Portal de Periódicos da CAPES

Criação poética e apreensão do real: prospecções sobre a “violentação da forma” em Transposição (1969), de Orides Fontela

2022; Volume: 31; Issue: 2 Linguagem: Inglês

10.24024/23579897v31n2a2022p1150125

2357-9897

Antonio Silva Sprock, Ivon Rabêlo Rodrigues,

Cultural, Media, and Literary Studies

This paper aims to verify how the poetic discourse of Orides Fontela captures and transforms the real throughout the process and as a product of poetic creation.To do so, it was used some poems present in his inaugural work Transposition (1969).were used.As a theoretical contribution, in turn, there was a brief review of discussions about apprehension of the real and poetic creation (MOISÉS, 2001;PAZ, 1982) and considerations about Orides' poetic discourse present in Lavelle et al (2019) andCastro (2015).The analysis of such poems from the aforementioned work, therefore, confirms the hypothesis that through a poetic effort that escapes the first person, Orides Fontela's poetic discourse creates a diction with semantic consequences that reflects the poetic creation as a violent act of rupture with "reality".