Harmony Korine’s “Break from Reality”: Spring Breakers as Candy-Coloured Neon Noir
2016; University of Manitoba Press; Volume: 49; Issue: 4 Linguagem: Inglês
10.1353/mos.2016.a640853
ISSN1925-5683
Autores Tópico(s)Literature, Film, and Journalism Analysis
ResumoBasing the analysis on Jacques Lacan’s notion of enjoyment, this essay argues that with his fifth feature Spring Breakers, filmmaker Harmony Korine has stepped beyond the reality principle to which his previous films adhere in order to create a neon-coated, oneiric film noir.
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