Ingenieurssolipsismen in Großstadtutopien der 1920er Jahre
2024; De Gruyter; Volume: 49; Issue: 2 Linguagem: Inglês
10.1515/iasl-2024-0019
ISSN1865-9128
Autores ResumoAbstract This article provides an analysis of two dystopian novels: Yevgeny Zamyatin’s Мы ( We , 1924/25) and Thea von Harbou’s Metropolis (1925/26). Both novels stand out by engineers as protagonists. Their respective behaviour is driven by their use of building powers, their creative fantasy, but also by their ambition to rule within a seemingly well-ordered world. However, at the diegetic level, a fundamental ambivalence between the positive understanding of the engineer’s contribution to progress and his restricted and selfish solipsism remains unsolved.
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