‘As Being Bound with You’: Revising the Contexts of Garnet’s ‘Address to the Slaves of the United States of America,’” 191–213 Colored Conventions Project: Goldsby, Jacqueline, and Meredith L. McGill, “What is ‘Black’ about Black Bibliography?” 161–89; Spires, Derrick R., “On Liberation Bibliography: The 2021 BSA Annual Meeting Keynote,” 1–20; “Order and Access: Dorothy Porter and the Mission of Black Bibliography,” 255–75 Critical Bibliography: Strakhov, Elizaveta, “Opening Pandora’s Box: Charles d’Orléans’s Reception and the Work of Critical Bibliography,” 499–535 Da Rold, Orietta, Paper in Medieval England: From Pulp to Fictions, reviewed, 483–86 Dahn, Eurie, Jim Crow Networks: African American Periodical Cultures, reviewed, 322–24 Databases: Fulton, Allison, review of Poole, Henderson, and Nasifoglu, Robert Hooke’s Books, database, 594–97; Sommers, Samantha M., review of Fielder and Senchyne, eds., Against a Sharp White Background: Infrastructures of African American Print, 317–22; Spires, Derrick R., “On Liberation Bibliography: The 2021 BSA Annual Meeting Keynote,” 1–20; “Order and Access: Dorothy Porter and the Mission of Black Bibliography,” 255–75 Descriptive Bibliography: Goldsby, Jacqueline, and Meredith L. McGill, “What is ‘Black’ about Black Bibliography?” 161–89; Gwara, Joseph J., “Who Printed Huon? New Light on the Early Tudor Book Trade,” 409–81; Taylor, Gary, “Play Manuscripts, Vectors of Transmission, and Shakespeare’s Henry the fifth,” 343–78; Winship, Michael, “Early Publication History of Narrative of James Williams, an American Slave (1838),” 277–91 Dewey Decimal Classification System: Spires, Derrick R., “On Liberation Bibliography: The 2021 BSA Annual Meeting Keynote,” 1–20; “Order and Access: Dorothy Porter and the Mission of Black Bibliography,” 255–75 Di Pietro, Debora M., review of Johnston, ed., A British Book Collector: Rare Books and Manuscripts in the R. E. Hart Collection, Blackburn Museum and Art Gallery, 610–13 Di Pietro, Debora M., review of Wardhaugh et al., Euclid in Print, 1482–1703: A Catalogue of the Editions of the Elements and other Euclidean Works, 486–89 DiCuirci, Lindsay, Colonial Revivals: The Nineteenth-Century Lives of Early American Books, reviewed, 492–95 Digitization: Rambsy II, Howard, “Carolyn Fowler’s Black Arts and Black Aesthetics and Public Bibliography,” 293–304; Spires, Derrick R., “Order and Access: Dorothy Porter and the Mission of Black Bibliography,” 255–75 Doe, Tony, and Christopher Thornton, eds., Dr Thomas Plume, 1630–1704: His Life and Legacies in Essex, Kent and Cambridge, reviewed, 137–40 Donne, John: Heffernan, Megan, review of McCarthy, Doubtful Readers: Print, Poetry, and the Reading Public in Early Modern England, 134–37 d’Orléans, Charles: Strakhov, Elizaveta, “Opening Pandora’s Box: Charles d’Orléans’s Reception and the Work of Critical Bibliography,” 499–535 Douglass, Frederick: Goldsby, Jacqueline, and Meredith L. McGill, “What is ‘Black’ about Black Bibliography?” 161–89; Winship, Michael, “Early Publication History of Narrative of James Williams, an American Slave (1838),” 277–91 Du Bois, William Edward Burghardt: Goldsby, Jacqueline, and Meredith L. McGill, “What is ‘Black’ about Black Bibliography?” 161–89; Nishikawa, Kinohi, “Mumbo Jumbo’s Paratextual Condition,” 215–54; Lee, Jeong Yeon, “Compiling ‘A Selected Bibliography of Bibliographies of African American Writing,’” 305–07 Dust Jackets: Adams, Christopher, “‘Could you make it rather more of a He and She picture’: Queer Texts and Dust-Jackets in Mid-Twentieth Century British Fiction,” 537–65 Early English Text Society: Gwara, Joseph J., “Who Printed Huon? New Light on the Early Tudor Book Trade,” 409–81 Embroidery: Cho, Hwisang, “Embodied Literacy: Somatic Origins of Nonlinear Layouts in Chosŏn Epistolary Culture,” 93–127 Enumerative Bibliography: Rambsy II, Howard, “Carolyn Fowler’s Black Arts and Black Aesthetics and Public Bibliography,” 293–304; Spires, Derrick R., “On Liberation Bibliography: The 2021 BSA Annual Meeting Keynote,” 1–20; “Order and Access: Dorothy Porter and the Mission of Black Bibliography,” 255–75 Epistolary Literature: Cho, Hwisang, “Embodied Literacy: Somatic Origins of Nonlinear Layouts in Chosŏn Epistolary Culture,” 93–127; Spunaugle, Emily D., “Epistolary Poetics: Reading the Manuscript Interventions of Melesina Trench,” 379–407 Fell, John: Blake, Liza, “Margaret Cavendish’s University Years: Batch Bindings and Trade Bindings in Cambridge and Oxford,” 21–91 Feminist Bibliography: Spires, Derrick R., “On Liberation Bibliography: The 2021 BSA Annual Meeting Keynote,” 1–20; Spunaugle, Emily D., “Epistolary Poetics: Reading the Manuscript Interventions of Melesina Trench,” 379–407; Taylor, Gary, “Play Manuscripts, Vectors of Transmission, and Shakespeare’s Henry the fifth,” 343–78; Houghton, Eve, “Private Owners, Public Books: Henrietta Bartlett’s Feminist Bibliography,” 567–87 Fillets: Blake, Liza, “Margaret Cavendish’s University Years: Batch Bindings and Trade Bindings in Cambridge and Oxford,” 21–91 Fleuron: Blake, Liza, “Margaret Cavendish’s University Years: Batch Bindings and Trade Bindings in Cambridge and Oxford,” 21–91 Frost, Simon R., Reading, Wanting, and Broken Economics: A Twenty-First Century Study of Readers and Bookshops in Southampton around 1900, reviewed, 606–10 Fulton, Allison, review of Poole, Henderson, and Nasifoglu, Robert Hooke’s Books, database, 594–97 Gallon, Kim, review of Dahn, Jim Crow Networks: African American Periodical Cultures, 322–26; review of Hefner, Black Pulp: Genre Fiction in the Shadow of Jim Crow, 322–26 Gardner, Eric, Black Print Unbound: The “Christian Recorder,” African American Literature, and Periodical Culture, reviewed, 313–17 Garnet, Henry Highland: Robbins, Sarah, “‘As Being Bound with You’: Revising the Contexts of Garnet’s ‘Address to the Slaves of the United States of America,’” 191–213 Goldsby, Jacqueline, and Meredith L. McGill, “What is ‘Black’ about Black Bibliography?” 161–89 Greg, Walter Wilson: Taylor, Gary, “Play Manuscripts, Vectors of Transmission, and Shakespeare’s Henry the fifth,” 343–78 Gwara, Joseph J., “Who Printed Huon? New Light on the Early Tudor Book Trade,” 409–81 Hall, Radclyffe: Adams, Christopher, “‘Could You Make It Rather More of a He and She picture’: Queer Texts and Dust-Jackets in Mid-Twentieth Century British Fiction,” 537–65 Heffernan, Megan, review of McCarthy, Doubtful Readers: Print, Poetry, and the Reading Public in Early Modern England, 134–37 Hefner, Brooks E., Black Pulp: Genre Fiction in the Shadow of Jim Crow, reviewed, 324–26 Helton, Laura E., review of McHenry, To Make Negro Literature: Writing, Literary Practice, and African American Authorship, 309–13 Henry V (Shakespeare): Taylor, Gary, “Play Manuscripts, Vectors of Transmission, and Shakespeare’s Henry the fifth,” 343–78 Historically Black Colleges and Universities: Rambsy II, Howard, “Carolyn Fowler’s Black Arts and Black Aesthetics and Public Bibliography,” 293–304 Houghton, Eve, “Private Owners, Public Books: Henrietta Bartlett’s Feminist Bibliography,” 567–87 Hovde, Sarah, review of Stauffer, Book Traces: Nineteenth Century Readers and the Future of the Library, 601–06 Hui, Su: Cho, Hwisang, “Embodied Literacy: Somatic Origins of Nonlinear Layouts in Chosŏn Epistolary Culture,” 93–127 Hundred Years War: Strakhov, Elizaveta, “Opening Pandora’s Box: Charles d’Orléans’s Reception and the Work of Critical Bibliography,” 499–535 Huon of Bordeaux: Gwara, Joseph J., “Who Printed Huon? New Light on the Early Tudor Book Trade,” 409–81 Jim Crow: Gallon, Kim, review of Dahn, Jim Crow Networks: African American Periodical Cultures, 322–26; review of Hefner, Black Pulp: Genre Fiction in the Shadow of Jim Crow, 322–26 Johnston, Cynthia ed., A British Book Collector: Rare Books and Manuscripts in the R. E. Hart Collection, Blackburn Museum and Art Gallery, reviewed, 610–13 Jones, Kassidi, review of Gardner, Black Print Unbound: The “Christian Recorder,” African American Literature, and Periodical Culture, 313–17 Kallendorf, Craig, review of Böninger, Niccolò di Lorenzo della Magna and the Social World of Florentine Printing, ca. 1470–1493, 591–93 Kelmscott Press: Stoneman, William P., review of Loxley, ed., Emery Walker: Arts, Crafts and a World in Motion; review of Mathews and Rosenblum, eds., Printing for Book Production: Emery Walker’s Three Lectures for the Sandars Readership in Bibliography, Delivered at Cambridge, November 6, 13, & 20, 1924, 140–42; Terekhov, Jessica, review of Peterson, Morris & Company: Essays on Fine Printing, 142–45 Korean Literature: Cho, Hwisang, “Embodied Literacy: Somatic Origins of Nonlinear Layouts in Chosŏn Epistolary Culture,” 93–127 Kray, Jill, and Paolo Sachet, eds., The Afterlife of Aldus: Posthumous Fame, Collectors and the Book Trade, reviewed, 129–34 Lee, Jarena: Spires, Derrick R., “On Liberation Bibliography: The 2021 BSA Annual Meeting Keynote,” 1–20 Lee, Jeong Yeon, “Compiling ‘A Selected Bibliography of Bibliographies of African American Writing,’” 305–07 Liberation Bibliography: Spires, Derrick R., “On Liberation Bibliography: The 2021 BSA Annual Meeting Keynote,” 1–20 Library of Congress Classification System: Spires, Derrick R., “Order and Access: Dorothy Porter and the Mission of Black Bibliography,” 255–75 Literacy: Cho, Hwisang, “Embodied Literacy: Somatic Origins of Nonlinear Layouts in Chosŏn Epistolary Culture,” 93–127; Heffernan, Megan, review of McCarthy, Doubtful Readers: Print, Poetry, and the Reading Public in Early Modern England, 134–37 Lomazow, Steven, Magazines and the American Experience: Highlights from the Collection of Steven Lomazow, reviewed, 613–16 Loxley, Simon, ed., Emery Walker: Arts, Crafts and a World in Motion; reviewed, 140–142 Lydgate, John: Gwara, Joseph J., “Who Printed Huon? New Light on the Early Tudor Book Trade,” 409–81; Strakhov, Elizaveta, “Opening Pandora’s Box: Charles d’Orléans’s Reception and the Work of Critical Bibliography, 499–535 Magazines: Barton, Melissa, review of West, Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America, 333–37; Braun, Jolie, review of Lomazow, Magazines and the American Experience: Highlights from the Collection of Steven Lomazow, 613–16 Maret, Russell, Visionaries & Fanatics and Other Essays on Type Design, Technology, and the Private Press, reviewed, 616–18 Mathematics: Di Pietro, Debora M., review of Wardhaugh et al., Euclid in Print, 1482–1703: A Catalogue of the Editions of the Elements and other Euclidean Works, 486–89 Mathews, Richard, and Joseph Rosenblum, eds., Printing for Book Production: Emery Walker’s Three Lectures for the Sandars Readership in Bibliography, Delivered at Cambridge, November 6, 13, & 20, 1924, reviewed, 140–42 McCarthy, Erin A., Doubtful Readers: Print, Poetry, and the Reading Public in Early Modern England, reviewed, 134–137 McHenry, Elizabeth, To Make Negro Literature: Writing, Literary Practice, and African American Authorship, reviewed, 309–13 McKerrow, Ronald Brunlees: Taylor, Gary, “Play Manuscripts, Vectors of Transmission, and Shakespeare’s Henry the fifth,” 343–78 Mexico: Valdez, Daniela Oyola, review of Zeltsman, Ink under the Fingernails Printing Politics in Nineteenth-Century Mexico, 597–601 Milton, John: Heffernan, Megan, review of McCarthy, Doubtful Readers: Print, Poetry, and the Reading Public in Early Modern England, 134–37; Nishikawa, Kinohi, “Mumbo Jumbo’s Paratextual Condition,” 215–54 Murray, Daniel A. P.: Goldsby, Jacqueline, and Meredith L. McGill, “What is ‘Black’ about Black Bibliography?” 161–89 Mychell, John: Gwara, Joseph J., “Who Printed Huon? New Light on the Early Tudor Book Trade,” 409–81 New Bibliography: Taylor, Gary, “Play Manuscripts, Vectors of Transmission, and Shakespeare’s Henry the fifth,” 343–78 Nineteenth Century Collections Online: Spires, Derrick R., “Order and Access: Dorothy Porter and the Mission of Black Bibliography,” 255–75 Nishikawa, Kinohi, “Mumbo Jumbo’s Paratextual Condition,” 215–54 Notary, Julian: Gwara, Joseph J., “Who Printed Huon? New Light on the Early Tudor Book Trade,” 409–81 Ornamental Alphabet: Gwara, Joseph J., “Who Printed Huon? New Light on the Early Tudor Book Trade,” 409–81 Osiris: Nishikawa, Kinohi, “Mumbo Jumbo’s Paratextual Condition,” 215–54 Oxford University: Blake, Liza, “Margaret Cavendish’s University Years: Batch Bindings and Trade Bindings in Cambridge and Oxford,” 21–91 Palindromic Poems: Cho, Hwisang, “Embodied Literacy: Somatic Origins of Nonlinear Layouts in Chosŏn Epistolary Culture,” 93–127 Panel Binding: Blake, Liza, “Margaret Cavendish’s University Years: Batch Bindings and Trade Bindings in Cambridge and Oxford,” 21–91 Papa Legba: Nishikawa, Kinohi, “Mumbo Jumbo’s Paratextual Condition,” 215–54 Paper Studies: Christenson, Julie, review of Da Rold, Paper in Medieval England: From Pulp to Fictions, 483–86 Paratext: Nishikawa, Kinohi, “Mumbo Jumbo’s Paratextual Condition,” 215–54 Peterson, William S., Morris & Company: Essays on Fine Printing, reviewed, 142–45 Pollard, Alfred William: Houghton, Eve, “Private Owners, Public Books: Henrietta Bartlett’s Feminist Bibliography,” 567–87; Taylor, Gary, “Play Manuscripts, Vectors of Transmission, and Shakespeare’s Henry the fifth,” 343–78 Poole, William, Felicity Henderson, and Yelda Nasifoglu, Robert Hooke’s Books, database, reviewed, 594–97 Porter, Dorothy: Spires, Derrick R., “On Liberation Bibliography: The 2021 BSA Annual Meeting Keynote,” 1–20; “Order and Access: Dorothy Porter and the Mission of Black Bibliography,” 255–75 Post-bellum, Pre-Harlem: Helton, Laura E., review of McHenry, To Make Negro Literature: Writing, Literary Practice, and African American Authorship, 309–13 Priddle, Charlotte, review of Frost, Reading, Wanting, and Broken Economics: A Twenty-First Century Study of Readers and Bookshops in Southampton around 1900, 616–10 Private Press: Gehl, Paul F., review of Russell, Visionaries & Fanatics and Other Essays on Type Design, Technology, and the Private Press, 616–18 Pynson, Richard: Gwara, Joseph J., “Who Printed Huon? New Light on the Early Tudor Book Trade,” 409–81 Queer Studies: Adams, Christopher, “‘Could You Make It Rather More of a He and She picture’: Queer Texts and Dust-Jackets in Mid-Twentieth Century British Fiction,” 537–65 Rambsy II, Howard, “Carolyn Fowler’s Black Arts and Black Aesthetics and Public Bibliography,” 293–304 Rare Book School: Goldsby, Jacqueline, and Meredith L. McGill, “What is ‘Black’ about Black Bibliography?” 161–89 Redman, Robert: Gwara, Joseph J., “Who Printed Huon? New Light on the Early Tudor Book Trade,” 409–81 Reed, Ishmael: Nishikawa, Kinohi, “Mumbo Jumbo’s Paratextual Condition,” 215–54 Rial Costas, Benito ed., Aldo Manuzio en la España del Renacimiento, reviewed, 489–92 Robbins, Sarah, “‘As Being Bound with You’: Revising the Contexts of Garnet’s ‘Address to the Slaves of the United States of America,’” 191–213 Rolls: Blake, Liza, “Margaret Cavendish’s University Years: Batch Bindings and Trade Bindings in Cambridge and Oxford,” 21–91 Sachet, Paolo, review of Costas, ed., Aldo Manuzio en la España del Renacimiento, 489–92 Sammelbände: Spunaugle, Emily D., “Epistolary Poetics: Reading the Manuscript Interventions of Melesina Trench,” 379–407 Savage, Elizabeth, Early Colour Printing: German Renaissance Woodcuts at the British Museum, reviewed, 589–90 Schomburg, Arthur: Spires, Derrick R., “Order and Access: Dorothy Porter and the Mission of Black Bibliography,” 255–75; Soto, Margarita M. Castromán, review of Cloutier, Shadow Archives: The Lifecycles of African American Literature, 326–33 Self-care: Spunaugle, Emily D., “Epistolary Poetics: Reading the Manuscript Interventions of Melesina Trench,” 379–407 Shakespeare, William: Heffernan, Megan, review of McCarthy, Doubtful Readers: Print, Poetry, and the Reading Public in Early Modern England, 134–37; Houghton, Eve, “Private Owners, Public Books: Henrietta Bartlett’s Feminist Bibliography,” 567–87; Taylor, Gary, “Play Manuscripts, Vectors of Transmission, and Shakespeare’s Henry the fifth,” 343–78 Short–Title Catalogue: Gwara, Joseph J., “Who Printed Huon? New Light on the Early Tudor Book Trade,” 409–81 Sommers, Samantha M., review of Fielder and Senchyne, eds., Against a Sharp White Background: Infrastructures of African American Print, 317–22 Soto, Margarita M. Castromán, review of Cloutier, Shadow Archives: The Lifecycles of African American Literature, 326–33 Spires, Derrick R., “On Liberation Bibliography: The 2021 BSA Annual Meeting Keynote,” 1–20; “Order and Access: Dorothy Porter and the Mission of Black Bibliography,” 255–75 Spunaugle, Emily D., “Epistolary Poetics: Reading the Manuscript Interventions of Melesina Trench,” 379–407 Stauffer, Andrew M., Book Traces: Nineteenth Century Readers and the Future of the Library, reviewed, 601–06 Stoneman, William P., review of Loxley, ed., Emery Walker: Arts, Crafts and a World in Motion; Mathews and Rosenblum, eds.; review of Mathews and Rosenblum, eds., Printing for Book Production: Emery Walker’s Three Lectures for the Sandars Readership in Bibliography, Delivered at Cambridge, November 6, 13, & 20, 1924, 140–42 Strakhov, Elizaveta, “Opening Pandora’s Box: Charles d’Orléans’s Reception and the Work of Critical Bibliography,” 499–535 Taylor, Gary, “Play Manuscripts, Vectors of Transmission, and Shakespeare’s Henry the fifth,” 343–78 Terekhov, Jessica, review of Peterson, Morris & Company: Essays on Fine Printing, 142–45 Textura: Gwara, Joseph J., “Who Printed Huon? New Light on the Early Tudor Book Trade,” 409–81 Translation: Strakhov, Elizaveta, “Opening Pandora’s Box: Charles d’Orléans’s Reception and the Work of Critical Bibliography,” 499–535 Trench, Melesina: Spunaugle, Emily D., “Epistolary Poetics: Reading the Manuscript Interventions of Melesina Trench,” 379–407 Valdez, Daniela Oyola, review of Zeltsman, Ink under the Fingernails Printing Politics in Nineteenth-Century Mexico, 597–601 Vulgar Script: Cho, Hwisang, “Embodied Literacy: Somatic Origins of Nonlinear Layouts in Chosŏn Epistolary Culture,” 93–127 Walker, David: Robbins, Sarah, “‘As Being Bound with You’: Revising the Contexts of Garnet’s ‘Address to the Slaves of the United States of America,’” 191–213 Wardhaugh, Benjamin, with Philip Beeley and Yelda Nasifoglu, Euclid in Print, 1482–1703: A Catalogue of the Editions of the Elements and other Euclidean Works, reviewed, 486–89 Weber, Breanne, review of Doe and Thornton, eds., Dr Thomas Plume, 1630–1704: His Life and Legacies in Essex, Kent and Cambridge, 137–40 West, E. James, Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America, reviewed, 333–37 Wheatley, Phillis: Goldsby, Jacqueline, and Meredith L. 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New Light on the Early Tudor Book Trade,” 409–81 Zeltsman, Corinna, Ink under the Fingernails. Printing Politics in Nineteenth-Century Mexico, reviewed, 597–601 Previous article DetailsFiguresReferencesCited by The Papers of the Bibliographical Society of America Volume 116, Number 4December 2022 Published for the Bibliographical Society of America Article DOIhttps://doi.org/10.1086/722599 © 2022 Bibliographical Society of America. All rights reserved.PDF download Crossref reports no articles citing this article.