Plata Quemada
2003; UNIVERSIDADE FEDERAL DE SANTA MARIA; Issue: 1 Linguagem: Inglês
10.5902/1679849x74300
ISSN1679-849X
Autores Tópico(s)Spanish Culture and Identity
ResumoThere is a moment, about a half-hour into Marcelo Piñeyro's Plata Quemada (2000), of really quite pure tragic dimensions. I use the word "tragic" advisedly, not in its overused sense of "pathetic" or "unfortunate," nor to capture the inevitable violence and death that stalks all human existence. Rather, I use it in the sense of classical Greek drama to capture that instance in which the individual defies, if not the unforgiving gods, the inflexible rules that govern the harsh realities of social life.
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