Review of DanutaMirka, Hypermetric Manipulations in Mozart and Haydn: Chamber Music for Strings, 1787–1791 (Oxford and New York: Oxford University Press, 2021). xiii + 309 pp. ISBN: 9780197548905. £93.00 (hb).
2024; Wiley; Linguagem: Inglês
10.1111/musa.12238
ISSN1468-2249
Autores Tópico(s)Music Technology and Sound Studies
ResumoMusic AnalysisEarly View CRITICAL FORUM Review of Danuta Mirka, Hypermetric Manipulations in Mozart and Haydn: Chamber Music for Strings, 1787–1791 (Oxford and New York: Oxford University Press, 2021). xiii + 309 pp. ISBN: 9780197548905. £93.00 (hb). Jason Yust, Corresponding Author Jason Yust [email protected] Email: [email protected]Search for more papers by this author Jason Yust, Corresponding Author Jason Yust [email protected] Email: [email protected]Search for more papers by this author First published: 20 December 2024 https://doi.org/10.1111/musa.12238Read the full textAboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookxLinkedInRedditWechat References Brower, Candice, 1993: 'Memory and the Perception of Rhythm', Music Theory Spectrum, 15/i, pp. 19–35. 10.2307/745907 Google Scholar Burstein, L. 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