Out of the shadows: expanding the canon of classic film noir
2012; Association of College and Research Libraries; Volume: 49; Issue: 09 Linguagem: Inglês
10.5860/choice.49-4955
ISSN1943-5975
Autores Tópico(s)Shakespeare, Adaptation, and Literary Criticism
ResumoAcknowledgments Prologue: Overlooked Noir PART ONE City of Night: The Advent of Film Noir CHAPTER ONE Black Mask Brigade: Dashiell Hammett, Hard-Boiled Fiction, and Film Noir CHAPTER TWO Exploring Film Noir: Stranger on the Third Floor and Other Films PART TWO Nightmare Town: Dashiell Hammett's Fiction as Film Noir CHAPTER THREE John Huston: The Maltese Falcon CHAPTER FOUR Stuart Heisler: The Glass Key Edward Buzzell: Song of the Thin Man PART THREE Darkness at Noon: Representative Noir Films CHAPTER FIVE Fritz Lang: Ministry of Fear and Scarlet Street CHAPTER SIX Alfred Hitchcock: Spellbound and Strangers on a Train CHAPTER SEVEN George Cukor: A Double Life Billy Wilder: Sunset Boulevard CHAPTER EIGHT Robert Siodmak: The Killers (1946) Don Siegel: The Killers (1964) CHAPTER NINE Otto Preminger: Laura and Anatomy of a Murder CHAPTER TEN Fred Zinnemann: Act of Violence Stanley Kubrick: The Killing CHAPTER ELEVEN Orson Welles: The Stranger and Touch of Evil PART FOUR The Lower Depths: The Rise of Neo-Noir CHAPTER TWELVE Dashiell Hammett and Neo-Noir: The Dain Curse and Hammett CHAPTER THIRTEEN Anthony Minghella: The Talented Mr. Ripley Liliana Cavani: Ripley's Game Afterword by Jim Welsh Filmography Selected Bibliography Index About the Author
Referência(s)