Commentary on Channan Willner
1996; Society for Music Theory; Volume: 2; Issue: 5 Linguagem: Inglês
10.30535/mto.2.5.2
ISSN1067-3040
Autores ResumoChannan Willner’s article discusses hemiola from the vantage point of an omniscient analyst armed with a score. This commentary asks several questions about such an approach when applied to relatively unfamiliar music, raising the possibility of incorporating consideration of the listener’s (or analyst’s) state of knowledge (including knowledge of related works and of historical performance practice) into the analysis.
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