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Illustration Credits

2022; University of Chicago Press; Volume: 57; Linguagem: Inglês

10.1086/723701

2169-3072

Archaeological Research and Protection

Previous article FreeIllustration CreditsPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreNew Evidence for the Origins of a Royal Copper Head from the Ancient Near East: © Cincinnati Art Museum / Bridgeman Images: fig. 6; Image © The Metropolitan Museum of Art: figs. 1, 2, 5; Image © The Metropolitan Museum of Art, photo by Anna-Marie Kellen: fig. 3; © Musée du Louvre, Dist. RMN-Grand Palais / Raphaël Chipault / Art Resource, NY: figs. 7, 10; Courtesy of the Oriental Institute of the University of Chicago: fig. 9; Scala / Art Resource, NY: figs. 4, 8Sculpting Reputation: A Terracotta Bust of Senesino by Roubiliac: Cornici 1984: fig. 10; © Harris Museum and Art Gallery / Bridgeman Images: fig. 7; Image © The Metropolitan Museum of Art: figs. 1, 2; © National Maritime Museum, Greenwich, London: fig. 4; © The Royal Society: fig. 8; © The Trustees of the British Museum: figs. 3, 5, 9; © Victoria and Albert Museum, London: fig. 6Witnessing Ingenuity: Lacquerware from Michoacán for the Vicereine of New Spain: Photo by Leonardo Hernández: fig. 8; Courtesy of The Hispanic Society of America, New York: fig. 4; López Sarrelangue 1999: fig. 3; Image © The Metropolitan Museum of Art: figs. 1, 12; Museo de América, Madrid, photo by Joaquin Otero: figs. 2, 7, 9–11; Photo © Museum Associates/LACMA: fig. 6; Urrechaga 2014: fig. 5John Kay’s Watercolor Drawing John Campbell (1782): Image © The Metropolitan Museum of Art: figs. 1, 7; Image © The Metropolitan Museum of Art, photo by Mark Morosse: figs. 4–6, 8; National Galleries of Scotland: figs. 2, 9; Courtesy of Sotheby’s: fig. 3A Tale of Two Chapeaux: Fashion, Revolution, and David’s Portrait of the Lavoisiers: Art Resource: fig. 11; Bibliothèque Nationale de France: fig. 10; Photo © President and Fellows of Harvard College: fig. 7; Image © The Metropolitan Museum of Art: figs. 1, 6, 8; The Metropolitan Museum of Art, Department of Scientific Research: fig. 2; Photograph © 2022 Museum of Fine Arts, Boston: fig. 4; © RMN-Grand Palais / Art Resource, NY, photo by Franck Raux: fig. 12; With the permission of the Royal Ontario Museum, © ROM: fig. 3; © The Trustees of the British Museum: fig. 5Hearing Witness: The Wičhówoyake of Matȟó Nážiŋ’s Little Bighorn Muslins: Denver Public Library, Western History Collection: fig. 10; Foundation for the Preservation of American Indian Arts and Culture, Saint Augustine’s Indian Center, Chicago: figs. 2–3; Library of Congress: fig. 8; Image © The Metropolitan Museum of Art: figs. 1, 4; Image © The Metropolitan Museum of Art, photo by Evan Read: fig. 12; National Anthropological Archives, Smithsonian Institution: fig. 5; Courtesy of University of British Columbia Museum of Anthropology, Vancouver, Canada, photo by Reese Muntean: fig. 12; Wheelwright Museum of the American Indian: fig. 11Jacob Lawrence’s Work Theme, 1945–46: © 2022 Artists Rights Society (ARS), New York / SOMAAP, Mexico City. Courtesy of The New School Art Collection, photo by Tom Moore: fig. 9; © 2022 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York: fig. 8; © 2022 The Jacob and Gwendolyn Lawrence Foundation, Seatte / Artists Rights Society (ARS), New York. Image © The Metropolitan Museum of Art, photo by Juan Trujillo: fig. 1; © 2022 The Jacob and Gwendolyn Knight Lawrence Foundation, Seatte / Artists Rights Society (ARS), New York. Art Resource, NY: figs. 6–7; © 2022 The Jacob and Gwendolyn Knight Lawrence Foundation, Seatte / Artists Rights Society (ARS), New York. Image courtesy of University Museum, Southern Illinois University Carbondale, photo by Joshua Vossler: fig. 2; © 2022 the Jacob and Gwendolyn Knight Lawrence Foundation, Seattle Artists Rights Society (ARS), New York. Hirshhorn Museum and Sculpture Garden, Lee Stasworth: figs. 3–4; © 2022 The Jacob and Gwendolyn Knight Lawrence Foundation, Seatte / Artists Rights Society (ARS), New York. Photo courtesy Nelson Gallery Foundation: fig. 11;© 2022 The Jacob and Gwendolyn Knight Lawrence Foundation, Seatte / Artists Rights Society (ARS), New York. Nesbett 2000b. Image © The Metropolitan Museum of Art, photo by Teri Aderman: fig. 5; Image © The Metropolitan Museum of Art: fig. 10New Insights into Filippo Lippi’s Alessandri Altarpiece: © Archivio di Stato di Firenze: fig. 6; Art Resource, NY, photo by Erich Lessing: fig. 7; © Dean and Chapter of Westminster: fig. 8; Image © The Metropolitan Museum of Art: figs. 1–5A Monumental-Scale Crimson Velvet Cloth of Gold in The Met: Historical, Technical, and Materials Analysis: Angelo Hornak / Alamy Stock Photo: fig. 6; Image © The Metropolitan Museum of Art: figs. 1–3; The Metropolitan Museum of Art, Department of Scientific Research, photo by Federico Carò: figs. 13–17; The Metropolitan Museum of Art, Department of Textile Conservation, photo by Giulia Chiostrini: figs. 7–12; Image © The Metropolitan Museum of Art, photo by Bruce Schwarz: fig. 4; Dal Prà, Carmignani, Peri 2019, p. 199. Image © The Metropolitan Museum of Art, photo by Teri Aderman: fig. 5Malachite Networks: The Demidov and Medici Vases-Torchères in The Met: Biblioteca Berenson, I Tatti–The Harvard University Center for Italian Renaissance Studies: fig. 5; Image © The Metropolitan Museum of Art, photo by Teri Aderman: fig. 9; Image © The Metropolitan Museum of Art, photo by Richard Lee: fig. 1a, b; Image © The Metropolitan Museum of Art, photo by Mark Morosse: figs. 2–3; Parke-Bernet 1955. Image © The Metropolitan Museum of Art, photo by Mark Morosse: fig. 7; State Hermitage Museum: fig. 6 Previous article DetailsFiguresReferencesCited by Metropolitan Museum Journal Volume 572022 Sponsored by the Metropolitan Museum of Art Article DOIhttps://doi.org/10.1086/723701 © 2022 The Metropolitan Museum of Art, New York. All rights reserved.PDF download Crossref reports no articles citing this article.