Artigo Revisado por pares

First‐Person Fear: Bram Stoker's Mastery of Descriptions in Dracula

2023; Wiley; Volume: 56; Issue: 1 Linguagem: Inglês

10.1111/jpcu.13189

ISSN

1540-5931

Autores

Jeff Fields McCormack,

Tópico(s)

Crime and Detective Fiction Studies

Resumo

The Journal of Popular CultureVolume 56, Issue 1 p. 191-202 Original Article First-Person Fear: Bram Stoker's Mastery of Descriptions in Dracula Jeff Fields McCormack, Corresponding Author Jeff Fields McCormack [email protected] Search for more papers by this author Jeff Fields McCormack, Corresponding Author Jeff Fields McCormack [email protected] Search for more papers by this author First published: 17 July 2023 https://doi.org/10.1111/jpcu.13189Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Works Cited Clasen, Mathias. “Hauntings of Human Nature: An Evolutionary Critique of King's The Shining.” Style, vol. 51, no. 1, 2017, pp. 76– 87. JSTOR Arts & Sciences XIV, https://www.jstor.org/stable/10.5325/style.51.1.0076. Accessed 12 August 2021. Irving, Washington. “ The Legend of Sleepy Hollow.” The Sketch-Book, edited by Manning Susan, Oxford UP, 2009, pp. 291– 318. Jain, Devanshi. “ The Epistolary Nature Of Bram Stoker's Dracula.” The Curious Reader, 26 May 2018. https://www.thecuriousreader.in/features/dracula-epistolary-novel/. Accessed 12 August 2021. Meyer, Stephenie. Breaking Dawn. Little, Brown and Company, 2008. Meyer, Stephenie. Eclipse. Little, Brown, 2007. Meyer, Stephenie. New Moon. Little, Brown, 2006. Meyer, Stephenie. Twilight. Little, Brown and Company, 2005. Miller, John MacNeill. “Weird Beyond Description: Weird Fiction and the Suspicion of Scenery.” Victorian Studies, vol. 62, no. 2, Winter 2020, pp. 244– 52. Project Muse Premium Collection, doi: https://doi.org.proxy.tamuc.edu/10.2979/victorianstudies.62.2.12. Accessed 12 August 2021. Shelley, Mary. Frankenstein. 1818. Edited by Maurice Hindle, 3rd ed., Penguin, 2003. Stoker, Bram. Dracula. 1897. Dover, 2000. The Twilight Saga: Breaking Dawn – Part 1. Directed by Bill Condon, Summit Entertainment, 2011. The Twilight Saga: Breaking Dawn – Part 2. Directed by Bill Condon, Summit Entertainment, 2012. The Twilight Saga: Eclipse. Directed by David Slade, Summit Entertainment, 2010. The Twilight Saga: New Moon. Directed by Chris Weitz, Summit Entertainment, 2009. Thurston, Jonathan W. “The Face of the Beast: Bestial Descriptions and Psychological Response in Horror Literature.” Human Ecology Review, vol. 25, no. 2, 2019, pp. 35– 48. JSTOR Complete, https://www.jstor.org/stable/10.2307/26964353. Accessed 12 August 2021. Tillman, Kacy. “Paper Bodies: Letters and Letter Writing in the Early American Novel.” Tulsa Studies in Women's Literature, vol. 35, no. 1, 2016, pp. 123– 44. JSTOR Arts & Sciences III, https://www.jstor.org/stable/44784908. Accessed 12 August 2021. Twilight. Directed by Catherine Hardwicke, Summit Entertainment, 2008. Walpole, Horace. The Castle of Otranto. 1764. Edited by Groom Nick, 3rd ed., Oxford UP, 2014. Whedon, Joss, Creator. Buffy the Vampire Slayer. Mutual Enemy Productions, 2003. Volume56, Issue1February 2023Pages 191-202 ReferencesRelatedInformation

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