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Contents of Volume 116

2022; Bibliographical Society of America; Volume: 116; Issue: 4 Linguagem: Inglês

10.1086/722493

2377-6528

Previous articleNext article FreeContents of Volume 116PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreOn Liberation Bibliography: The 2021 BSA Annual Meeting Keynote by Derrick R. Spires1Margaret Cavendish’s University Years: Batch Bindings and Trade Bindings in Cambridge and Oxford by Liza Blake21Embodied Literacy: Somatic Origins of Nonlinear Layouts in Chosŏn Epistolary Culture by Hwisang Cho93What is “Black” about Black Bibliography? by Jacqueline Goldsby and Meredith L. McGill161“As being bound with you”: Revising the Contexts of Garnet’s “Address to the Slaves of the United States of America” by Sarah Robbins191Mumbo Jumbo’s Paratextual Condition by Kinohi Nishikawa215Order and Access: Dorothy Porter Wesley and the Mission of Black Bibliography by Derrick R. Spires255Play Manuscripts, Vectors of Transmission, and Shakespeare’s Henry the fifth by Gary Taylor343Epistolary Poetics: Reading the Manuscript Interventions of Melesina Trench by Emily D. Spunaugle379Who Printed Huon? New Light on the Early Tudor Book Trade by Joseph J. Gwara409Opening Pandora’s Box: Charles d’Orléans’s Reception and the Work of Critical Bibliography (The 2022 BSA Annual Meeting Keynote)499 by Elizaveta Strakhov“Could you make it rather more of a He and She picture”: Queer Texts and Dust Jackets in Mid-Twentieth Century British Fiction537 by Christopher AdamsPrivate Owners, Public Books: Henrietta Bartlett’s Feminist Bibliography567 by Eve Houghtonbibliographical notesEarly Publication History of Narrative of James Williams, an American Slave (1838) by Michael Winship277reflections on bibliographical workCarolyn Fowler’s Black Arts and Black Aesthetics and Public Bibliography by Howard Rambsy II293Compiling “A Selected Bibliography of Bibliographies of African American Writing” by Jeong Yeon Lee305reviewsJill Kray and Paolo Sachet, eds. The Afterlife of Aldus: Posthumous Fame, Collectors and the Book Trade. by Alessandra Bordini129Erin A. McCarthy. Doubtful Readers: Print, Poetry, and the Reading Public in Early Modern England. by Megan Heffernan134Tony Doe and Christopher Thornton, eds. Dr Thomas Plume, 1630–1704: His Life and Legacies in Essex, Kent and Cambridge. by Breanne Weber137Simon Loxley, ed. Emery Walker: Arts, Crafts and a World in Motion; Richard Mathews and Joseph Rosenblum, eds. Printing for Book Production: Emery Walker’s Three Lectures for the Sandars Readership in Bibliography, Delivered at Cambridge, November 6, 13, & 20, 1924. by William P. Stoneman140William S. Peterson. Morris & Company: Essays on Fine Printing. by Jessica Terekhov142Elizabeth McHenry, To Make Negro Literature: Writing, Literary Practice, and African American Authorship. by Laura Helton309Eric Gardner, Black Print Unbound: The“Christian Recorder,”African American Literature, and Periodical Culture. by Kassidi Jones313Brigitte Fielder and Jonathan Senchyne, eds. Against a Sharp White Background: Infrastructures of African American Print. by Samantha M. Sommers317Eurie Dahn, Jim Crow Networks African American Periodical Cultures; Brooks E. Hefner, Black Pulp: Genre Fiction in the Shadow of Jim Crow. by Kim Gallon322Jean-Christophe Cloutier, Shadow Archives: The Lifecycles of African American Literature. by Margarita M. Castromán Soto326E. James West, Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America. by Melissa Barton333Orietta Da Rold. Paper in Medieval England: From Pulp to Fictions. by Julie Christenson483Benjamin Wardhaugh, with Philip Beeley and Yelda Nasifoglu. Euclid in Print, 1482–1703: A Catalogue of the Editions of the “Elements” and Other Euclidean Works. by Debora M. Di Pietro486Benito Rial Costas, ed. Aldo Manuzio en la España del Renacimiento. by Paolo Sachet489Lindsay DiCuirci. Colonial Revivals: The Nineteenth-Century Lives of Early American Books. by Ashley Cataldo492Elizabeth Savage. Early Colour Printing: German Renaissance Woodcuts at the British Museum. by Elisabeth Brander589Lorenz Böninger. Niccolò di Lorenzo della Magna and the Social World of Florentine Printing, ca. 1470–1493. by Craig Kallendorf591William Poole, Felicity Henderson, and Yelda Nasifoglu. Robert Hooke’s Books. by Allison Fulton594Corinna Zeltsman. Ink under the Fingernails. Printing Politics in Nineteenth-Century Mexico. by Daniela Oyola Valdez597Andrew M. Stauffer. Book Traces: Nineteenth Century Readers and the Future of the Library. by Sarah Hovde601Simon R. Frost. Reading, Wanting, and Broken Economics: A Twenty-First Century Study of Readers and Bookshops in Southampton around 1900. by Charlotte Priddle606Cynthia Johnston, ed. A British Book Collector: Rare Books and Manuscripts in the R. E. Hart Collection, Blackburn Museum and Art Gallery. by Debora M. Di Pietro610Steven Lomazow. Magazines and the American Experience: Highlights from the Collection of Steven Lomazow, M.D. by Jolie Braun613Russell Maret. Visionaries & Fanatics and Other Essays on Type Design, Technology, and the Private Press. by Paul F. Gehl616announcements and noticesSociety Information147, 339, 497, 619Bylaws of the Bibliographical Society of America625annual index of volume 116633View Table Image: 1 | 2 | 3 | 4 | 5 Previous articleNext article DetailsFiguresReferencesCited by The Papers of the Bibliographical Society of America Volume 116, Number 4December 2022 Published for the Bibliographical Society of America Article DOIhttps://doi.org/10.1086/722493 © 2022 Bibliographical Society of America. All rights reserved.PDF download Crossref reports no articles citing this article.