Nobody’s Perfect: Or Why Did the English Stage Take Boys for Women?
1989; Duke University Press; Volume: 88; Issue: 1 Linguagem: Inglês
10.1215/00382876-88-1-7
ISSN1527-8026
Autores Tópico(s)Themes in Literature Analysis
ResumoResearch Article| January 01 1989 Nobody's Perfect: Or Why Did the English Stage Take Boys for Women? Stephen Orgel Stephen Orgel Search for other works by this author on: This Site Google South Atlantic Quarterly (1989) 88 (1): 7–29. https://doi.org/10.1215/00382876-88-1-7 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Stephen Orgel; Nobody's Perfect: Or Why Did the English Stage Take Boys for Women?. South Atlantic Quarterly 1 January 1989; 88 (1): 7–29. doi: https://doi.org/10.1215/00382876-88-1-7 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsSouth Atlantic Quarterly Search Advanced Search The text of this article is only available as a PDF. Copyright © 1989 by Duke University Press1989 Article PDF first page preview Close Modal You do not currently have access to this content.
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