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Welcome to the horror show. Settler colonialism, gender and the horror film

2023; Wiley; Volume: 60; Issue: 2 Linguagem: Inglês

10.1111/cars.12433

1755-618X

Laura Hall,

Geographies of human-animal interactions

Canadian Review of Sociology/Revue canadienne de sociologieVolume 60, Issue 2 p. 313-316 COMMITTING SOCIOLOGY Welcome to the horror show. Settler colonialism, gender and the horror film Laura Hall, Corresponding Author Laura Hall [email protected] Department of Sociology and Anthropology, Carleton University, Ottawa, Ontario, Canada Correspondence Laura Hall, Department of Sociology and Anthropology, Carleton University, B750 Loeb Building, 1125 Colonel By Drive, Ottawa, Ontario, K1S 5B6, Canada. Email: [email protected]Search for more papers by this author Laura Hall, Corresponding Author Laura Hall [email protected] Department of Sociology and Anthropology, Carleton University, Ottawa, Ontario, Canada Correspondence Laura Hall, Department of Sociology and Anthropology, Carleton University, B750 Loeb Building, 1125 Colonel By Drive, Ottawa, Ontario, K1S 5B6, Canada. Email: [email protected]Search for more papers by this author First published: 03 April 2023 https://doi.org/10.1111/cars.12433Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL REFERENCES Arata, S. D. (1990). The Occidental Tourist: “Dracula” and the Anxiety of Reverse Colonization. Victorian Studies, 33(4), 621– 645. Bettinelli-Olpin, M. Tyler Gillett, T. (2022). Scream. Paramount Pictures. Craven, W. (1996). Scream. Dimension Films. Clover, C. J. (1992). Men, Women, and Chain Saws: Gender in the Modern Horror Film - Updated Edition (REV-Revised). Princeton University Press. Finley, C. (2011) Decolonizing the queer native body (and recovering the native bull-dyke): bringing ‘sexy’ back and out of native studies’ closet. In: Q Driskill, C. Finley, B.J. Gilley, S.L. Morgensen (Eds.) Queer indigenous studies: critical interventions in theory, politics and literature. Tucson, AZ: University of Arizona Press, pp. 31– 42. Fleischer, R. (2009). Zombieland. Columbia Pictures. Fleischer, R. (2019). Zombieland: Double Tap. Columbia Pictures. Freeland, C. (2000). The Naked and the Undead: Evil and the Appeal of Horror. New York, Avalon Publishing. Garcia, D. B. (2022). The Texas Chainsaw Massacre. Legendary Pictures, Exurbia Films, and Bad Hombre. Gordon Green, D. (2021). Halloween Kills. Universal Pictures. Grant, B.K. (1996). The Dread of Difference: Gender and the Horror Film. Texas Film and Media Studies Series. University of Texas Press. Gordon Greenc, D. (2022). Halloween Ends. Universal Pictures. Kölsch, K. Widmyer, D. (2019). Pet Sematary. Paramount Pictures. Ling, J. (2022). How 4Chan’s Toxic Culture Helped Radicalize Buffalo Shooting Suspect. The Guardian. Muschietti, A. (2019). IT Chapter Two. New Line Cinema. Roth, E. (2013). The Green Inferno. Worldview Entertainment. Tuck, E. & Ree, C. (2013) A glossary of haunting. In: S.H. Jones, T.E. Adams & C. Ellis (Eds.) Handbook of autoethnography. Routledge Handbooks Online, pp. 639– 658. Wolfe, P. (2006) Settler colonialism and the elimination of the native. Journal of Genocide Research, 8(4), 387– 409. https://doi.org/10.1080/14623520601056240 Volume60, Issue2May 2023Pages 313-316 ReferencesRelatedInformation