The Fashion Editrix in the U.S. Cinematic Imagination: From Funny Face to The Devil Wears Prada
2023; Wiley; Volume: 46; Issue: 1 Linguagem: Inglês
10.1111/jacc.13424
ISSN1542-734X
Autores Tópico(s)Visual Culture and Art Theory
ResumoThe Journal of American CultureVolume 46, Issue 1 p. 5-13 Original Article The Fashion Editrix in the U.S. Cinematic Imagination: From Funny Face to The Devil Wears Prada Myles Ethan Lascity, Corresponding Author Myles Ethan Lascity [email protected] Corresponding Author Email ID: [email protected]Search for more papers by this author Myles Ethan Lascity, Corresponding Author Myles Ethan Lascity [email protected] Corresponding Author Email ID: [email protected]Search for more papers by this author First published: 10 January 2023 https://doi.org/10.1111/jacc.13424Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL References Barger, Lilian Calles. “Backlash: From Nine to Five to The Devil Wears Prada.” Women's Studies, vol. 40, no. 3, 2011, pp. 336– 50. Bruzzi, Stella. Underdressing Cinema: Clothing and Identity in the Movies, Routledge, 1997. Bruzzi, Stella, and Pamela Church, Gibson. Fashion Cultures Revisited: Theories, Explorations and Analysis, Routledge, 2014. Gibson, Church. “ Pamela.” Fashion and Celebrity Culture, Berg, 2012. Ehrlich, Matthew C, and Joe Saltzman. Heroes and Scoundrels: The Image of the Journalist in Popular Culture, University of Illinois Press, 2015. Evans, Caroline, and Jussi Parikka. “Introduction: Touch, Click and Motion: Archaeologies of Fashion Film after Digital Culture.” Journal of Visual Culture, vol. 19, no. 3, 2020, pp. 323– 39. Film at Lincoln Center. “ Funny Face.” https://www.filmlinc.org/films/funny-face/FunnyFace. Directed by Stanley Donen, Paramount Pictures, 1957. Gaines, Jane, and Charlotte Herzog. Fabrications: Costume and the Female Body, Routledge, 1990. Garrett, Roberta. Postmodern Chick Flicks: The Return of the Woman's Film, Palgrave, 2007. Hutchinson, Pamela. “Funny Face: a film in love with fashion.” The Guardian, 27 Feb., 2014. https://www.theguardian.com/fashion/fashion-blog/2014/feb/27/funny-face-film-love-fashion-audrey-hepburn Jobling, Paul. “ When I get through with you, you'll look like a tree”: Fashion photography and contesting captivity in Funny Face.” Stimulus➔response. 88-99. https://issuu.com/stimulusrespond/docs/captive/88 June Bride. Directed by Bretaigne Windust, Warner Bros., 1940. McDonald, Tamar Jeffers. Hollywood Catwalk: Exploring Costume and Transformation in American Film. I.B.Tauris, 2010. McNair, Brian. Journalists in Film: Heroes and Villains, Edinburgh University Press, 2010. Munich, Adrienne. Fashion in Film, Indiana University Press, 2011. Radner, Hilary. Neo-feminist Cinema: Girly Films, Chick Flicks and Consumer Culture, Routledge, p. 20111. Sellers, Susan. “How Long Has This Been Going On? Harper's Bazaar, Funny Face and the Construction of the Modernist Woman.” Visible Language, vol. 29, no. 1, 1995, pp. 13– 35. Sheridan, Jayne. “Audrey Hepburn and the ‘Funny Face’ of Post-World War II Humanism.” Fashion-Wise, edited by Maria Vaccarella and Jacquelyn Foltyn. Brill, 2013, pp. 133- 140. The Devil Wears Prada. Directed by David Frankel, 20th Century Fox, 2006. Today. “’Devil Wears Prada’ author says working with Anna Wintour was ‘wild.’” Today, 8 June, 2021. https://www.today.com/video/-devil-wears-prada-author-on-working-with-anna-wintour-114476101548 Volume46, Issue1Special Issue: FashionMarch 2023Pages 5-13 ReferencesRelatedInformation
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