Mary Shelley's Fictions: From "Frankenstein" to "Falkner"
2003; Johns Hopkins University Press; Volume: 42; Issue: 4 Linguagem: Inglês
10.2307/25601652
ISSN2330-118X
AutoresPatrick Vincent, Michael Eberle‐Sinatra,
Tópico(s)Folklore, Mythology, and Literature Studies
ResumoDedication Editor's Preface Abbreviations Notes on the Contributors Introduction N.Cook PART I: THE CRAFT OF WRITING In Defence of the 1831 Frankenstein N.Cook The Ends of the Fragment, the Problem of the Preface: Proliferation and Finality in The Last Man S.Thomas Mary Shelley and Edward Bulwer: Lodore as Hybrid Fiction R.Cronin PART II: GENDER Don't Say 'I Love You': Agency, Gender, and Romanticism in Mary Shelley's Matilda A.Francois & D.Mozes Mary Shelley's Valperga : Italy and the Revision of Romantic Aesthetics D.E.White Gender, Authorship and Male Domination: Mary Shelley's Limited Freedom in Frankenstein and The Last Man M.Eberle-Sinatra The Truth in Masquerade: Cross-Dressing and Disguise in Mary Shelley's Short Stories A.A.Markley PART III: THE CONTEMPORARY SCENE 'Little England': Anxieties of Space in Mary Shelley's The Last Man J.M.Wright Mary Shelley and Walter Scott: The Fortunes of Perkin Warbeck and the Historical Novel L.Garbin Mary Shelley and the Lake Poets: Negation and Transcendence in Lodore D.Vallins Lodore : A Tale of the Present Time? F.Stafford PART IV: THE PARENTAL LEGACY The Corpse in the Corpus: Frankenstein , Rewriting Wollstonecraft and the Abject M.Mulvey-Roberts Rehabilitating the Family in Mary Shelley's Falkner J.Saunders Public and Private Fidelity: Mary Shelley's 'Life of William Godwin' and Falkner G.Allen Index
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