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From analogue to algorithm: How private production reshaped metal aesthetics

2024; Intellect; Volume: 10; Issue: 3 Linguagem: Inglês

10.1386/mms_00137_1

2052-4005

Marian Lux, Jan-Peter Herbst,

Fashion and Cultural Textiles

This article examines the impact of private, digitally driven music production on metal music culture. With the increased affordability, functionality and quality of computers and digital production technologies, musicians have been afforded the means to create recordings themselves. Advancements in digital music production, drum sampling and amplifier simulation have enabled high-quality replication of traditional sounds within a private production framework while encouraging sonic exploration. This study investigates the subculture of private metal musicians and the resulting digital production practices and aesthetics. We argue that, although deemed ‘abject’ by some metal purists, genres like djent that heavily rely on digital production have profoundly influenced metal culture. The once rejected ‘abject aesthetic’ of digital production has developed into commercially successful metal and become mainstream. Private production practices have not only shaped the sound of ‘modern metal’ subgenres like djent but also influenced established commercial studios and metal subgenres using their services.