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Wolves, horses, bitches and other characters of gender violence in the work of Carolina Bianchi

2024; UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL; Volume: 14; Issue: 3 Linguagem: Inglês

10.1590/2237-2660132178vs02

ISSN

2237-2660

Autores

Luísa Jacques de Moraes Dalgalarrondo,

Tópico(s)

Latin American Literature Studies

Resumo

ABSTRACT This text analyzes the works of Carolina Bianchi, mainly LOBO (2018), O Tremor Magnífico (2020) and Trilogia Cadela Força – Capítulo I: A noiva e o Boa Noite Cinderela (2023). The article presents the artist, her most recent works and discusses how Bianchi brings into play the debate on gender violence, mainly through three thematic axes: the role of women in the History of Art, exploration of non-normative sexualities and the presence of non-humans in her works, which call for the debate about nature versus culture. It is dis-cussed how the artist articulates these elements on stage using strategies that seek to reveal tensions and contra-dictions, without presenting a resolution, but present an investigation of language and encourage critical and lively reflection.

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